[go: up one dir, main page]

Tuesday, June 30, 2026

Royal West of England Academy allows AI into its Annual Exhibition

The deadline for entries to the Annual Open Exhibition of the Royal West of England Academy (RWA) closed at midnight yesterday.

I'm wondering how many entries they got this year.

That's because they have this year allowed people to submit AI entries.

I gather a lot of artists have been very upset about this - as one might expect given that, by definition, AI means an artwork cannot be the original work of the artist.

Some ventured to comment on the error of the RWA's ways - and promptly got banned from commenting on their Instagram account!

I notice social media posts about the RWA Open latterly have had no scope whatsoever for comments.

I then went back though Instagram looking at other posts inviting entries for the RWA Open and not one of those I looked at had comments.

I rather think they may regret the notion of inviting AI artwork.

Should any other art society think it might be a good idea to be cutting edge and introduce AI as an option for acceptable media, I'd highly recommend you look at the RWA Exhibition when it opens
The 173rd Annual Open Exhibition at the Royal West of England Academy (RWA) in Bristol will run from 12 September 2026 to 3 January 2027. It showcases over 500 contemporary works—including painting, sculpture, and photography—across historic galleries, with all featured art available for purchase. Google AI
Plus maybe have a look at some of the other posts about this 


For any other society anticipating doing similar, consider for a moment how you can possibly have a rule which states that this is all the artist's own original artwork - AND that the society allows AI to play a part.

By definition, the latter is NOT "all the artist's own work"!

It's a complete nonsense!

Sunday, June 28, 2026

What I liked at the Society of Women Artists 165th Annual Exhibition

I was mentally sending good wishes to the Society of Women Artists who had their 165th Annual Exhibition at the Mall Galleries last week. That was because last week was ridiculously hot weather wise in London (c.35°C / 95°F) for most of the week)!

Anybody who went would have actually enjoyed a very pleasant air conditioned gallery - with refreshments on tap!

However I was busy with other prebooked / prior commitments for the first half of the week. 

Then my brain started to fry because my 18" thick brick walled home had heated up! I was struggling to keep the temperature inside below 30°C - while my brain fried.... despite having all the windows closed and all the blinds down!

The incentive to go out - where it was even hotter - was minimal!

Which is by way of explanation as to why no visit on Tuesday and why no review.

I am eventually going to work out who painted this....

However, I did get there on Saturday afternoon, when it was a few degrees cooler, and managed to photograph the artwork in all the Galleries just before it closed.

Interestingly one comment I saw about the exhibition online was "better than the RA Summer Exhibition" and - having visited that particular exhibition with my sister (who was over from Australia) on Tuesday - I can confirm that comment was very far from fanciful in nature.

You can see my albums of photos of the exhibition on my Making A Mark Facebook Page

10 things I liked about the SWA Annual Exhibition 2026
  • I thought a lot of the art was very much better than a lot of the open entries and some of the RA artwork in the Summer Exhibition at the Royal Academy of Arts. Below was one of the standout pieces. 
    • What I noticed in particular was there was a very strong entry by the open artists. You really need to raise your game to get selected nowadays!
"Suffer the little children" by Penny Hardy
(mild steel)
who uses her sculpture to raise money for UNICEF
  • The hang was excellent - and one of the best I've seen in the Mall Galleries this year so far. Parts of the hang were definitely superior. It came across as very considered. 

Thursday, June 25, 2026

Mark Dalessio wins £35,000 Herbert Smith Freehills Kramer Portrait Award 2026

American/French artist Marc Dalessio has won the £35,000 Herbert Smith Freehills Kramer Portrait Award 2026. He was presented with at an Awards Ceremony at the National Portrait Gallery in London on Tuesday night.

Marc Dalassio with his award-winning portrait 
Jean-Denis, 2025 © Marc Dalessio
With a notably restrained and economical use of paint, Marc Dalessio’s Jean-Denis achieves a striking immediacy, where every mark carries weight. The judges enjoyed the subtle sliver of white from the sitter’s shirt that becomes a focal point, activating the composition. The portrait offers an empathetic depiction of its subject, conveying a timeless presence that feels both regal and understated.
The Judges Comments  
For the record, all my guesses of who would win what were CORRECT!

The two youngest award winners
- just before they announced the prizes!

Below you can see 
  • photos of the artists with their portraits which were taken Tuesday evening.
  • Plus a photo of them receiving their award. Apologies for the side on view. I usually pick a better spot.
[I was hoping for access to the NPG ones being taken by the photographer who was in prime position - but for some unfathomable reason, rather than being available Wednesday morning (as they always used to be) they're not likely to be available until the end of the week.
So these are the only photos of the Awards Ceremony online so far!!]


Below are the profiles of the artists and the portraits which won the prizes. 
Words about the painting and what the Judges thought are from the press release - hence quotes.

Thursday, June 18, 2026

Review: New English Art Club Annual Exhibition 2026

This is a very late review of the 2026 Annual Exhibition of the New England Art Club (NEAC) - which celebrates the 140th Anniversary Exhibition, which also remembered some of its past members.

NEAC 2026: The end of the West Gallery

I particularly liked the way that they included the surnames of past members on the title page of the Catalogue and also had paintings in the show by past member Paul Nash.

Title Page of the NEAC 140th Exhibition Catalogue

The 140th Annual Exhibition has 396 artworks and is on at the Mall Galleries until 20th June.

For some reason I didn't have the PV in my diary last week and since then my diary has been packed with hospital appointments.

However, on Monday, after the first physio date this week, I got myself to the Mall Galleries early and managed to see the exhibition with very few other people there - which is the way I like it. I can then see the art rather than people looking at art. PVs are a dreadful time to try and take pics of an exhibition!

You can see the results in the three Facebook albums I've created on my Making A Mark Facebook Page


First five photos in the album about the NEAC Exhibition
in the West Gallery

ObservationsOverall, I thought this was an exhibition which included some really excellent artwork - but could also have looked better than it did. It impressed - in part.

This is a review which reflects my likes and dislikes. I find I'm repeating myself each year. So this year my review is shorter than usual.

Friday, June 12, 2026

David Hockney (1937-2026) - Part 1

David Hockney passed peacefully away at home yesterday (11th June 2026) - a month before his 89th birthday. His death was announced this morning

David Hockney Self Portrait, March 14 2012,
iPad drawing printed on paper Exhibition Proof 37 x 28"
© David Hockney

I'm going to write something rather more considered about him (Part 2) - probably on Sunday. But what wanted to record his passing today.

Oddly, the last time I saw him recently on film, I remember thinking I must get an obituary organised. He was looking very diminished and frail.....

I've written about David Hockney on a number of occasions on this blog. You can READ my posts BELOW. I usually organise them by years - but this time they're organised by topic

Those in 2006 and 2016 contain references to his artwork about the Yorkshire landscape. I will never ever forget his major exhibition of paintings of the Yorkshire landscape at the Royal Academy of Art called - which I will never ever forget

Below this I've also listed links to some of the tributes in the media. What you're getting today is the pre-drafted. It's probable some better tributes will emerge at the weekend

Biography
Drawing

Quantcast