IMDb RATING
6.6/10
3.6K
YOUR RATING
After hapless pianist and ex-con John Elman is framed for murder, he is resurrected by a scientist after his execution.After hapless pianist and ex-con John Elman is framed for murder, he is resurrected by a scientist after his execution.After hapless pianist and ex-con John Elman is framed for murder, he is resurrected by a scientist after his execution.
Joe King
- Judge Roger Shaw
- (as Joseph King)
Joe Sawyer
- Trigger Smith
- (as Joseph Sawyer)
Brandon Beach
- Second Guest
- (uncredited)
George Beranger
- Nolan's Butler
- (uncredited)
Featured reviews
This is a one of a kind--combination horror/gangster! Karloff (who's just incredible) is bought back from the dead after being wrongfully executed and takes revenge on those who set him up. It's basically a gangster film until the last half hour--then the scary stuff kicks in. The film is VERY short (70 minutes) and moves quickly. It's intelligent (although bringing a person back from the dead after they've been electrocuted is a stretch!), very well-directed (effective use of shadows and camera angles) but the main reason to watch is Karloff. He never received the attention he deserved because he made horror films, which are still looked down upon. He was a wonderful actor and in this movie gives one of his best performances ("The Black Room" is probably THE best he ever gave). Just check out his expression after he "kills" the men he goes after. Excellent job. A perfect "B" movie. Don't miss it! I don't believe this is on video (I saw it on TCM), so if you get a chance, SEE IT! You won't be disappointed!
I have to agree with those who consider Karloff an underrated actor. Given the nature of this film and its fantastic premise, he brings a real subtlety to the role. After each of his antagonists meet their untimely demise, there is just a hint of remorse and sadness. Who else in the horror genre would have underplayed it like that? Karloff becomes the walking conscience of his tormentors and apart from the films failings regarding plot, effects etc., I think it works quite nicely on the level of allegory.
Excellent little horror film directed by the amazingly talented Michael Curtiz, the same man who would later give up Casablanca amongst many other classic films.
The story is a genre mashup of gangster and horror and at only about 1 hour 5 minutes, there isn't much time to lag. With such a skilled eye behind the camera, we are treated to a film that does not bore.
Boris Karloff is the star and he does such a great job of bringing fright to the picture. For someone interested in the acting of Karloff or the films of Curtiz, this is a must see!
7.0 / 10
--A Kat Pirate Screener
The story is a genre mashup of gangster and horror and at only about 1 hour 5 minutes, there isn't much time to lag. With such a skilled eye behind the camera, we are treated to a film that does not bore.
Boris Karloff is the star and he does such a great job of bringing fright to the picture. For someone interested in the acting of Karloff or the films of Curtiz, this is a must see!
7.0 / 10
--A Kat Pirate Screener
Eerie, creepy, beautifully shot oddity, the kind of stuff they just wouldn't know how to make any more (not that they would want to). Karloff gives a fine performance as the gaunt, haunted patsy in a murder rap. Stand-out scene is definitely the fantastic build up to Karloff's undeserved execution, as sad cello music plays and prison guards banter about baseball while a man's life hangs in the balance. The ideas dry up a bit as King Karloff haunts his killers, but his sinister solemnity captivates the interest, and it's all crammed into little more than an hour.
Michael Curtiz directed this beautifully filmed story of poor luckless John Elman(played superbly by Boris Karloff) who was framed by racketeers for the murder of a judge. Elman is then tried and found guilty of murder. Though evidence proving his innocence is found, it arrives too late to save his life. Still, a Dr. Beaumont(played by Edmund Gwenn) has developed a way to bring back the recently dead, and resurrects Elman, who resumes his pianist skills to conduct eerie concerts, though also is compelled to confront those responsible for framing him... Again, Boris Karloff is excellent, playing the role for the sympathy and pathos it deserves. Atmospheric and thoughtful; only the highly familiar plot mars this fine film, with a haunting end.
Did you know
- TriviaWarner wanted to cash in on the Frankenstein craze after the release of La Fiancée de Frankenstein (1935) and Le mort qui marche (1936) was the result. Not only does Boris Karloff remove his false teeth in his non-speaking scenes to get that gaunt Frankenstein's monster look, but his post-resurrection makeup pays clear homage to Jack P. Pierce's iconic monster makeup. Karloff is even strapped to a stretcher just as in the original Frankenstein, and then spends half of the film lumbering around like the famous monster. And it could have been worse --- the original script had Ellman being mute after his resurrection, but Karloff sent the script back to the writers.
- GoofsBoris Karloff's character's name in the film is spelled John Ellman in close-ups of teletype and newspaper material in it, but it is misspelled John Elman in its credits.
- Alternate versionsThis film was published in Italy in a DVD anthology entitled "BORIS KARLOFF, IL VOLTO DELL'ORRORE: The Old Dark House, 1932 + The Black Cat, 1934 + The Walking Dead , 1936", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin.
- ConnectionsFeatured in Les gags de la marine (1964)
Details
Box office
- Budget
- $217,000 (estimated)
- Runtime
- 1h 6m(66 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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