Nowadays, when you hear the names "Jan & Dean", it's typically as a quick footnote in discussions about the Beach Boys. They were America's Band™'s brothers-in-arms during the early days of what would become known as Surf Rock, and Brian Wilson had his first no. 1 single with them, as he co-wrote Surf City. They're cast aside as a mere stepping stone in the trajectory of one of the 21st century's greatest songwriters-- which, in all fairness, is one helluva shadow to be steeped in-- but at the end of the day, they were left behind in the Boys' dust and teenage symphonies to God; a nostalgic memory of a simpler scene where the only concerns were hot rods and hot dogs and two girls for every guy.
Is this all they were? I would argue an emphatic no. Jan & Dean actually have quite the interesting and even innovative history/catalogue under their belts, one that was stopped in its promising tracks by a tragic accident.
Did you know? That Jan Berry began his recording career in his garage in 1957, at the mere age of 16, when he assembled a professional-quality recording studio there on his lonesome?-- one of the earlier D.I.Y. efforts! His production credits don't end there; once he was a popstar proper, he was one of the first to "play the studio", as they say. He was instrumental in assembling the Wrecking Crew, the team of studio musicians who would play on several of the most important recordings of their era, and in general he took a forward-thinking approach, pioneering different techniques that no less than the aforementioned Brian Wilson himself credited as a major influence on his own then-burgeoning interest in producing his own music.
This is a tangent, though. If you'd like to read more about the life and career of Jan Berry, I highly recommend Mark A. Moore's comprehensive tome
Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (admittedly, if the book has a fault it's that it spends a bit
too much time dwelling on the minutiae here and there, even for my obsessive self. But it's still a great and definitive read).
If this was the case, you may scream at me through your screen, hoping to inflict psychic damage on the author of this post, then how come I've never heard any of these allegedly mind-blowing Jan & Dean songs? Where do we go beyond Surf City?
Guess what! I've compiled a concise, not-too-long playlist that gives you a little rundown of what the duo were capable of in their prime. At the bottom of this post, you'll find a link to this playlist on Spotify, but here are the tracks/links to them on YouTube (I'm using uploads that seem to be official, but if you're ever reading this and they appear to be taken down, just give me a holler in the comments and I'll try to rectify that).
Without further ado!
Blow Your Mind With Jan & DeanThe far-out sounds of two boys who drove beyond Surf City
Girl, You're Blowing My Mind - Jan & Dean
Kicking off this mixtape is the track that inspired its name. Believe it or not, like the often-entwined-in-this-story Brian Wilson and his SMiLE, Jan & Dean had their own semi-lost ambitious psychedelic masterwork that us diehards stubbornly insist would have changed some things had it come out. The album is called Carnival of Sound, and it's available on streaming nowadays, and I would definitely recommend you give the full thing a listen at some point. Girl You're Blowing My Mind introduces the album just as it does this playlist, and it serves as a wonderful welcome into the universe Jan was trying to create. A wild soundscape that beckons you forth towards a story of sitars and trippy atmospheres and, of course, girls.
I Can't Wait To Love You - Jan & Dean
This is my personal favorite Jan & Dean song (and one of my favorite songs in general). It's the one that made my ears stand up and give the duo a more thorough look in the first place. A lovely, mid-60s jangle-pop ode to the adrenaline rush romance can give ya. Easily on par with what the hip acts of the moment (The Byrds, The Lovin' Spoonful, and yes, the Beach Boys... have I mentioned them here yet?) were doing in 1966. The record it stems from, Folk 'n Roll, is another LP of theirs I'd recommend listening to in full at some point. It's a strong effort (save for The Universal Coward, a bafflingly out-of-step with the times attack on those opposed to the draft, that Dean refused to help record. Supposedly it didn't represent Jan's politics either, but rather his provocateur streak, and he penned it just to be a shit-disturber in the rock 'n pop scene), and copies on vinyl aren't too hard to come by since it's not a very rare or sought-after album. I have it in my record collection, in great condition too, courtesy of some random milk crate in a flea market.
Where Were You When I Needed You? - Jan & Dean
Another cut from Folk 'n Roll, this time a cover. This song originated with the Grass Roots, a garage-ish band assembled by songwriters P.F. Sloan and Steve Barri as a vehicle for their efforts, that is nowadays probably best-remembered
for including The Office's Creed Bratton at one point. J&D's rendition of the song is my favorite take on it, complete with snarling proto-Johnny Rotten (I sort of kid, I doubt he ever heard this) vocals and a recurring bouncing bass-motif. Jan's orchestration and production skills really shine here.
Move Out Little Mustang - Jan & Dean
Co-written by-- not sure if you've ever heard of him-- Brian Wilson. One of the "car songs" that were in vogue for a moment there in 1964, hovering around the point in time when four lads from Liverpool would take a plane over to the US of A and change the music scene forever in their wake. This track has a trancelike, almost cosmic groove to it that suggests the more ambitious pastures Jan (who didn't write this one, but produced it still) and Brian would be headed for shortly.
I Know My Mind - Jan & Dean
We return to Carnival of Sound for a song with a tragic undercurrent to it. In April of 1966, Jan would be critically injured in a car wreck that left him with serious brain damage. Miraculously, throughout the years he was able to recover his faculties to a point where he could speak, sing, write and produce again. Over the next few years, he would attempt to record much of CoS. It's been theorized that I Know My Mind was a statement from Jan on his condition-- I can't do quite as much as I used to, but I'm still here. A mellow, reflective sound and pace defines the track.
Laurel & Hardy - Jan & Dean
Another moment from the Carnival sessions, this time much more joyous in nature. Jan pays homage to his comedy heroes Stan and Ollie (even including a soundbite from the two towards the end), insisting that they are timeless and will remain as such, even after both men had shed their mortal coils. Perhaps I'm biased as a fellow fan of the two, but I think Jan's assessment has still proven correct, even here in the big ol' 2025. Oh, by the way-- there is
a demo recording of the tune with Jan's friend and Monkee-er around Davy Jones singing guide vox!
I Found A Girl - Jan & Dean
The introductory song off Folk 'N Roll and another great, exuberant jangly tune about love. This one surges with excited energy, as the boys rush into the studio to tell us the happy news.
The Joker Is Wild - Jan & Dean
So enamoured by the 1966 take on Batman with Quahog's own Adam West was Jan, that him and Dean put out an entire album paying tribute to it, drenched in the camp and humor that defined that take on the not-so-Dark Knight. It's sort of hit-and-miss (and a little racist during some parts of the spoken-word Goon Show-esque segments), but is a quirky artifact of the time that does have a couple of stand out moments. In my opinion, this song that pays tribute to the Joker before he lived in a society, complete with cackles and some circus-like moments to boot, is the best offering off the record and yet another great showcase of Jan's skills as a producer and arranger.
Love and Hate - Jan & Dean
Back to the Carnival for Jan's blunt assessment of the two sides that lurk within all of us. It definitely seems to have been inspired by the times, which in this case would've been the trippy transitional era between the acid-soaked, idealistic Love Generation, and the crash back to reality helmed by those who insisted The Dream Was Dead in the wake of Altamont and a chorus line of the hippie heroes dying off in quick succession. The conflict makes itself known here by alternating the song between urgent, anxious thundering crashes in the chorus and a more blissed-out psychedelic approach in the verses, soaring out over the chants of "HATE! HATE! HATE!" from just before, encouraging us to let love L-U-V win out no matter how tough it may be.
Bucket 'T' - Jan & Dean
Like Move Out Little Mustang, we find the duo with one foot in the hot-rodding camp of yesterday and the other foot stepping towards tomorrow. An infectious ode-- this one co-written by Dean!-- to the vintage (even then) modified Ford Model-Ts, complete with a catchy chant that will be stuck in your head for the rest of the week and a guitar tone that seems to somewhat anticipate more psychedelic sounds that were to come. This track was a favorite of Keith Moon's, who took lead vocals
on a cover version recorded by the Who during sessions for A Quick One.
The Beat That Can't Be Beat - Jan & Arnie
Readers who have been paying attention-- there will be a quiz on this-- might have noticed a stranger's name in the place of where Dean's is supposed to go above. This was a song recorded before there was officially a Jan & Dean, during a brief period of time when Dean was in the army and Jan's high school classmate Arnie Ginsburg was therefore his Garfunkel of choice. This one hails from 1958, and is one of the fabled tracks cut in Jan's garage studio (with some overdubs at Radio Recorders in Santa Monica). It's a blend of doo-wop and rock 'n roll energy that precedes the Beach Boys by a few years (note the wonderful harmony stack here! Surely Brian took a note or two), that I've always felt was overlooked in favor of the fun-but-inferior
ode to boobs Jennie Lee.
Fan Tan - Jan & Dean
Our final foray into the Carnival of Sound (for now-- again, go listen to it in full!) is Jan's tribute to... gum. Apparently he really liked
this brand of gum and decided to write a song about it in all its glory...
the original perfume flavor! I've never had Fan Tan gum (I believe it's been discontinued), and I had never even heard of it prior to listening to this. I am morbidly curious what the "perfume flavor" was like. Is there a deodorant flavor as well? Flavors aside, this is a delightful song that seems to swell and swirl around you as you listen, with some gleeful orchestration and harmonies. Singing the praises of gum.
Dead Man's Curve - Jan & Dean
Closing out our compilation is the one that very well may have been Jan's crowning achievement, a song that would loom over their legacy like a spectre. Dead Man's Curve was Jan's production masterpiece, using sound effects and tight, meticulous orchestration to propel it forward and tell a story. The tale of a cocky hot-rodder who dares to race on the infamous,
and real, road that's a magnet for accidents. Looney Tunes voice maestro Mel Blanc had a pretty serious car accident there two years before this 1963 track was released-- and thankfully recovered fully, but had to record some of his dialogue as that modern-stone age neighbor Barney Rubble from his hospital bed as he recuperated. And three years after the release, Jan himself would too face a near-fatal fate, the one that put him out of commission for quite some time and stopped an ambitious, promising artist in his tracks, on that very road.
"You won't come back from Dead Man's Curve..."
Thankfully, Jan proved his own lyrics wrong and progressed quite far after nearly meeting his maker. He pressed on and continued to create, his drive unstoppable as ever, with mixed results. In 1978, Dead Man's Curve became the title of a made-for-TV biopic about him and Dean that... isn't great. (But features the world's most beloved rock star Mike Love, in a cameo as himself! Wow!) Whatever you may think of the film's quality (and accuracy, which has been called into question many times), it sparked a resurgence of interest in the duo and brought them back together. Jan & Dean performed and recorded together on and off until Jan's passing in 2004.
As promised at the start, the Spotify version of this playlist is right below: