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Showing posts with label cannibals. Show all posts
Showing posts with label cannibals. Show all posts

Wednesday, 19 April 2023

That Old Fashioned Charm

The characters regularly visit a diner or restaurant with a classic feel that harkens back to the simple pleasures of yesteryear. One day while enjoying their meal, they see the owner being harassed by two men in black suits. Voices are raised, and the men leave, but threaten to return. “And we won’t be so polite the next time around.”

Possibilities

1 Extortion. The men in black are gangsters, members of a local syndicate who are trying to muscle in on the business. Other rival gangs also have their eye on the restaurant, and soon the gangsters will clash.

2 Vampires. The restaurant owner is a ‘beard’ for the real backer, an undead. The vampire enjoys the atmosphere and uses the restaurant as a sanctum. The two men are vampire hunters, trying to track down the creature of the night.

3 Cannibals. The restaurant specializes in a certain kind of meat dish, only served to ‘very special’ customers, and only after closing time. They get their supply from a crooked mortuary, but the undertakers are beginning to demand more money, “since we’re taking all the risks.” This will make the ‘very special’ customers upset . . .

© Adam Gauntlett


Wednesday, 11 January 2023

Grand Guignol

Showman and master of the macabre, Mondreau the Magnificent has been stunning carnival crowds for more than 15 years with his gory exhibitions. Mondreau, whose real name is Vincent Van Dorpe, puts on a grand guignol show called “The Theatre of Pain”. The blood flows in gouts and the actors scream as their bodies are gouged, burned and maimed by many different cruel devices and methods. “All in good fun” as Mondreau likes to put it. Mondreau assures the stunned crowd it was just a show and always brings the actors out to take a bow. The show is so realistic that most find it hard to put out of their minds.

Image by Artflow.ai

Over the last few years many people have asked him how he does it. He politely refuses of course. The investigators have been hired to look into the show and what the mysterious Van Dorpe’s ulterior motives are, if any.

Possibilities

1 Van Dorpe is really an ancient and powerful sorcerer and devoted servant of Shub Niggurath. Some of his actors are re-animated dead bodies, which he uses in his show. In addition to his zombies he has a loyal band of gypsy disciples, which he has promised immortality if they follow him and do his bidding. The undead used in the act really are hacked and maimed, but since they are undying, they simply need to be stitched back together. Using several different stage names and acts he has been touring the world with his band of animated dead for the past 122 years. His followers are totally loyal to him and will defend Van Dorpe and the show to the death. Van Dorpe needs to travel as he does to sustain himself and his followers. Large quantities of blood and human sacrifices for his god are all that keep him from the death that he has for so long eluded.

2 Mondreau the Magnificent is the leader of a troupe of cannibals. The Theatre of Pain is a front for their activities. Between cities Van Dorpe and his cannibalistic entourage pick up hitchhikers and transients. The unlucky victims are fed, drugged and hypnotized for use in the show. The people who are maimed and tortured on stage really are. There are no mythos influences involved, just garden variety cannibalism.

3 Mondreau the Magnificent is what he says he is… a showman. He and his troupe have honed their act to the point of perfection. The reason his act is so realistic is that the actors who play the victims really are maimed, but not by him. Van Dorpe uses actors who are amputees or suffer from some form of handicap to add to the realism. When an arm is sawn off in the show it is a realistic prosthetic or when an eye is gouged out it was glass. His troupe of actors is devoutly loyal to him and will not divulge any of Mondreau’s secrets of stagecraft.

© Kevin Kaier


Wednesday, 16 November 2022

Mrs Whathernam

Mrs Wathernam is a nice old lady living down the street in a small but cozy home with a little garden. Mrs Whathernam adores children; many parents, who can’t afford a place in the kindergarden, send their children to her. There, they can play in her garden, Mrs Whaternam knows lots of games to play, never gets angry and bakes wonderful cakes.

Image credit

Possibilities

1 Mrs Whathernam is really just a nice lady - with a tragic past: her husband returned from the war, but body and spirit broken. One night, he couldn’t stand it any longer, took a gun and turned on his family before killing himself. Mrs Whathernam survived, but her husband murdered their child.

By day, some of the children claim to have played with an unknown young boy; by night, people tell of a dark figure in a uniform staring out of the windows.

2 Mrs Whathernam has a dark secret: she is a murderer. Years ago, she and her husband were members of a dark cult and sacrificed people in their occult rituals. The cult was infiltrated by the authorities, and the cultists were arrested. Some were hanged, some committed suicide. Mrs Whathernam (not her real name) escaped...

3 Mrs Whathernam really, REALLY likes children - especially served with honey orange marinade and added spice...

© Philipp Mählmann


Saturday, 31 August 2019

A Matter of Taste

Mrs Jane Crispin lives in a little detached house on the edge of town. Although in her 60s, she is still hale and hearty despite the handicap of her blindness (exceptionally near sighted, she only sees blurred colours through her milk-bottle lensed glasses). She makes a modest living selling the product of her labours in her well-equipped kitchen. Across town her pies are famous for their wonderful pastry and delicately herb-flavoured meats.

However, horror stalks the town at night. Senior citizens are slain in their beds or disappear in the night, never to be seen again. The bodies left at the crime scene are mutilated horribly, missing limbs and organs. The authorities have been unable to keep the murders from public knowledge, but they have been able to conceal the fact that they have been occurring sporadically for over a year.

The glare of the media spotlight has forced the police to institute a manhunt, and they have no manpower to spare to chase a new (although very slim) lead. Their lead comes from Mrs Crispin, who has reported a strange man hanging around her herb garden. Under normal circumstances such a report from a blind old lady would receive little attention, but with a maniac on the loose, things are different. Independent, discrete and trusted persons may be able to assist the police by looking into the matter.

Talking to Mrs Crispin brings unexpected results. She is very sorry to have disturbed the police, but she is fine really. The stranger is no longer a stranger, but a new friend whom, at first, she mistook for a potential thief. Her friend George is a shy type not easily traced. She doesn’t know where he lives, but he helps her around the house and garden, and does errands for her.

Possibilities

1 Mrs Crispin is being stalked by George the homicidal odd-job man. His modus operandi involves befriending his victims to lull them into a false sense of security. He also gets a thrill from the stalking. George is a genuine gardener (or social worker), real name Henry George Baird. He lives out his twisted dark fantasies by killing the pathetic senior citizens upon whom he depends for his living.

George lives with his innocent Christian wife Mary, an organiser of church fetes and charities. Mary provides many of his initial contacts. George and Mary are childless due to George’s impotence, one of the factors which has sent him over the edge. George has an extensive collection of tools such as scythes, hammers, axes, saws, a furnace, a nondescript van, and a good-sized garage next to his rose garden.

2 Mrs Crispin’s new friend George is a ghoul who moved to town in the last year or so. He has been unable to let go of the world of man and can often be seen raking through garbage bins and scrounging. Unless scrutinised carefully he appears to be just another homeless person. Naturally he is quite sneaky and very good at moving around unobserved. George and Mrs Crispin met by accident when George was attracted to the smell of her cooking. As Mrs Crispin couldn’t see him, George found it easy to make friends with her. George has started running small errands, but he keeps the money that he should spend on butcher meat and substitutes the best cuts from his victims. Forensic examination of remains has identified odd partly-human bite wounds on the victims, but this has not been made public and will only be divulged after much bureaucratic manoeuvring.

Mrs Crispin’s usual butcher Andrew Cross drops the clue that the amount of meat he supplies her has decreased in recent weeks (as the rate of murders has increased). The distributor of her pies, Norman Kent, is most pleased at how well Mrs Crispins’ pies are selling and is due to call on her to ask if she can increase her output.

Norman may unwittingly become the ingredient for her next batch!

3 Mrs Crispin is a homicidal cannibal who has been doing a nice line in long pig pies for over a year. She is inhumanly strong due to her unnatural diet and, although blind, has the senses of a bat. She is very adept with her old-fashioned razor-sharp butchers knives. The offal from her victims helps her herbs and vegetables to grow rapidly. Mrs Crispin selects her victims during her bi-weekly visits to the Women’s Guild and senior citizens outings. George is a relative of one of her victims who met her just before his own mother Eleanor Trent was killed. He feels sorry for the blind old lady and is working out his grief (and suppressed guilt at having left his mother alone to be killed) by looking after Mrs Crispin.

He should be looking after himself.

© Peter Devlin

Saturday, 8 July 2017

Turkish Delight

Turkish Delight

While on holiday in the Balkans the investigators find that their well-earned rest is not meant to be. As they leave their hotel they are greeted by a detachment of the local militia who ask them in no uncertain terms (despite the language barrier) to accompany them to the station.

The conditions in the jail are inhuman and they are forced to stay in a rancid, overcrowded, cell with cut-throats and murderers for two days. Eventually they are questioned by the regional prosecutor regarding the disappearance of a local girl on the night they arrived in the area.

Instructed not to leave the Balkans, the investigators are released without charge. However, during the ‘interview’ the following facts emerge:

There have been several disappearances of young ladies in the Balkan area. The names and descriptions change, but the circumstances are familiar. Two girls have gone missing in Bulgaria, two in Serbia, three in Albania and five in Romania. Each time the girl is beautiful and disappears at night without trace.

The more superstitious locals are talking of supernatural goings on and the prosecutor is anxious to put an end to these rumours by making a quick arrest and conviction. As the investigators are the only foreigners in the area (and therefore easy scapegoats) he makes it plain that they are at the top of his list.

Should the investigators look into the disappearances they will discover that the common denominator is a Turkish Circus on the return leg of a European Tour.

Possibilities

1 The Turks are using the girls as catalysts for a spell. The circus hypnotist turns their will to Hastur the Unspeakable and they form the coven of witches needed to call Him to the Nameless City.

2 The girls are sold as part of the white slave trade in Turkey. They are kidnapped in the closest countries to Turkey on the return journey so that minimum of care is needed. They are hypnotised and hidden in false compartments in the lion cages to prevent both their escape and discovery by inquisitive officials.

3 The circus has a freak show in which is featured a cannibal from Africa. His twisted keeper lets out his charge who has a taste for young female flesh.

© Garrie Hall