Superman

In my mind, this remains one of the very best depictions of Superman on TV, as well as one of the most faithful to a particular comics period.

This series paid homage to both the Superman films of the '70s/'80s and the Superman comics series "reboot" of 1986-onward ("Man of Steel," "Superman Vol 2," "Action Comics," "Adventures of Superman," etc). The opening score and titles were stirring, based on the John Williams score from the films, updated for a Saturday morning action series. Marv Wolfman, one of the main contributors to the comics reboot (writer of "Adventures of Superman") was a perfect choice to be involved in this animated series. Overall, the series had a more mature feel while continuing to be very kid-friendly.

Superman was presented as believable, strong, and iconic. His recurring nemesis was Lex Luthor in his megalomaniac/CEO incarnation. The Daily Planet characters Lois, Jimmy, and Perry were portrayed well. One of my favorite appearances was by Wonder Woman, and the story revolved around her home island of Themyscira ("Paradise Island"). Both her design and that of her mother Hippolyte were in keeping with the similarly rebooted Wonder Woman comic book series of the era, and it seemed like an equally well-done animated series could have been developed for her if handled the same.

The one thing that is hard to believe is that this has not been released on DVD/Blu-ray! It deserves to be.

FOLLOWING THE PREVIOUS animated television THE NEW ADVENTURES OF SUPERMAN by about 22 tears, this 1988 presentation was obviously influenced by the topical changes that are inevitable in any on-going character's feature with the passing of time. All things considered, the production team did a fine job in maintaining the spirit and true characterization of the SUPERMAN feature.

AS WE COUNT them, this is the 3rd cartoon series to be produced under license from the publisher/copyright owner; being known variously as Detective Comics, Inc., National Comics/National Periodical Publications and (finally) DC Comics. That would include the two television productions and the outstanding 1940's theatrically released SUPERMAN Series from Max Fleischer/Famous Studios & Paramount Pictures Corporation.

ALTHOUGH THIS SERIES was produced by the American company, Ruby-Spears Productions, the animation was farmed-out to one Toei Animation Services, LTD, a Japanese contracting full service studio. And a finer job they did with the series, indeed. Although the animation done was certainly not up to the level of a FANTASIA or to the outstanding work of the Fleisher Brothers (being Max & brother Dave), it was certainly in the very upper echelon of TV cartoon work and appears to have been a major force in raising the bar, pushing the envelope, improving the product, cookin' the soup, (enter your favourite cliché right here).

THE REALLY FINE and truly comic book look of the artwork was no mere accident. We see that the production design was in the capable hands of veteran comics illustrator, Gil Kane. Virtuoso Kane was a longtime regular at DC Comics and was the original artist on the Silver Age (Hal Jordan) GREEN LANTERN. Although we cannot recall his ever working on the SUPERMAN Feature, he was more than vaguely familiar with it and how it should be rendered for the animation screen. His was surely the influence in giving Lois Lane a very appealing look, even more so than usual.

IN ADDITION TO the physical appearance, this Ruby-Spears SUPERMAN had input from the Superman creative team of Jerry Siegel (writer) & Ioe Shuster (artist), who are credited with several of the episodes. Another writer we see credited is one Marvin Wolfman; who was a longtime comics fan and cut his teeth on the "joke-books" as a member of the "Boomer" generation in the 1950's & '60's. (We recall seeing his name on letters sent to the various publications during that period. Congrats on following a dream and getting in to the business, Marv!

AS SORT OF a change of pace back-up and measure of comic relief, a SUPERMAN FAMILY TREE feature took up the final third of this Ruby-Spears production. It involved the unusual and mainly light-hearted situations that the Kents encountered in raising the Super-baby.

FOR WHATEVER REASON, the series lasted only one season, which is such a pity, for it had so much of the SUPERMAN Saga to impart on the young kids; even to using the by then familiar theme from SUPERMAN THE MOVIE (1978)!

Nobody really remembers this animated Superman series because it only lasted for about 2 months. It was a twenty minute episode followed by a five minute "Smallville Journal" that told something about Superman's youth. This was the only time any series has even remotely attempted to remain close to the comic book.

This series came out shortly after Superman was reconceptualized in the Comic Books. Very different from the Superman we have seen on the various Superfriends series or the animated Superman from the sixties. They made Luthor into a Multi-Billionaire, got rid of the Multi-hued versions of Kryptonite, let the Kents live to see their foster-son's greatness, erased the "Superboy" part of the history and made Kal-El truly the last survivor of Krypton.

I really enjoyed it and am sad to see that nobody remembers it and no networks air it. It had everything that an Action-Superhero series should have. I also enjoyed the "Superman Family Album" they showed at the end of every episode. It was a 10 minute segment focusing on the childhood and development of young Clark Kent. It focused on Key Points in his life or just normal aspects that every child faces while growing up (every child with super powers that is). We saw how the Kents adopted him, how the babysitter dealt with him, Birthday parties, High School, that awkward First Date, finally cumulating with Clark's move to Metropolis and his first "Coming Out" as Superman.

A great series and truly "Super" in its own right.

I was lucky to find the whole season of this wonderful series. This is one of if not the best Superman cartoon ever. Before Bruce Timm's work there was Ruby Spears and this Superman series. The series uses the song from the Salkind and Donner directed movie which is great because it's one of those memorable themes in pop culture. Don't know why they didn't use it for Superman: The Animated Series. Wonder Woman makes an appearance in the series too and it's great how they bring about Lois Lane's jealousy towards the Amazon. When watching this it's almost as if a comic has come to life and started moving on screen, this may have to do with some comic book people being on the staff of the series, one to mention is Marv Wolfman. Each episode ended with a look into a young Clark's life, but it's more of Superboy's life than Superman's cause in these segments baby Clark is already flying. Too bad not too many people remember this series, if you ever get a chance to watch it, do, cause it's worth it.