[go: up one dir, main page]

Nilsson, 2011 - Google Patents

A field of possibilities: Designing and playing digital musical instruments

Nilsson, 2011

View PDF
Document ID
67198724620838551
Author
Nilsson P
Publication year
Publication venue
rapport nr.: ArtMonitor 30

External Links

Snippet

This thesis focuses on a set of digital musical instruments I have designed and developed with ensemble improvisation in mind. The intention is not to create a universal improvisational instrument, but rather to create a set of instruments which each realize one …
Continue reading at gupea.ub.gu.se (PDF) (other versions)

Classifications

    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058—Transmission between separate instruments or between individual components of a musical system
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0008—Associated control or indicating means
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/101—Music Composition or musical creation; Tools or processes therefor
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/121—Musical libraries, i.e. musical databases indexed by musical parameters, wavetables, indexing schemes using musical parameters, musical rule bases or knowledge bases, e.g. for automatic composing methods
    • G10H2240/131—Library retrieval, i.e. searching a database or selecting a specific musical piece, segment, pattern, rule or parameter set
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/075—Musical metadata derived from musical analysis or for use in electrophonic musical instruments
    • G—PHYSICS
    • G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B5/00—Electrically-operated educational appliances
    • G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
    • G09B5/065—Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
    • G—PHYSICS
    • G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B15/00—Teaching music
    • G09B15/02—Boards or like means for providing an indication of notes
    • G09B15/04—Boards or like means for providing an indication of notes with sound emitters
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H5/00—Instruments in which the tones are generated by means of electronic generators
    • G—PHYSICS
    • G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B19/00—Teaching not covered by other main groups of this subclass
    • G—PHYSICS
    • G06—COMPUTING; CALCULATING; COUNTING
    • G06F—ELECTRICAL DIGITAL DATA PROCESSING
    • G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions

Similar Documents

Publication Publication Date Title
Cook Music as creative practice
Roads Composing electronic music: a new aesthetic
Nonken The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
Bowers Improvising machines: Ethnographically informed design for improvised electro-acoustic music
Nilsson A field of possibilities: Designing and playing digital musical instruments
Thompson et al. The science and psychology of music: From Beethoven at the office to Beyoncé at the gym
Baumann Embodied human–computer interaction in vocal music performance
White The AI Music Problem: Why Machine Learning Conflicts with Musical Creativity
Furduj Virtual orchestration: a film composer's creative practice
Ingebritsen Auditory kinesthesia: A framework to facilitate the design and performance of interactive music systems
Mason Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School
Williams Recording the story: Exploring the relationship between music production and narrative
Younglove The Saxophone Music of Alex Mincek and Eric Wubbels: Uses of Form, Repetition, and Extended Technique
Jackson The Creation, Performance, and Preservation of Acousmatic Music
Hart Performance cartography, performance cartology: Musical networks for computational musicological analysis.
Parra Cancino Multiple paths: towards a performance practice in computer music
Barrett Portfolio of original compositions: music of possibility
Exarchos Reimagining the ‘phonographic’in sample-based hip-hop production: making records within records
Öke Designing for new generation electronic musical instruments: Strategies to improve interaction, user experience and live performance
Kaiser Improvising Technology: Configuring Identities and Interfaces in Contemporary Electro-Acoustic Music
de Sousa The Use of Prepared Piano Techniques in the Context of Transidiomatic Musical Improvisation
Lukaszuk On Generative Sonic Art
McCall CONTOURS UNVEILED: MUSIC COMPOSITION FOR GENERATIVE RHYTHM APPLICATION AND CHAMBER ENSEMBLE
Mazzola et al. Computational Music Science
Majumder Relational Music: A Participatory Approach Towards Live Experimental Electronic Music