1. By listening to the lectures that comprise the music course I downloaded into my audible library I'm learning a ton about music forms: the concerto, oratorio, fugue, cantata, and more, with many more to come. I've listened to twenty of these forty-five minute lectures and still have twenty-eight to go.
Right now, I'm in the midst of learning about dance music from, let's say, the 18th century. It's what's known as the Classical period of classical music and unlike the previous period, the Baroque, Classical composers like Hayden, Mozart, Beethoven and others put much more emphasis on recognizable and memorable melodies in their compositions, whatever form their music took.
During this period in Europe, dancing was very popular and composers had several dance forms to work with and integrated these dances into the larger structure of their compositions.
One of these larger forms is the suite. Spokane Symphony music director James Lowe talked about the suite in the lecture of his I attended about nine days ago. I learned that the suite is a compilation of different dances, each different dance a movement within the suite.
So, for example, this past weekend, the Spokane Symphony performed Leonard Bernstein's "Symphonic Dances from West Side Story". It's a suite made up of the several dances in Bernstein's musical and features the different sounds and rhythms of the cultures portrayed in this musical.
2. So, now let me move back in time from the 20th to the early 18th century, from Leonard Bernstein to J. S. Bach.
I last visited London forty years ago.
It was my third trip there and I had learned that I enjoyed going to classical music concerts as well as theatrical plays that I didn't know much about.
I enjoyed being out of my element and being surprised.
One evening I attended a performance of Bach's Cello Suites.
I'd never listened to them before.
I was out of my depth that evening, but the music made a very positive impression on me.
About twelve years later, Rita Hennessey and I, as part of our team-taught course in Philosophy and English Composition agreed to include in our course a series of six films entitled, Inspired by Bach.
Each film featured Yo-Yo Ma playing one of the six suites that make up the Cello Suites.
Each film also focused on how the film's suite could be enjoyed in relation to another art form. The films focused, in order, on nature and garden design, architecture, dance, film making, Japanese Kabuki dance, and ice skating.
These films and Yo-Yo Ma's discussions with each of the six directors significantly expanded my enjoyment of the Cello Suites.
But a key element of the Cello Suites hadn't yet sunk in.
It hadn't sunk in a few years later when Debbie and I went to St. Mary's Episcopal Church to a performance of the Cello Suites by a University of Oregon professor.
So what was missing?
What do I know now that I didn't know then?
I didn't realize that each suite consisted of six movements, a prelude and then five dances. I wasn't paying attention to how Bach composed a different prelude for each suite and then presented different music for each of the repeated dances.
Here are the names of the six movements of each of the six Cello Suites:
1. Prelude
2. Allemande
3. Courante
4. Sarabande
5. A mixture of dances
6. Gigue
The Great Course lectures are teaching me the specifics about each of these dances as musical forms.
I know that as I learn more about these musical forms and as I listen to these Cello Suites more often, my appreciation and enjoyment of them will expand.
And, who knows, maybe I'll discover that a cellist from somewhere will give a concert somewhere not too far away and I'll be able to hear Bach's Cello Suites performed again.
3. If you read through all of that and are still with met, I thank you.
My day wasn't all suites and minuets and musical textures.
Ed and I met up at The Lounge this afternoon. Before Ed got there, I yakked with Harley and Candy for a while about the Elks Taco Feed and the pleasures of the Elks sponsored hoop shoot that is about to move from the local to the district level.
As a way of being able to laugh about his treatment for prostate cancer, Ed likes to make jokes about the hormone pills he takes, the hot flashes he experiences, especially at night, and likes to act like the therapy has made him want facials and other luxuries usually associated with women.
He gets a lot of mileage out of these jokes and I think they've helped him maintain a positive attitude throughout his treatment and I'd like to think his positive outlook has helped his treatments be so successful. He's come through all of this doing very well.
Ed regaled us with a few of those jokes at The Lounge this afternoon!