Wiegand, 2018 - Google Patents
Tableaux Vivants, Early Cinema and “Beauty-as-Attraction”Wiegand, 2018
View PDF- Document ID
- 908490807606996683
- Author
- Wiegand D
- Publication year
- Publication venue
- Acta Universitatis Sapientiae, Film and Media Studies
External Links
Snippet
This article offers a case study in intermediality and explores relationships between tableaux vivants performances and early cinema around 1900. It locates processes of intermedial exchange not only at the level of form but also at the level of modes of address and …
- 230000003796 beauty 0 abstract description 49
Classifications
-
- A—HUMAN NECESSITIES
- A63—SPORTS; GAMES; AMUSEMENTS
- A63J—DEVICES FOR THEATRES, CIRCUSES, OR THE LIKE; CONJURING APPLIANCES OR THE LIKE
- A63J5/00—Auxiliaries for producing special effects on stages, or in circuses or arenas
- A63J5/02—Arrangements for making stage effects; Auxiliary stage appliances
- A63J5/021—Mixing live action with images projected on translucent screens
-
- A—HUMAN NECESSITIES
- A63—SPORTS; GAMES; AMUSEMENTS
- A63H—TOYS, e.g. TOPS, DOLLS, HOOPS, BUILDING BLOCKS
- A63H3/00—Dolls
- A63H3/36—Details; Accessories
- A63H3/52—Dolls' houses, furniture, or other equipment; Dolls' clothing
-
- A—HUMAN NECESSITIES
- A63—SPORTS; GAMES; AMUSEMENTS
- A63H—TOYS, e.g. TOPS, DOLLS, HOOPS, BUILDING BLOCKS
- A63H33/00—Other toys
- A63H33/22—Optical, colour, or shadow toys
-
- A—HUMAN NECESSITIES
- A63—SPORTS; GAMES; AMUSEMENTS
- A63H—TOYS, e.g. TOPS, DOLLS, HOOPS, BUILDING BLOCKS
- A63H33/00—Other toys
- A63H33/38—Picture books with additional toy effects, e.g. pop-up or slide displays
-
- A—HUMAN NECESSITIES
- A63—SPORTS; GAMES; AMUSEMENTS
- A63F—CARD, BOARD, OR ROULETTE GAMES; INDOOR GAMES USING SMALL MOVING PLAYING BODIES; VIDEO GAMES; GAMES NOT OTHERWISE PROVIDED FOR
- A63F9/00—Games not otherwise provided for
- A63F9/06—Patience; Other games for self-amusement
- A63F9/10—Two-dimensional jig-saw puzzles
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Ezra | Georges Méliès | |
| Albright | Traces of Light: absence and presence in the work of Loïe Fuller | |
| Allan | Walt Disney and Europe | |
| Hollander | Moving pictures | |
| Feuer | The self‐reflective musical and the myth of entertainment | |
| Smith | Dickens and the Dream of Cinema | |
| Bloom | Pygmalionesque delusions and illusions of movement: Animation from Hoffmann to Truffaut | |
| Wiegand | Tableaux Vivants, Early Cinema and “Beauty-as-Attraction” | |
| Solomon | Up-to-date magic: theatrical conjuring and the trick film | |
| Lada-Richards | “Mobile statuary”: Refractions of pantomime dancing from Callistratus to Emma Hamilton and Andrew Ducrow | |
| Jacobs | Screening Statues: Sculpture in Film | |
| Adriaensens et al. | The sculptor’s dream: Tableaux vivants and living statues in the films of Méliès and Saturn | |
| Chaudhuri | Color Design in the Cinema of Wong Kar‐wai | |
| Thomas | Poison Books and Moving Pictures: Vulgarity in The Picture of Dorian Gray | |
| Wiegand | Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 | |
| Ray | Speaking of films | |
| Kusahara | Utsushi-e: Japanese magic lantern performance as pre-cinematic projection practice | |
| Schenk | The Creation of the Epic: Italian Silent Film to 1915 | |
| Veroli | Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine | |
| Jonckheere et al. | Métempsycose as attraction on the fairground: the migration of a ghost | |
| Meers | Hypertextuality in the diegesis of the megamusical: the aesthetic and cognitive relationship between silent era film and contemporary musical theatre | |
| Petković et al. | REFLECTIONS OF THE FRENCH ART BETWEEN THE MID-19TH AND THE EARLY 20TH CENTURIES IN VINCENTE MINNELLI’S FILMS | |
| Gu | A Comparative Study on the Phantom of the Opera: Narrative Inquiry Between Modern Film Narration and Musical Drama | |
| Schenk | The Silent Film from 1895 to the 1910s | |
| Jović | Reflections of the French Art Between the mid-19th and the Early 20th Centuries in Vincente Minnelli's Films |