Tag Archives: No Tears For Molly

Tammy 2 March 1974

1974, Issues, , , , , , , , , , , , , , , , ,

Cover artist: John Richardson

The Clothes Make Carol (artist John Armstrong)

Wee Sue (artist Mario Capaldi)

School for Snobs (artist J. Badesa, writer Pat Mills)

The Duchess of Dead-End Drive (artist John Richardson) – first episode

Little Lady Jane – cartoon

Leader of the Pack (artist Douglas Perry) – first episode

Jeannie and Her Uncle Meanie (artist Robert MacGillivray)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

Two new stories start this week. John Richardson didn’t draw many serials for girls’ comics, but he draws one of them, “The Duchess of Dead-End Drive”. Not a real duchess – it’s a comedy serial starring a lady who styles herself as an aristocrat in a slum area, and it’s off to an impressive start with a four-page spread instead of the usual three. The other is a Douglas Perry story, “Leader of the Pack”, about a dog who seems to have strange abilities.

If there’s one thing “School for Snobs” has shown us, it’s just about anything can make a snob out of someone. We’ve seen antique snobs and military snobs among others. This week, it’s a music snob who only cares about classical music. After the Hermione Snoot treatment, she’s happily playing bagpipes.

Poor Sue saves Miss Bigger from trouble twice this week, but all she gets is a ticking-off from her in front of the class. At least Sue takes it philosophically: “Ah, well – life’s full of ups and downs – ‘specially with Miss Bigger around!”

“The Clothes Make Carol” gets a six-page spread this week. Carol has grown more confident in standing up to her abusive family when she gets a mysterious blazer that seems to have magic powers. The family have caught on about the blazer and apparently destroy it, at which Carol reverts to her old mousy self. But her confidence is on the rise again when the blazer turns up, perfectly intact.

Uncle Meanie gets into more of his dodgy penny-pinching schemes when an encyclopaedia salesman comes calling. And for once, he gets away with it.

One of the weirdest Molly stories concludes this week, and it leaves more questions than answers. Bully butler Pickering thinks he is being haunted by the ghost of a labourer who had an accident because of him. He becomes so terrified he almost throws himself to his death and then jumps out of a window in fright when he sees the man in hospital. However, it turns out the man is not dead and been in the hospital the whole time. So who – or what – was haunting Pickering? One thing’s for sure: the bully butler remains as bad as ever. For the moment, Molly is safe from him as the haunting saga has left him all banged up, but he warns her to watch out when he recovers. We suppose he’s taking it out on her, as usual.

Tammy 15 February 1975

1975, Issues, , , , , , , , , , , , , , , , , , , , , ,

Cover artist: John Richardson

The Gypsy Gymnast (John Armstrong)

Rona’s Rainstones (artist Douglas Perry)

Nell Nobody (artist Miguel Quesada)

All Eyes on 3E (artist Mario Capaldi)

Hetty Horse Hater

Bessie Bunter (Arthur Martin)

Tess on Tap

Tumble in Time – Strange Story

Wee Sue – John Richardson

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon) – new story

What is a Starlet? – Competition

Is the tramp on the cover at a low point or a high? Being down-and-out might be a real low point, but with all those Tammys covering him, you’d think he’d be on a high. Meanwhile, inside the issue, there are a lot of low points for Tammy progatonists this week, though some of them indicate climaxes and approaching resolutions. 

First, it’s the climax of “The Gypsy Gymnast” this week when Ann Rudge hits her lowest point and runs away from home. But now she finds herself leaping from the frying pan into the fire when she takes refuge with her mysterious gymnastics coach, only to discover she has a criminal past. Now she’s a prisoner, to be forced into crime. The police have heard Ann’s cries for help, but will they rescue her?

Next is “Nell Nobody”, who follows in the footsteps of the groundbreaking “Little Miss Nothing”. Nell Ewart is yanked out of school to slog at a hot dog stand to raise the money for her spoiled cousin Rosie’s acting school fees. The great irony of the story is that Nell is the one with the talent for showbiz, not Rosie. Nell’s skill with puppetry gives her a break at a TV studio, but this week she hits her lowest point when Rosie pulls a trick that gets her sacked from the studio. Poor Nell is back to the hot dog stand while Rosie worms her way into the TV studio for an audition. 

“Rona’s Rainstones” hits another low in finding the Rainstones, which will not stop causing water-related disasters until they are restored to their rightful home. Antagonist Karen has pinched one and refuses to return it, and others have been mistakenly thrown into the trash and are on their way to the landfill.

And talking of water-related disasters, that’s the new trick Form 3E pulls on Muriel this week, whose TV shoot threatens to expose their classwork-dodging tactics. They tamper with the school sprinkling system, sending a downpour down on the shoot.

Next is Wee Sue, who takes the unusual step of being in a 2-part story. She hopes to represent the school as a hurdler and scores a win, but Miss Bigger says it doesn’t count because she didn’t run in the qualifying heats. Are Sue’s hurdling hopes dashed? Stay tuned for part 2 next week.

In Bessie Bunter, Stackers is low this week because of illness, but it’s Bessie who’s on the low end in the final panel. 

If you find yourself feeling low while waiting for your washing to finish its round at the laundrette, it’s better than slaving in an old-fashioned laundry, as our heroine in this week’s Strange Story (below) discovers. Her name, Pat Mills, is noteworthy, as Pat Mills was one of the biggest names in Tammy history. Tammy never could resist those in-references. 

Linda, who is out to sabotage Hetty’s bid to regain her riding nerve in “Hetty Horse Hater” because her boyfriend’s family will gain from it, really stoops low to do so. She tries to frame Robby Adams, who is helping Hetty to ride again, for arson, and he is arrested. Fortunately, the forensic report on the fire clears him and he is released. 

Highs and lows for “Tess on Tap”, who becomes a drudge in her own home when her dad goes abroad and Mrs Willis, the housekeeper who’s supposed to be looking after her, makes her slave for her spoiled daughters. Worse, Mrs Willis is interfering with Tess’s passion for tap dancing, including getting money out of her, to feed her daughter Vanessa’s passion for the same thing.  

Finally, there’s Molly. She starts a new story that has attracted comment among her internet fans. They’ve given it the title “Molly’s Demotion” (Molly stories did not have collective titles at this stage). It begins with Pickering suddenly being all nice to Molly. What’s come over the bully butler who has always made her life a misery? “Beware the Greeks, even when they offer gifts” might spring to mind, but it doesn’t until Molly discovers too late it was all part of Pickering’s scheme to steal her job for his niece Ruby, leaving her in a lower-paid job. And that job will entail doing all the work that Ruby is supposed to be doing in Molly’s old job. Talk about adding insult to injury. 

Tammy and Sally Merger, 3 April 1971

1971, Issues, , , , , , , , , , , , , , , , , , , , , ,
Cover for Tammy and Sally merger issue, 3 April 1971.

Beattie Beats ‘Em All! (artist John Armstrong) – first episode

“Our Janie” Little Mum (artist Colin Merrett)

My Father – My Enemy!

The Cat Girl (artist Giorgio Giorgetti) – from Sally

Betina at Ballet School

The Secret of Trebaran (artist Giorgio Cambiotti)

The Girls of Liberty Lodge (artist Dudley Pout)

Maisie’s Magic Eye (artist Robert MacGillivray) – from Sally

Slaves of “War Orphan” Farm (artist Desmond Walduck, writer Gerry Finley-Day)

Sara’s Kingdom (artist Bill Mainwaring) – from Sally

Glen a Dog on a Lonely Quest (artist Jim Baikie)

Castaways on Voodoo Island (artist Ken Houghton)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon) – new story

Tammy was barely out of the starting gate herself when she absorbed her first title, Sally, on 3 April 1971. It was unusual for a longer-running title (which was itself less than two years old) to be swallowed by a much newer one that hadn’t even finished its first lineup of stories. Usually it was the other way around, so there has been speculation as to what brought this on. 

Sally had gotten off to a promising start, with a high flavour of autonomous heroines and adventure. Some of them were even costumed super-heroines, most notably “The Cat Girl”. Cat Girl is still fondly remembered today and has now spawned her own reprint volume. So, what happened?

Anything is possible, but it has been speculated that the answer may lie in one of IPC’s notorious strikes. It was a long one for Sally, and when she came back her cover actually celebrated her return. However, it is thought that Sally took a hit from the strike and failed to recover, and she was soon approaching cancellation. But if so, why didn’t she merge into June, the longest-running girls IPC title at that stage? Did something prevent another June merger? Or did the editors think that Sally would bring some new elements and readership into the new Tammy? Most certainly, the biggest flaw with the early Tammy was that she was disproportionately high on stories laden with dark and cruel elements, ill-used heroines, and misery guts such as abusive guardians, employers and racketeers. It made Tammy a hot-selling pioneer at the time, but there was very little lightweight material and absolutely no humour to add relief. When Sally was incorporated into Tammy, that changed somewhat. We got some adventure elements, humour and laughs with “Maisie’s Magic Eye” (Tammy’s first humour strip, with the ever-popular Robert MacGillivray artwork to add further delight), a royal adventure with “Sara’s Kingdom”, and Tammy’s first superheroine, Cat Girl, who brought in an enthralling blend of adventure, mystery, excitement, and humour with Giorgio Giorgetti’s eccentric style. So Tammy’s first merger was one that she benefitted highly from. 

Molly has started a new story for the merger. Her mum is taken ill, and that’s just the start of her problems. Bully butler Pickering refuses her permission to go home, but she goes off anyway, leading to her losing her job when he finds out. When she arrives back home, her family’s on the verge of being evicted because they weren’t able to pay the rent. The landlord grants them a brief stay of execution, but Molly’s at a loss as to how to come up with the money. Elsewhere in the issue, the remaining serials from Tammy’s first lineup continue unabated, but Voodoo Island, Secret of Trebaran and Glen give the impression they are approaching their climaxes.

The merger has also brought in a new character, “Beattie Beats ‘Em All!”, which may have been written for Sally. The premise feels like an early forerunner to Bella Barlow. Like Bella, Beattie is a feisty Cockney orphan, a misfit and a free spirit who likes her independence. Unlike Bella (or most Tammy heroines of the period) she isn’t abused. She can’t stay at the orphanage she grew up in any longer, but adoption doesn’t work out. Deciding she’s better off on her own, she runs off and ends up squatting while indulging in her only passions in life: cats and running events. Beattie is Tammy’s first sports story and the first appearance of John Armstrong’s artwork in Tammy. 

Tammy 4 August 1973

1973, Issues, , , , , , , , , , , , , , , , , ,

Jumble Sale Jilly (artist Juliana Buch)

Aunt Aggie (artist J. Badesa, writer Pat Mills, creator Gerry Finley-Day)

The Cat’s Eye on Katy (artist Douglas Perry) – final episode

The Making of Mary (“Wild Horse Summer” artist from Jinty)

The Sea Spirit (artist Juan Escandell Torres)

A Special Tammy Portrait – Rod Stewart

Simple Simona (artist Julio Bosch?)

Tammy Competition

The Secret of the Stables (artist Reginald B. Davis)

No Love for Liza (artist Jaume Rumeu)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon) – new story

We now turn to 1973 in our Tammy August month round, and the letters from readers in the issue are insightful reading. Two letters indicate Tammy could have been overusing the misery-laden formulas she had been renowned for since her first issue and she still had to strike a better balance with complementary material:

“Nearly all your stories are sad, they’re about orphans and blackmail, cripples and cruel parents, beatings and imprisonments…I get enough horror at school. Can’t you help make the world a happier place by printing more stories like Aunt Aggie…”

“It seems you think all you require to hold us readers spellbound are heroines with not-so-well-off and exceedingly nasty parents and grandparents or guardians…I think you should take all these horrible people out of your comic, or send them to Stanton Hall and Mr. Pickering – for some of their own medicine!”

Eventually the horrible people and sad stories did fade from Tammy, but for now, they continue. Among them is Juliana Buch’s first story for Tammy, “Jumble Sale Jilly”. Jilly Burridge is struggling to be an artist in the face of a family who scorn such things and don’t treat her so well either. This week, it looks like the fairy godmother figure to help Jilly has arrived in her life. In “No Love for Liza”, Liza Bruce also battles to be an artist against the odds piled on by a nasty stepfamily. And we have yet another nasty family in “The Making of Mary”. Mary Regan is forced to live with her horrible Uncle Ernie, who wants to take over her grandfather’s business. To add insult to injury, Uncle Ernie has also framed her grandfather and now he’s in prison. Imagine having to live with the very man who set up your grandfather!

On the same page, there is more on the long-standing Molly Mills debate that made her the most polarising character in Tammy. Some readers liked her:

“I disagree…that Molly Mills is rubbish. She’s great. My Mum and I both read it every week and if you take her out we won’t buy Tammy anymore!”

And others didn’t:

“Is [Molly Mills] going to be in the paper forever? She drives me mad. Please do something about her!”

Meanwhile, the nasty Kitty and Betty have already done something about Molly in her new story this week – they’ve pulled a spiteful trick on her, and now poor Molly faces the sack! But such things are hardly new in Molly. She’s bound to bounce back in the end, and then there’ll be the next time.

Tammy started off lacking humour to help balance her dark material. Two years on, she is building up a stronger presence of humour with strips like “Aunt Aggie”, a rotten schemer acting as a sweet figure on TV who gets her comeuppance every week, and “Simple Simona”, a clueless girl who is always the victim of her scheming cousins without even realising it, but she always triumphs over them in the end – again without even realising it. 

Elsewhere, it’s the final episode of “The Cat’s Eye on Katy”, and the letters page indicates it was a popular, gripping story. The witch doctor’s curse is broken by the good ol’ amor vincit omnia (love conquers all), when Katy saves the life of the cat he bewitched into doing evil against her in revenge for his imprisonment. Though he’s thousands of miles away, he knows what’s happened, and he’s still stuck in prison, doing cursing of a different sort: “Cursed white magic has won! My power over cat beast is gone!”. “The Sea Spirit”, which started in the same issue as “The Cat’s Eye on Katy”, is now on its penultimate episode.

Girls love a good mystery story, and there’s a mystery about Silver Star, the horse at Penny Lane’s stable, which she is salvaging from neglect. The mystery deepens when Silver Star responds to a strange whistle, and in the middle of the night, Penny spots him galloping off. Is it that whistle again?

Tammy 26 August 1972

1972, Issues, , , , , , , , , , , , , , , , , , , , , , , , , ,

Belinda Black-Sheep (artist Mario Capaldi) – first episode

Miss High-an’-Mighty (artist Julio Bosch?)

The Lame Ballerina (artist P. Montero, writer Gerry Finley-Day?)

Lulu (cartoon)

The Uxdale Urchins (artist Eduardo Feito)

Swim for Your Life, Sari (artist Juan Garcia Quiros, writer Gerry Finley-Day?)

Skivers’ School (artist J. Badesa)

Dog Paddle Doris (artist Carlos Prunes, writer Maureen Spurgeon)

The Greek Girl (artist John Armstrong, writer Bill Harrington?) – first episode

Here Comes Trouble (artist Luis Bermejo)

Lonely Romy (artists Luis Bermejo and Miguel Quesada (inks))

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

A Special Tammy Portrait – Don McLean

We come to 1972 in our Tammy August month round, and in this issue, two new stories start: “Belinda Black-Sheep” and “The Greek Girl”. Mario Capaldi, who went on to become one of the longest-standing stalwarts on the Tammy team, starts his first story for Tammy, “Belinda Black-Sheep”. Belinda McRea and her father become outcasts in their fishing village after Dad commits a seeming act of cowardice that led the deaths of his fellow fishermen in a storm. But did he really? Or did he lose his mind in some way and was not responsible for his actions? Or did something else happen? He seems to recall saving them, but he’s become so addled we don’t even know what to think, much know where to start working out what happened. 

In the second new story, “The Greek Girl”, Rose Banks has no confidence in herself, and it shows in her appearance (scruffy) and schoolwork (“appalling”). She wishes upon the statue of Penelope, the Greek goddess of confidence, to become more confident. (Incidentally, there really is a Greek goddess of confidence, but her name is Flaunta, and she is the second cousin of Aphrodite.) Soon after, a girl and a cat who are dead ringers for the goddess and her cat come into Rose’s life. Oops, is it the old “be careful what you wish for” again? Incidentally, this was one of the John Armstrong Tammy stories chosen for reprint in the Misty annuals, and a number of them were written by Bill Harrington.

Miss High-an’-Mighty, a spoiled, arrogant Victorian girl named Ursula Thorndike, has to be the hardest nut of all to crack in redemption stories. Bill Fletcher, a convict made good, is taking her on a tour to see how the other half live in the hopes it will change her. Ursula’s had to agree, as it is the only way to save her family from bankruptcy, but so far none of it is making any impression or improvement on her. 

Molly’s in a really complicated fix. She’s taken in an amnesic girl named Lorna, and then a Lady Lancton claims Lorna stole jewellery from her. Lorna is indeed scared shitless of Lady Lancton, but is it for that reason? Molly’s attempt to get Lorna’s side of things is soon putting her in danger.

In “Lonely Romy”, another Cinderella story, Romy hits the road after her spiteful stepsister frames her for stealing a watch. The truth is discovered later, but by this time Romy’s found a new venue for her paintings.

In “Here Comes Trouble”, the trouble for Mitzi Trouble comes from spiteful Katy Dennison. First Katy dopes her horse, and now she’s started a grass fire that’s raged out of control, just to get Mitzi into trouble, but it’s put lives in danger.

Girls’ comics often had some bizarre premises, and “Dog Paddle Doris” is one. Doris Farrell is making her name as…the best dog paddle swimmer around. Although it’s the only stroke she can do, she’s joined a swimming club and is competing in races, against girls who are doing freestyle. She even wins a freestyle event, but she was doing dog paddle, not freestyle. Aren’t there any grounds for disqualification here? 

“Swim for Your Life, Sari” is another swimming story, about a long-distance relay swimming race for Sari Marsh and her team. But Sari soon finds there is more danger than just the risks of the race – something sinister is afoot, and it looks suspiciously like the relay race is a setup for it.

Jill Hudson discovers Louisa “The Lame Ballerina” isn’t that lame, but thinks there’s a medical problem and wants to be friends. The truth is, Louisa is faking lameness to avoid the ballet she’s being pushed into, and now she sees a glorious opportunity to take advantage of Jill.

“Skivers’ School” looks like it’s riding on the success of “School for Snobs”. But instead of teaching snobs a lesson, the special school teaches ill-mannered girls to behave. Flo and Ethel Binns have been sent to it to learn how to be ladies. The hijinks have their skivvying backfiring on them and being foiled by the headmistress Miss Meake. We’re always left wondering as to whether Miss Meake does this without realising it or not, which is probably a running gag.

The Uxdale Urchins win the semi-finals despite problems along the way, but now there’s a real hurdle – the finals are in London, and they can’t afford a horse box.

Tammy and Sally 14 August 1971

1971, Issues, , , , , , , , , , , , , , , , , , , , , , , , , , ,

Palomo (artist Douglas Perry)

Little Miss Nothing (artists Miguel Rosello, Luis Bermejo, Miguel Quesada, writer Alan Davidson)

Betina and the Haunted Ballet (artist Dudley Wynne) – first episode

The Cat Girl (artist Giorgio Giorgetti)

Roberta’s Rebels (artist Rodrigo Comos, writer Maureen Spurgeon) – first episode

Our Janie – Little Mum (artist Colin Merrett)

Maisie’s Magic Eye (artist Robert MacGillivray)

A Million Pounds to Give Away! (artist Agustin Navarro, writer Maureen Spurgeon)

Beattie Beats ‘Em All (artist John Armstrong, writer Maureen Spurgeon)

The School on Neville’s Island (artist Douglas Perry)

Glen – A Lonely Dog on a Quest (artist Jim Baikie)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

It is now August, and to commemorate, we will have an August month Tammy round, with an August issue taken from each Tammy year. Also, selecting covers from this month guarantees a lot of nice, cheery summer covers to brighten us up. We begin at 1971, and with an August issue that starts two new stories.

It has now been seven months since Tammy started and five since Sally merged with her. Three strips from Tammy’s first issue are still going strong: Molly, Glenn, and Janie. Betina, another heroine from the original lineup, now starts her second story in Tammy’s first-ever sequel, “Betina and the Haunted Ballet”. The other story to start this week is “Roberta’s Rebels”. Though set in a boarding school, its premise sounds oddly prescient of “Land of No Tears”. Roberta Russell’s boarding school system is divided into the Supremos, the girls who get all the privileges and best treatment because they are the school sports stars, and the Serfs, who are forced to wait on the Supremos hand and foot and receive lesser treatment from school staff. Outraged, Roberta immediately sets out to stop this unfair school system by training up the Serfs to beat the Supremos. But once she sees the girls she has to train, she finds that’s going to be easier said than done. They look more like Bessie Bunter than Beattie Beats ‘Em All (q.v.).

The Cat Girl and Maisie’s Magic Eye are still going strong from the Sally merger. Both became so well remembered they have recently been given remakes in the rebooted Tammy and Jinty specials, and Cat Girl has just received her own reprint volume. Their presence also adds humour and lightweight fare to Tammy, who initially had no humour to balance the grim, misery-laden fare she was renowned for when she started. 

“A Million Pounds to Give Away!” is another story to show Tammy is finding her feet with her own lightweight fare. Biddy Lenton has to give away her late great uncle’s entire fortune (a million pounds) under the terms of his will, but it’s proving harder than expected and it’s getting Biddy into all sorts of scrapes. Shades of the future Bumpkin Billionaires! 

This week’s episode of Beattie must have given the readers some laughs, what with the antics Beattie gets up to on the racetrack to raise signatures for a petiton to stop some buildings – including her home – being bulldozed for development. She gets the satisfaction of annoying her worst enemies on the track with it as well. The petition ends up full of signatures. Strangely, nobody comments on or corrects Beattie’s spelling mistake – “support” has been spelled with one “p”.

“Little Miss Nothing” was a pivotal story in Tammy, as it set the template for the Cinderella serial in girls’ comics for hundreds of Cinderella serials at IPC and DCT to follow. “Make-Believe Mandy” and “Cinderella Smith” from Jinty were but two who owed their roots to “Little Miss Nothing”. This week, Annabel’s cruel parents kick her out, and they’re not through with her yet. Annabel’s spiteful stepsister Dora is cooking up a really nasty revenge on Annabel for getting her the well-deserved sack. 

Douglas Perry is on double duty with drawing two stories, “The School on Neville’s Island” and “Palomo”. But that’s nothing on Maureen Spurgeon, who’s writing four strips, probably more, in one issue! Incidentally, Palomo was Tammy’s first horse story, and it was so popular it scored an appearance in a Tammy annual. 

Tammy & June 21 June 1975

1975, Issues, , , , , , , , , , , , , , , , , , , , ,

Cover artist: John Armstrong

Bella at the Bar (artist John Armstrong, writer Jenny McDade)

Waifs of the Wigmaker (artist Mario Capaldi, writer Bill Harrington) – first episode

Red Letter Rosie

Ella’s Ballet Boat (artist Jim Eldridge) – first episode

Aunt Aggie (artist J. Badesa, creator Pat Mills) – return

Bessie Bunter

Lure of the Lamp (artist Christine Ellingham) – Strange Story

You Need Hands – Competition

Wee Sue (artist John Richardson)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

It’s been a year since June merged with Tammy. How has the merger impacted on Tammy in that time? The June logo is still on the cover, but instead of the Cover Girls we have Bella on the cover this week. Bella, who first appeared with the merger, has clearly become so powerful that she sometimes pushes the Cover Girls off the cover. The John Armstrong artwork on the cover must have been a big attraction as well. 

The second Bella story (by popular demand) is going far longer than the first, not only because of the popularity but also because of the story arc (Bella clearing her name after being publicly disgraced by a jealous rival) requires a whole lot more development and episodes to resolve. It is also much darker than her first story (which was pretty dark as it was), as poor Bella has to battle her way through her wrongful disgrace as well as obstacles set forth by her cruel guardians, nasty tricksters and other enemies in order to keep up her gymnastics. Despite them all, she has done well enough to represent Britain in a championship, but the stigma just keeps catching up again and again.

Also returning from Tammy’s earlier years, by popular demand, is Aunt Aggie. Like “The Honourable S.J.” from Judy, she’s a nasty piece of work and a very crafty schemer who can put on a phoney face of kindness that fools everyone (in Aunt Aggie’s case, as a warm-hearted TV celebrity). Only the long-suffering protagonist who has to cope with her knows the truth. But unlike the Honourable S.J., Aunt Aggie is a full adult, and she is also played for humour, with a hilarious weekly comeuppance as our protagonist foils her nasty schemes. It’s a very deft combination of nastiness and comedy.

Uncle Meanie, who carried over from the Sandie merger, is now gone. Wee Sue, the other addition from Sandie, is now being drawn by John Richardson. The June additions, the Storyteller and Bessie Bunter, have established their staying power. Molly is still going as well, along with the misery-laden Cinderella and slave stories that made Tammy a hit when she was first published. 

The current Cinderella story, “Red Letter Rosie”, is now on its penultimate episode. A new slave story, “Waifs of the Wigmaker”, starts this week. It’s slavery in a Victorian wig factory, and the cruelty is a whole lot more than just exploited workers. The girls are deliberately degraded with measures such as being chained up as they work and newcomers having their hair cropped on arrival and forced to make their first wig with it. The villain of it all, Ma Parting, is an noteworthy one for being totally blind. But her blindness makes her an even more dangerous villain and hard to escape from, because her other senses are so acute they’re virtually superhuman. 

Tammy was never without a ballet story for long. The new one, “Ella’s Ballet Boat”, makes a nice change in having a ballet troupe instead Tammy’s more usual ballet formula in having an individual ballerina as the protagonist. It also gives us more variety of characters and character development. 

Tammy & June 29 June 1974

1974, Issues, , , , , , , , , , , , , , , , , , , , ,

Cover artist: John Richardson

Bella at the Bar (artist John Armstrong, writer Jenny McDade)

Wee Sue (artist Mario Capaldi)

Sadie in the Sticks (artist Juliana Buch)

The Haunted Headline (artist Juan Escandell Torres) – Strange Story

It’s Great Here – Competition

Bessie Bunter

Swimmer Slave of Mrs. Squall (artist Douglas Perry, writer Gerry Finley-Day?)

Jeannie and Her Uncle Meanie (artist Robert MacGillivray)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

Eva’s Evil Eye (artist Charles Morgan, writer John Wagner)

For the 1974 instalment of our Tammy June month round, we profile Tammy 29 June 1974, two weeks into the Tammy & June merger. Appropriately enough, June was the month June merged with Tammy in 1974, and it was one of the most beneficial mergers Tammy went through. She gained a more varied mix of serials, regulars, and now the weekly complete story.

The stage was now set for the regulars Tammy was to have for the next six years: Bella Barlow, Wee Sue, Bessie Bunter, the Storyteller, Molly Mills and the Cover Girls. After a steady, long-standing build towards regular strips in her lineup, Tammy finally had a strong core of regulars to keep her going. It took a few mergers to do it, though. Bessie Bunter and the Storyteller came over from June and Uncle Meanie and Wee Sue from Sandie. Wee Sue proved to have the strongest staying power of the two Sandie strips. Bella Barlow was not yet a regular in Tammy. At this stage she was a serial strip, but she became so popular that she turned into one of Tammy’s longest-running regular strips. 

The Storyteller was now providing readers with a regular weekly dose of the supernatural story. In so doing he enabled Tammy to explore all sorts of settings, from Roman times to the future, and more fantasy and science fiction. His other benefit was bringing “complete stories” to Tammy on a regular basis. Before then, complete stories had only appeared sporadically in Tammy.

The drawback to having more regular strips was less room for serials. Nevertheless, the dark, cruelty-laden Cinderella serials and slave story serials of Tammy’s earlier years were still appearing. In the first weeks of the merger they took the form of “Swimmer Slave of Mrs. Squall”, “Sadie in the Sticks” and Bella herself. Bella proved so popular that she ensured the Cinderella story would be a mainstay of Tammy forever. “Eva’s Evil Eye” seemed to indicate the bullying serial was appearing a bit more in Tammy, and the new Molly Mills story was taking a novel approach in doing the “schemer” story, a formula seen more often in the DCT titles. 

Tammy 2 June 1973

1973, Issues, , , , , , , , , , , , , , , , , , , , , ,

The Cat’s Eye on Katy (artist Douglas Perry) – first episode

School for Snobs (artist J. Badesa, writers Pat Mills/John Wagner)

Trina Drop-Out (artist Ana Rodriguez) – final episode

The Sea Spirit – (artist Juan Escandell Torres) – first episode

The Stranger in My Shoes (artist Miguel Quesada)

The Lonely Dancer (artist Candido Ruiz Pueyo)

Simple Simona

Get Shirty! (Competition)

The Girl in the Window (artist John Armstrong)

Dara into Danger (artist Juan Garcia Quiros)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

For the 1973 instalment of our Tammy June month round, we look at an issue that starts some new stories. They both have supernatural themes, one malicious and the other beneficial. In the former, an evil witch doctor bewitches a cat to get revenge on the policeman who imprisoned him. But his curse is not striking at the policeman directly – it’s striking at his daughter Katy miles away in England, with the cat doing the old “evil influence” gig on her. One has to wonder why the silly old witch doctor doesn’t use his powers to break out of prison instead – he’s got the superstitious prison guards scared enough of him for that, surely. But no, he’s just going to sit in prison and let the cat do its thing. In the latter, Sheena Barrett is a brilliant swimmer, but her fear of diving is a handicap. Then she meets Marina, a sea spirit who gives her the confidence to dive. 

There is also a third supernatural story, “The Girl in the Window”, where Dale befriends a shop dummy that can come to life. This is making for a lot of interesting moments, some awkward, some surprising, and some hilarious. Hilarity is also running high in a “School for Snobs” sequel and “Simple Simona”. 

Ballet stories have been the staple in Tammy from the first issue and cropped up frequently in her earlier years. This time it’s “The Lonely Dancer”, about a promising ballerina who is trying to find her missing mother.

As we now have a higher proportion of humour and the supernatural in Tammy, plus the ballet staple, there is less room for the dark tales laden with cruelty, misery and tortured heroines that the early Tammy was noted for. They are still going, but they are now balanced with more lightweight fare, which makes for a more varied mix in the comic. One, “Trina Drop-Out”, finishes this week, and the other is “Dara into Danger”, where a whole ski team is kidnapped and taken to the Antarctic. All except our protagonist Dara have been brainwashed by the mysterious Madame Jensen, but for what exactly hasn’t been established yet. And of course we still have Molly Mills to carry on the Tammy streak of cruelly used heroines.

Meanwhile, “The Stranger in My Shoes” features a heroine who is being tortured another way – her identity is forcibly switched with a delinquent and she is sent to borstal in the delinquent’s place. Is the story going to go with her suffering miseries at the borstal à la “Merry at Misery House” or go another route as she battles to prove her identity?

Aside from Molly Mills, Tammy was still not into “regular” strips to serve as her core. However, the return of “School for Snobs” and, pretty soon, “Aunt Aggie”, showed that semi-regulars were developing. 

Tammy 24 June 1972

1972, Issues, , , , , , , , , , , , , , , , , , , , , , , , ,

School for Snobs (artist J. Badesa, writers Pat Mills/John Wagner) – final episode

The Uxdale Urchins (artist Eduardo Feito) – first episode

The Saint of the Snows

Lulu – cartoon

The Champion from Nowhere (artist Tom Hurst)

The Witch of Widcombe Wold (artist Jesus Redondo, creator Terence Magee)

Jill’s Only Joy (artist John Armstrong)

Tina on a Tightrope (artist Roy Newby)

Take Over Biddie 

A Special Tammy Portrait – Peter Osgood

5 Radios To Be Won! – Competition

The Dragon of St George’s (artist Douglas Perry)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

Here Comes Trouble (artist Luis Bermejo)

Now we come to part 2 of our Tammy June month round robin with a June issue from 1972. It’s been over a year since Tammy started, and we can see how Tammy has developed. When she first started, there was nothing in the way of humour to balance things. Her focus was on darkness, cruelty and ill-used heroines. She ramped it up to the max, which sometimes went over the top. We’ve still got the cruelty and ill-used heroines, especially Molly Mills, but Tammy is now injecting more comedy and lightweight stories into the mix, so there is a better balance of stories than before. 

Tammy now has a cartoon strip (Lulu), something she didn’t have when she began. However, the most notable example of Tammy’s increasing use of humour is “School for Snobs”, a special school devoted to curing girls of snobbery in hilarious come-uppance ways (but it must be said that it did go overboard at times!). The first School for Snobs story ends this week. It’s not the “snob of the week” format that it would have in its sequels; it was a story arc about reforming two snobbish sisters. One reforms pretty quickly and learns a lot from the school, but the other is a tough nut to crack. It’s not until the final episode this week that she finally decides to make an effort to change. 

A mix of drama and humour is used in “The Dragon of St George’s”, about an army sports mistress who runs athletics military style at a boarding school. She’s nicknamed “The Dragon”, and under normal circumstances in girls’ comics she would be a tyrant teacher hated by all the girls. Instead, Tammy turns it around by making the Dragon the heroine of the piece. And why is this? The Dragon is helping the girls to keep the sports they love so much in the face of the mean headmistress and the head girl who don’t approve of athletics and want the school to be exclusively academic. The story was so popular it scored an appearance in a Tammy annual. 

The 1971 Tammy focused more on unredeemable villains, such as Ma Thatcher of “Slaves of ‘War Orphan Farm’” and Miss Bramble of “The Four Friends at Spartan School“, but now we are getting some humorous villains. One is Ma Sload of “The Champion of Nowhere”, who is taking advantage of an amnesic girl and her talent for tennis. Although Ma Sload is a serious villain, there is a dash of humour to her too, which makes her oddly endearing. We are also getting villains played more for humour than cruelty. One is the “Witch of Widecombe Wold”, who is always making trouble for her descendant, Lynn Halifax, when she moves to Widecombe Wold, but each week the witch ends up with things backfiring on her and looking stupid. Still, we must remember she is still a villain who has to be got rid of.

“Here Comes Trouble” is another indication of how Tammy is developing. As well as her usual ill-used heroines, she is working on having some really ballsy protagonists who don’t take things lying down. 

“Take Over Biddie” is also another example in how Tammy is exploring different types of character portrayal and telling things from a character’s point of view. The story is told from the point of view from Biddie’s cousin Grace. Biddie has had an unhappy home life because of her snobbish mother. Grace has felt sorry for Biddie, but now she’s beginning to suspect Biddie is pushing her out. However, we suspect Grace will still be going through moments where she does not know what to think of Biddie.

Tammy had a high preponderance of period stories in her early years. Her current period stories are “The Saint of the Snows” and “Tina on a Tightrope”. Curiously, her period stories had dwindled by the 1980s.

“Jill’s Only Joy” is the only story I have seen where John Armstrong drew a ballet story. And when you look at the artwork, you have to wonder why he didn’t draw more ballet stories. Jill Carter is striving to be a ballerina, not only in the face of cruel step-parents but also because she wears glasses. And this week she also has to contend with a ballet teacher who is really picking on her. 

In 1971, Eduardo Feito began his long-running streak in drawing horse stories for Tammy with “Halves in a Horse”. This week he starts on “The Uxdale Urchins”. Girls save coal mine ponies from being put down and start a riding club with them, “The Uxdale Urchins”, but they soon find they have to contend with the snobs from another riding club.