Ahnert et al., 2000 - Google Patents
Sound reinforcement engineering: fundamentals and practiceAhnert et al., 2000
- Document ID
- 8480106746262247758
- Author
- Ahnert W
- Steffen F
- Publication year
External Links
Snippet
Sound reinforcement is the increasing of the power of sound signals and reproducing them as acoustic signals. This book gives an introduction to the fundamentals of sound reinforcement engineering, and also explains how it relates to disciplines such as room …
- 230000002787 reinforcement 0 title abstract description 95
Classifications
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04S—STEREOPHONIC SYSTEMS
- H04S7/00—Indicating arrangements; Control arrangements, e.g. balance control
- H04S7/30—Control circuits for electronic adaptation of the sound field
- H04S7/305—Electronic adaptation of stereophonic audio signals to reverberation of the listening space
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
- H04R27/00—Public address systems
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Ahnert et al. | Sound reinforcement engineering: fundamentals and practice | |
| Newell | Recording studio design | |
| Eargle | The Microphone Book: From mono to stereo to surround-a guide to microphone design and application | |
| US8311231B2 (en) | Automated sound system designing | |
| JPH0332300A (en) | Environmental acoustic equipment | |
| Sporer | Wave field synthesis-generation and reproduction of natural sound environments | |
| Boren et al. | I hear NY3D: Ambisonic capture and reproduction of an urban sound environment | |
| Ahnert et al. | Sound reinforcement for audio engineers | |
| Ellison et al. | The case for widely variable acoustics | |
| Corteel et al. | 3D speaker management systems–Mixer integration concepts | |
| Ljungberg | Standardized sound reproduction in cinemas and control rooms | |
| Hemingson et al. | A practical comparison of three tetrahedral ambisonic microphones | |
| Chiang et al. | Subjective evaluation of acoustical environments for solo performance | |
| Pirn | On the loudness of music rooms | |
| Ahnert et al. | Introduction to Considered Sound Systems | |
| Rumsey et al. | Effect of rear microphone spacing on spatial impression for omnidirectional surround sound microphone arrays | |
| Lee et al. | Sound field processor for creating virtual concert hall impression in home | |
| Baume et al. | Upping the auntie: A broadcaster’s take on ambisonics | |
| Klepper | A rational approach to sound system planning | |
| Rindel et al. | Origin and early activities in acoustics at the Technical University of Denmark | |
| Martin | Transitioning studio practice from stereo to 3D: Single instrument capture with a focus on the vertical image | |
| Kessler | An Optimized Method for Capturing Multidimensional “Acoustic Fingerprints” | |
| Connor et al. | Design Practice Relating to Acoustics in Schools | |
| Berkeley et al. | Effects on speech perception of modifying the impulse response of a small room | |
| Curtis et al. | Modeling Small Room Responses with a Real‐Time Digital Filter |