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Freaks, la monstrueuse parade

Original title: Freaks
  • 1932
  • Tous publics
  • 1h 4m
IMDb RATING
7.8/10
54K
YOUR RATING
Jerry Austin, Johnny Eck, Josephine Joseph, Koo Koo, Peter Robinson, Olga Roderick, Schlitze, Elvira Snow, and Jenny Lee Snow in Freaks, la monstrueuse parade (1932)
Watch Warner Archive Trailer
Play trailer1:09
1 Video
99+ Photos
Body HorrorShowbiz DramaDramaHorror

A circus' beautiful trapeze artist Cleopatra agrees to marry Hans the leader of side-show performers, but Hans' deformed friends discover that she is only marrying him for his inheritance. S... Read allA circus' beautiful trapeze artist Cleopatra agrees to marry Hans the leader of side-show performers, but Hans' deformed friends discover that she is only marrying him for his inheritance. So they seek revenge.A circus' beautiful trapeze artist Cleopatra agrees to marry Hans the leader of side-show performers, but Hans' deformed friends discover that she is only marrying him for his inheritance. So they seek revenge.

  • Director
    • Tod Browning
  • Writers
    • Clarence Aaron 'Tod' Robbins
    • Willis Goldbeck
    • Leon Gordon
  • Stars
    • Wallace Ford
    • Leila Hyams
    • Olga Baclanova
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    54K
    YOUR RATING
    • Director
      • Tod Browning
    • Writers
      • Clarence Aaron 'Tod' Robbins
      • Willis Goldbeck
      • Leon Gordon
    • Stars
      • Wallace Ford
      • Leila Hyams
      • Olga Baclanova
    • 320User reviews
    • 176Critic reviews
    • 80Metascore
  • See production info at IMDbPro
    • Awards
      • 2 wins & 1 nomination total

    Videos1

    Warner Archive Trailer
    Trailer 1:09
    Warner Archive Trailer

    Photos369

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    Top Cast39

    Edit
    Wallace Ford
    Wallace Ford
    • Phroso
    Leila Hyams
    Leila Hyams
    • Venus
    Olga Baclanova
    Olga Baclanova
    • Cleopatra
    Roscoe Ates
    Roscoe Ates
    • Roscoe
    • (as Rosco Ates)
    Henry Victor
    Henry Victor
    • Hercules
    Harry Earles
    Harry Earles
    • Hans
    Daisy Earles
    Daisy Earles
    • Frieda
    Rose Dione
    Rose Dione
    • Madame Tetrallini
    Daisy Hilton
    Daisy Hilton
    • Siamese Twin
    Violet Hilton
    Violet Hilton
    • Siamese Twin
    Schlitze
    Schlitze
    • Self (Pinhead)
    Josephine Joseph
    Josephine Joseph
    • Half Woman-Half Man
    Johnny Eck
    Johnny Eck
    • Half Boy
    Frances O'Connor
    Frances O'Connor
    • Armless Girl
    Peter Robinson
    Peter Robinson
    • Human Skeleton
    Olga Roderick
    Olga Roderick
    • Bearded Lady
    Koo Koo
    Koo Koo
    • By Herself
    Prince Randian
    Prince Randian
    • The Living Torso
    • (as Rardion)
    • Director
      • Tod Browning
    • Writers
      • Clarence Aaron 'Tod' Robbins
      • Willis Goldbeck
      • Leon Gordon
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews320

    7.854.2K
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    Featured reviews

    8Twins65

    I finally found out where Joey got his inspiration...

    D-U-M-B! Everyone's accusin' me!

    I've been listening to The Ramones' music off and on for almost 30 years now, and despite reading and viewing tons of stuff about the band and its origins, I'd never run across how they came up with the whole "pinhead" theme.

    Well, I've finally seen FREAKS, often listed as one of the great cult flicks of all time. And wouldn't you know it, the "pinheads", including "Schlitze", the inspiration for The Ramones' mascot who always came out to join the band during their live shows at the end of the Pinhead song, were in FREAKS.

    The Ramones also slightly modified the "freak chant" from the wedding scene, changing "Gooble-Gobble" to "Gabba-Gabba". I guess Jeffrey Hyman (Joey Ramone) must have viewed himself as somewhat "freakish" (he did have an incredible look), and really related to the group of circus curiosities assembled for this film.

    After being shelved for about three decades, FREAKS started playing again at art-house theaters in the mid-60's, and that's where Joey had to have come across it.

    As far as my film review, this movie needs to be viewed. Look past the stilted acting, and soak up the message. It will stay with you for a long, long time.
    8evanston_dad

    Don't Be Fooled

    Don't let people convince you that "Freaks" is a horror movie, because it isn't. It's actually a quite sad and sympathetic look at the way abnormalities were treated in the early part of the 20th century, and has direct parallels to the obsession with physical perfection causing eating disorders today. Tod Browning of course asks us to consider who are the bigger freaks: those with deformed bodies or those with deformed souls? The two "normal" people who are out to cheat and steal are monstrous, whereas the freaks are quite likable and charming. The ending is disturbing to be sure, but it's hard to condemn the freaks for acts that seem largely justified.

    Is it a coincidence that in several shots showing Cleopatra reclining on a sofa, she appears to be deformed herself (in one shot it looks as if she has no legs). Has anybody else noticed this? "Freaks" was obviously way ahead of its time. There's a very interesting documentary on the DVD about its reception in 1932; it bombed and pretty much ruined Browning's career. Thank God that the general public is not allowed to be the final arbiter of a film's value. Think how many priceless films we would have lost by now if that were the case.

    Grade: A
    8HumanoidOfFlesh

    Great horror classic from early 30's.

    "Freaks" is one of the most controversial horror films from the 30's,mainly because director Tod Browning hired as the actors real sideshow freaks.It does have a rather unsettling effect,but I think that really does work for the film.Browning builds up a great amount of suspense with the good use of locations,story and lots of atmosphere.The ending,where we see freaks crawling in the mud,is pretty creepy.Anyway check this one out-it's worth watching.
    Iron Horse

    Disturbing & Thought Provoking

    The subject of human disability is still a taboo subject in Cinema, even over 70 years since this film's release.

    It's difficult to imagine what impact this film would have had in the 1930's, but as it still has the ability to shock ( through the images of bodily deformity ) I can understand why many shunned and disowned this work, and why it totally ruined Todd Browning's film career.

    The basic premise - that beauty is more than skin deep - can appear to be wielded with a sledgehammer, but perhaps the contemporary audience needed to be hit harder in order to make them understand the point.

    The film is short ( due to enforced cuts ), and at times can move rather slowly and can appear rather 'stagey' which is a trait of many films from the 20's / 30's.

    But don't let that put you off. The plot is simple, but it's the telling of the story rather than the story itself that is important. And you really do need to remind yourself that these are real people - not actors - and this was the live they led.

    I rate it 9 outa 10 because they really don't make them like this any more.
    10Neon_Gold

    A Timeless and Touching Tale of Outcasts

    It's interesting to me that this film is viewed as offensive. People say that these people are being made fun of and exploited. I wouldn't like to comment on how they were treat on set or anything but I will say that they all see to enjoying them selfs for the most part and as for being made fun of, I think the total opposite is happening.

    This movie came out in 1932 so before I watched it I also was nervous that these people would be used to make others laugh at their expense but it was the furthest thing from the truth. This film hands its subject matter with such care and deft that I was astounded that it came out in 1932.

    It can be like looking at window into the past as sometimes it almost plays like a documentary due to the fact that most of these actors were actually circus performers. There are so many scenes where the performers are just relaxing and chatting to each other. It shows people they are just like us, it doesn't mater if they look different. It shows them doing mundane things like hanging washing, struggling with problems like infidelity. It shows ignorant people that they are human just like you.

    I think the title "Freaks" is interesting. I think there is two ways to look at it. The first way is the obvious and offensive way demeaning the performers but I think by the end of the film the only freaks in this movie are the people who look normal. The movie shows this makeshift family coming together for each other, the only people who are outcasts are the able bodied "normal people". I think that is one way to interpret it any way or maybe I am reading into it.

    That is the interesting thing about this movie. You can read a lot into it and it is never clear what the director was really trying to say as another interesting part is all of the performers are shown to be good people, kind people for the most part friendly and loving. Once again the only truly evil people in this movie are the people who are able bodied people. The reason I lean to the side of the director was showing these people are simply just people is it is framed as shocking and wrong when bad things happen to the performers and I don't think it is ever played for laughs.

    It also really bothers me that this movie is labelled a horror movie. It is a drama. There isn't really any horror elements to be found.

    One more thing I just want to point out is that I am astounded how much Ryan Murphy took from this movie for season 4 of American Horror Story. Like I think his only reference point for "freak shows" was this movie. Just a stray observation.

    So I would say definitely watch this movie. It is only short as it was cut down due to the fact people believed it was too outrageous and offensive. It has a lot of heart and is really head of it's time.

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    Related interests

    Jeff Goldblum in La Mouche (1986)
    Body Horror
    Margot Robbie stars in Quentin Tarantino's "Once Upon A Time In Hollywood."
    Showbiz Drama
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama
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    Horror

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The on-screen romance between Hans and Frieda was very subdued because the roles were being played by real life brother and sister Harry Earles and Daisy Earles.
    • Goofs
      At 43:40 when Cleo tosses the wine at Angeleno, she is standing in front of him, but the wine she throws comes from the far right side of the frame.
    • Quotes

      Freaks: We accept you, one of us! Gooble Gobble!

    • Alternate versions
      Reissue prints included a two-and-a-half minute written prologue about historical interpretations and contemporary studies of "misshapen misfits." These same prints remove the MGM Lion (the studio having disowned the film for many years).
    • Connections
      Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
    • Soundtracks
      Gruesome Tales
      (uncredited)

      Music by William Axt and Erno Rapee

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    FAQ22

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    Details

    Edit
    • Release date
      • October 7, 1932 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • German
      • French
    • Also known as
      • Barnum
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $310,607 (estimated)
    • Gross worldwide
      • $4,693
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 4m(64 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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