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Small House of Everything

Small House of Everything

Saturday, January 17, 2026

HOW STALIN HOPES WE WILL DESTROY AMERICA

Here's an interesting (and undated) comic book pamphlet that promotes an economic theory:  that inflation is destroying America.  The cure?  A "pay as you go" government, increase taxes for defense, and cut everything else to the bone.  

I'm no economist, but this all seems a bit simplistic to me, but also a bit truthful at the same time.  Republicans were proud once to say that Reagan brought down the evil Soviet empire, which he did; but it was by accident.  Reagan firmly believed in the flawed Star Wars defense system; for their part, the Russians also believed because Reagan believed it and they began to spend huge amounts of money to counteract it -- so huge, they went  broke and the regime fell.

The solution proposed in this pamphlet does not address the problems of upward mobility, poverty, the income gap, infrastructure, racism, or many of the other issues facing us today.  What is offered here appears to be a limited, white, middle class solution.

Oh well.  It's an interesting take.  And inflation is and has been a major problem; I just don't think it is the end-all and be-all.

What do you think?

https://comicbookplus.com/?dlid=97412&comicpage=&b=i

Friday, January 16, 2026

FORGOTTEN BOOK: HE DONE HER WRONG

He Done Her Wrong:  The Great American Novel and Not a Word in It -- And No Music, Too by Milt Gross (1930)

American copyright law is a strange hybrid critter.  Originally, works place in copyright could be protected for a period of fourteen years, with the option of a fourteen year renewal.  Authors, publishers, and most readers (I assume) feel strongly about protecting an author's work and income for a reasonable period, and it was soon realized that a maximum of 28 years might deprive and author or his heirs of a reasonable income.  So the law kept changing, helped, in no small part, by influential corporate interests hoping to keep a cash cow afloat, or in this case, a cash mouse.  Disney (and other companies) began exercising their lobbying muscles and the laws keep changing.  Today, any work published in 1978 or after is protected for a period of 70 years after an author's death; any work published before 1978 is protected for a period of 95 years.  Thus, works published in 1930 became part of the public domain as of January 1, this year.  This applies not only to boos, but film and musical works also.

That is why Max Allan Collins was able to publish The Return of the Maltese Falcon this month without fear of legal reprisals; although it should be noted that the copyright here applies only to the magazine version -- evidently the copyright on the book itself expires next year.  That is also why Nancy Drew is now in the public domain, as well as A Farewell to Arms, The Sound and the Fury, All Quiet on the Western Front, A Room of One's Own, A High Wind in Jamaica, Laughing Boy, The Seven Dials Mystery (a new televised version appeared this month on Netflix..coincidence?), The Roman Hat Mystery, and films such as The Cocoanuts, Broadway Melody, Disney's Skeleton Dance (as well as the first Mickey Mouse cartoon in which Mickey speaks -- Mickey himself is already in the public domain), The Holiday Revue of 1929 (featuring the song "Singing in the Rain"), Hitchcock's Blackmail, and the film version of Showboat.  For music, there's "Ain't Misbehavin'," "Bolero," :"An American in Paris," "Tiptoe Through the Tulips," "Happy Days Are Here Again," "Am I Blue?," and sound recordings of "Rhapsody in Blue" by Gershwin, "It Had to Be You," and "California Here I Come."  This year also saw the characters of Popeye and Tin-Tin enter the public domain.

And He Done Her Wrong, an early graphic novel by cartoonist Milt Gross, coming just one after the publication of the first wordless American novel, Lyn Ward's God's Man, which I covered on this blog earlier.  It 's a Perils of Pauline-type of novel and is considered an important precursor to today's graphic novel, drawn in Gross's typical cartoon style.

Here's the plot, from Wikipedia:  "The narrative of He Done Her Wrong centers on a young country man who falls in love with a barroom singer.  A jealous villain tricks the couple and takes the singer to New York.  After a chain of humorous occurrences (presented primarily as slapstick comedy) the protagonist is reunited with his love and discovers that he is the son of a rich industrialist.  While the protagonist and his love settle down and raise a family, the villain is cornered  by the angry fathers of five women with whom he has fathered children, ultimately driven into a life of unhappiness."

Doesn't sound like much, does it?  But when I first read the book in 1963 as a Dell paperback, it knocked my socks off.  Sadly, copy of the book went walkabout many years ago.  I was interested in reading the book again a few years ago, but could not find a copy online, and any copies for sale were more than I wanted to pay.  But now the book is in public domain and is available at the Internet Archive; they jumped on it -- I believe they added the book on January 2.

Now you can enjoy it, too:

https://archive.org/details/he-done-her-wrong/page/n9/mode/1up


Milt Gross (1895-1953) was noted for his cartoon style and his Yiddish-inflected English dialog.  His first comic strip, Phool Phan Phables, began when he was 20.  Several other short-lived comic strips and his first animated film followed.  His first real success came with Gross Exaggerations (originally titled Banana Oil, and later titled The Feitelbaum Family, and then Looy Dot Dope.)   He was noted for his use of "Yinglish," (Nize Ferry-tail from Elledin witt de Wanderful Lamp, for example); probably his most successful book was Nize Baby. 1926.  Other books included Hiawatta witt No Odder Poems, De Night in de Front from Creesmas, Dunt Esk, and Famous Fimmales with Odder events from Heestory.  In 1931, Gross began working for the Hearst syndicate, drawing various strips, including That's My Pop!, which went on to become a radio show.  He suffered a heart attack in 1945 and went into semi-retirement; his last book was I Shouda Ate the Eclair (1946), in which Mr. Figgis nearly starts World War II by refusing to eat an eclair.  He continued to draw, however, with much of his appearing in comic books, including the short-lived Milt Gross Funnies.  He died from a heart attack on November 29, 1953 while returning from a cruise to Hawaii.  

Tuesday, January 13, 2026

ESCAPE: THE DIAMOND AS BIG AS THE RITZ (JUNE 23, 1947)

F. Scott Fitzgerald's famous story was the basis for the third episode of the CBS radio show Escape; this was the first of three script adaptations of the story used in the program over the years.

In this modern fairy tale, there is a mountain in Montana that consists of one solid, large diamond.  One family is determined to keep it a secret, while slowly extracting diamonds from the mountain to become the richest family in the world.  A fantasy of greed, power, and fate.  Not the oddest Fitzgerald story -- I'd give that title to "Benjamin Button" -- but one that has captured the imagination of the public since it was first published in The Smart Set Magazine in June 1922.

This episode was produced and directed by William N. Robson from a script by Les Crutchfield.  Featuring Jack Edwards. Jr., Danny Merrill, and Linda Mason.

Enjoy.

https://www.youtube.com/watch?v=yvCLWtn7-cE

SHORT STORY WEDNESDAY: MR. SMITH KICKS THE BUCKET

"Mr. Smith Kicks the Bucket" by Fredric Brown  (first published in Street & smith's Detective Story Magazine, August 1944 as "Bucket of Gems Case:"; reprinted under the current title in Four-and-Twenty Bloodhounds, edited by Anthony Boucher, 1950 [abridged UK edition:  Crime Craft, 1957]; in The Saint Detective Magazine, September 1957 [and in that magazine's Australian edition, May 1958, and its UK edition, June 1958]; and in Carnival of Crime:  The Best Mystery Stories of Fredric Brown, edited by Francis F. Nevins and Martin Harry Greenberg, 1985)


Fredric Brown (1906-1972) was one of the most original writers in the mystery and science fiction genres of the  mid-Twentieth century.   His novel, The Fabulous Clipjoint, won an Edgar Award for best novel in 1948; many of his books in both genres have gone on to be considered classics.  His most popular detective characters were Ed and Am Hunter, a young man and his uncle who went on to open a detective agency, but early in his career, Brown had another character -- the efficient and somewhat colorless Henry Smith, an investigator for the Phalanx Insurance Company and the protagonist of six short stories from 1941 to 1947, with a seventh appearing in 1962.  This was the fifth in the series.

Thorwald is the program manager of the radio program sponsored  by the Jewelers' Mutual Co-operative Association, Bucket of Gems,  show whose gimmick is to dramatize the history of a famous gem in each episode; the writer of the best essay on the topic of one of the gems will receive a prize -- a bucket of gems.  Smith gains entry to the program manager by displaying a replica of the Kent ruby, which is insured by Phalanx.  Smith is there to sell Thorwald on a policy to insure the contents of the "bucket of gems," or the actual stones used in the program,  should they be stolen.  Thorwald does not think he needs insurance because of the guards and heavy protection he has already arranged.  But the Kent ruby is valued at $100,000, in part because of its bloody history, and the Phalanx policy covers only $30,000 of that -- should that gem be stolen, the program owners would be out $70,000.

Of course the Kent ruby is stolen.  From a room containing only Smith Thorwald, two private detectives, two police officers, and Carmichael, the collector who owned the ruby.  No one has left the room, so where is the ruby?  It's up to Smith to solve the case in his quiet and assured manner...and he does literally kick the bucket.

A skilled reader of detective stories and an expert on jiggery-pokery should be able to solve the case as easily as Smith did, but the fun is still there.  Brown specialized in the odd, the weird, and the seemingly impossible.  I think you will enjoy this one.


The September 1957 issue of The Saint Detective Magazine is available on-line.  For those interested, it also has some great stories by Leslie Charteris, Aaron Marc Stein, August Derleth, Louis Golding, Richard Hardwick, Richard /Sale, Sax Rohmer, and Charles E. Fritch,

Monday, January 12, 2026

OVERLOOKED FILM: FANTOMAS (1947)

Fantomas was a fictional master criminal  created by French writers Marcel Allain and Pierre Souvestre in 1911.  This extreme villain was lone of the  most popular characters in French crime fiction and appeared in 32 novels by the pair, with an additional eleven novels  by Allain alone.  He appeared in at least thirteen films from 1913 to 1967; only one of which was made in America -- a 20-episode 1920 serial that was truncated to twelve episodes in its French version.  Fantomas appeared in four episode in a French television production in 1980, and a French film provided the character for a Czechoslovakian television show from 1979 to 1981.  There was an unproduced film adaptation planned for 2010.  A new Fantomas film and a series are now scheduled for 2027.  Fantomas has appeared in French, Mexican, Polish, and American comic books.  At least two short stories and one novel have been written by other hands.

Fantomas was lauded by the French avante garde elite, including Guillaume Apollinaire and Rene Magritte.  He has been the subject of countless pastiches, parodies, and homages -- two unauthorized appearance appeared in French plays, one pitting him against Nick Carter, the other against Sherlock Holmes.  Critic Kim Newman has suggested that he was the basis for Blake Edward's Pink Panther.

In the 1947 film, Fantomas (Marcel Herrand), thought dead, returns to prevent the marriage of his daughter Helene (Simone Signoret)to the newspaperman Fandor (Andre Le Gall).  He does this in the most ,logical way possible -- by killing the mayor who% to have married the couple.  He tops this off by demanding a billion dollars in gold or he will kill one million Parisians.  Fantomas is  not on=e to make idle threats; he has a death ray.

What follows is a cat and mouse game between Fantomas and Inspector Juve (Alexandre Rignault).  But who is the cat and who is the mouse?  There's a lot of back and forth and a lot of peril, and the film ends -- as many of the Fantomas capers do -- with the villain presumed dead...until the next time, I'm sure.  And Helene and Fandor finally get married, so yay for true love.

Directed  by Jean Sacha and scripted  by Jean-Louis Bouquet and Francoise Giroud, from a novel by Allain -- most likely Fantomas Attaque Fandor (1926).

English subtitles have been added to the print linked below.


Enjoy one of the most dastardly villains ever to appear between printed pages:

https://www.youtube.com/watch?v=UOd_fIp3Dco

Sunday, January 11, 2026

HAPPY BIRTHDAY TO TWO "TEX"es

 First off, Mary Louise Cecilia "Texas" Guinan (1884-1933) was an American entertainer, producer, entrepreneur, and bootlegger.  She was a star on the New York stage (she once accidently shot herself during a performance of Simple Simon Simple) until her involvement in a weight-loss scam made her pull up stakes and move to Hollywood and the film business.  She was one of the first female directors in the United States, forming her own production company in 1921.  In her acting career, she had gravitated toward westerns and was soon called "the female Bill Hart."  She never let the facts get ion the way of a good publicity story.  With Prohibition also came the rise of the speakeasies; in 1923 she was hired as a singer at the Beaux Arts club and was paid $50,000.  Here. she had found her true calling and soon she was emceeing a full floor show.  Her catchphrase "Hello, Sucker!  Come in and leave your wallet on the bar" drew in the wealthy and the elite.  Her club was frequently shut down by police, only to reopen soon in a new location and under a new name.  She opened the Texas Guinan Club in New York and the Del-Fey Club in Miami.   In 1926 she served as hostess at the 300 Club in New York; visitors included Al Jolson, Jack Dempsey, and the Prince of Wales.  During the Depression she tried to take her show overseas and found that she was on England's "barred aliens" list, and that she was  banned in France.  All this made for good publicity and she launched a satirical revue Too Hot for Paris and took it on the road.  During that run, she contacted amoebic dysentery during an epidemic traced to tainted water at the Chicago World's Fair.  She died from it in Vancouver at the age of 49 -- exactly one month before the repeal of Prohibition.  The "Queen of the Speakeasies" was no  more. Among her pallbearers were bandleader Paul Whiteman and writer Heywood Broun.  The Whoopi Goldberg character from Star Trek:  The Next Generation was named in her honor.

Here's Texas Guinan in a brief dance number:

https://www.youtube.com/watch?v=ijtvdfUdlTs


Woodward Maurice "Tex" Ritter (1905-1974) was an early pioneer of country  music, with a 30-minute program of cowboy songs on Houston's KPRC.  He moves to New York where he appeared in the Broadway production of Green Grow the Lilacs, which was the basis of the musical Oklahoma!.  In 1931, he starred in New York City's first broadcast western on WOR.  Ritter  oved to Los Angeles in 1933 and was featured in 70  movies as an actor (78 on movie sound tracks).  Ritter had been th8e first artist to sign on to the fledgling Capitol Records in 1942.  He sang the theme song during the opening credits of High Noon, which went on to win an Oscar for Best Song.  He died of a heart attack at age 68; his son, actor John Ritter, died in 2003 of an aortic dissection, now known to be hereditary; it is  now believed that that was what also killed his father.


"The Ballard of High Noon"

https://www.youtube.com/watch?v=hsDyrZVqipA


"Streets of Laredo"

https://www.youtube.com/watch?v=4uBGYxgsMTA


"Rye Whiskey"

https://www.youtube.com/watch?v=sVWTeXzgkJE


"I Dreamed of a Hill-Billy Heaven"

https://www.youtube.com/watch?v=jyGGDCz6ry4


"I'm Wastin' My Tears on You"

https://www.youtube.com/watch?v=0HTL9svifT0


"You Two-Time Me One Time Too Often"

https://www.youtube.com/watch?v=jXmgP1owWkk


"Jealous Heart"

https://www.youtube.com/watch?v=X59EWHhRbYE


"Have I Told You Lately That I Love You?"

https://www.youtube.com/watch?v=Kcysz2BhGx8


"The Deck of Cards"

https://www.youtube.com/watch?v=WKMKrIqGG44


"The Men in My Little Girl's Life"

https://www.youtube.com/watch?v=uuVzvNgR97M


"The Wayward Wind"

https://www.youtube.com/watch?v=bvP3ryvOwfo


"Pecos Bill"

https://www.youtube.com/watch?v=LBWbLIbqlPE


"Green, Green Valley"

https://www.youtube.com/watch?v=iq7QSmn_79Q


"Comin' After Jinny"

https://www.youtube.com/watch?v=EDnrQRin5yA


"When the Work's All Done This Fall"

https://www.youtube.com/watch?v=g3YiHI_yzzE


"Barbra Allen"

https://www.youtube.com/watch?v=Kn3opZQtuUA&list=PL7VfgzbSxy-I1xK_ysxUNdxolSILFZ_Gw&index=9


"Billy the Kid"

https://www.youtube.com/watch?v=g2pfWXL5-ls&list=PL7VfgzbSxy-I1xK_ysxUNdxolSILFZ_Gw&index=8

HYMN TIME

 St. Stanislav Girls' Choir of the Diocesan Classical Gymnasium.


https://www.youtube.com/watch?v=HYzPR0nwcmY