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Of Fair and Cunning Folk

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This weekend is the annual Occult Conference in Cardiff, run by Dragonoak Coven, this year titled: Earth, Sea, and Sky.

I was asked to come and share some stories about fairies to finish the day and it sent me down a research rabbit hole weaving a talk with stories from history and legend on one of my favourite topics: the relationships between cunning folk and those fairy spirits that are our neighbours and allies.

(They also have a bonus online event on 8th November with some excellent speakers! Get your tickets here!)

This weekend is the annual Occult Conference in Cardiff, run by Dragonoak Coven, this year titled: Earth, Sea, and Sky.

I was asked to come and share some stories about fairies to finish the day and it sent me down a research rabbit hole weaving a talk with stories from history and legend on one of my favourite topics: the relationships between cunning folk and those fairy spirits that are our neighbours and allies.

While there is no substitute for in person performance, my first draft was much longer than it should have been so I offered the long version as a work-in-progress talk for my lovely Patrons & students!

Pale green slide with brown text: "At Earth Sea and Sky conference, Cardiff, 1st Nov 2025 - Of Fair and Cunning Folk - Explore our relationships with those called fairies through time & story... with Dr Halo Quin

It also got me thinking that I’ve been writing, speaking and teaching on fairy magic for about half my life, because I have loved them for as long as I can remember. When I was small, I wanted to be a fairy when I grew up, and even then I didn’t mean tiny and sparkling… I meant magical.

Throughout history, the “cunning folk” – a term for those healers, wise-folk, and “service magicians” who have made magic for their communities – have worked closely with spirits in general, including the Fair Folk. There are stories of magical skills taught and granted, of lovers and parents, and of conjuring kings and queens.

This relationship between magicians and our Good Neighbours runs deep, and it has always been a blessing in my life that they encourage me to share.

So here are a few resources for those of you that want to dive in deeper.

FREE TALK

Green button: "on Fairies - a talk with Halo Quin"

Sign up here to access the “On Fairies” Masterclass from TEA free!

Faery Books

Book cover of "Your Faery Magic - discover what it means to be Fey and unlock your natural power" by Halo Quin
Your Faery Magic – A gentle introduction to exploring and building a relationship with faery spirits – my first published book!
Cover of Folktales, Faeries, and Spirits book
Folktales, Faeries, and Spirits – a practical guide to working with faeries and the spirits of nature
All That Glitters book cover
All That Glitters – Wanderings and wonderings of a changeling bard (poetry and prose to explore the land and lore of elfhame)

Courses, Classes, and Storytelling

And if you miss the live talk, or want to revisit it with a longer WIP version, it’s available on my Patreon now:

Brown text on pale green saying "Of Fair and Cunning Folk" with Patreon logo in the corner

And for those that want more… here’s the bibliography!

Bibliography slide:
Robert Kirk, The Secret Commonwealth of Elves, Fauns and Fairies, (Dover Publications. 2008)
R.J. Stewart, The Living World of Faery, (Mercury Publishing, 1999)
Emma Wilby, Cunning Folk & Familiar Spirits, (Sussex Academic Press, 2005)
Andrew Phillip Smith, Pages from a Welsh Cunning Man’s Book, (Bardic Press, 2023)
Jeremy Harte, Explore Fairy Traditions, (Explore Books, 2004)
Ash William Mills, The Black Book of Isobel Gowdie, (Scottish Cunning Ways, 2021)
David Rankine, “Conjurations” in The Faerie Queens, (Avalonia, 2012)
Dan Harms, “Spirits at the Table”, in The Faerie Queens, (Avalonia, 2012)
Harms, Peterson, & Clark, The Book of Oberon (Llewellyn, 2015)
Reginald Scot, The Discoverie of Witchcraft, (Project Gutenberg, updated 2025)
William Lilly, William Lilly’s History of His Life & Times, from the year 1602 to 1681, (Project Gutenberg, updated 2020)
Pr. Ronald Hutton, The Witch, (Yale University Press, 2018)
Nennius, Historia Britonum - Trans. J. A. Giles, (The Avalon Project, 1841) Accessed October 2025
W. Jenkyn. Thomas, The Welsh Fairy Book, (Dover Publications, 2001)
Allan Boyd, Prophecies of Thomas the Rhymer, the ancient Scotch Prophet, (T. Johnson, 1828) In the National Library of Scotland
Undiscovered Scotland, www.undiscoveredscotland.co.uk - Accessed October 2025

Comment below… Do you work with the Fair Folk? Why did you start?

Becoming a Druid – Druid Camp 2025

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It’s been a long time since I first found myself at Druid Camp, while I haven’t made it to every camp since then it has become an important part of my calendar. This year it felt like more than a fun event, it felt like a homecoming, like finding paganism and witchcraft did all those years ago.

Which is ironic since we were on new land and the theme was “Re-birth”!

A campfire at night

Since the very wet Pembrokeshire-based camp in 2023 where we connected with Ceridwen and Taliesin (yay!) and I taught a pair of workshops working with them, the voice, inspiration, Awen… the old team led by powerhouse Mark Graham passed the baton to the wonderfully tenacious Esther (“Esther from Leicester” as she introduces herself) and a crew of talented, dedicated people. But Druid Camp had also moved away from the old Rainbow Spirit site in Gloucester and the Pembrokeshire site didn’t quite fit, so we needed a new home.

And Bear and Minx opened the doors of Dragonwood.

Over the past 18 months members of the camp community rallied and worked with the land, and this August Druid Camp settled into land that welcomed us like old friends.

Glorious sunshine, curious spirits, and whispering willows embraced us as Druid Camp was reborn.

I’m still integrating the gentle but powerful shifts I felt while there, and perhaps there won’t ever be words to tell you of the gifts I have received, and saw others touched by too, but I can tell you some things:

The team did an amazing job.

The land is used to magical folk and wants to speak with us.

And for the first time in 10 years I really felt like a part of this community, not hanging out on the edge but right in the heart of it.

A circular doorway of willow between two hawthorn trees, framing a stone altar.

This is not a criticism of previous camps, but a reflection of my journey!

I wrote about my second year here – “A Faery at Druid Camp” – and my wariness of “druids” in general in “The Trouble with Druids“. 2023 marked a definite shift for me and I shared my experience of “Being Bardic at Druid Camp” where I was feeling more at home, more recognised, and more like I belonged, but this year I was no longer asking the question “does this make me a druid?” but stating something that has become true:

“I am a druid.”

Now, I joined OBOD a few years ago and have worked my way through the grades of Bard and Ovate. As of writing this I’m halfway through the Druid Grade material, so I can claim the title on that technicality, but now, after the “Initiation into the Spirit of Camp” ritual held by the new lead ritualist of camp Jay “Beekeeper” Anderson, now I feel it. And yes…

I had studied storytelling and performance as enchantment as a Bard – and still do.

I had practiced the magic of the deep green land as an Ovate – and still do!

And I regularly lead rituals and teach (and spent 20+ years studying philosophy academically, a traditional druid past-time!)

But becoming a Druid, for me, isn’t just about knowing stuff. It’s about finding a home in a community where you can share those skills and where the land recognises you as well as the people.

Halo smiling at the camera with three golden dots of clay on their forehead and tents in the background.

I’ll always be a witch,

and I’m certainly a magician,

but now I know –

I’m a druid too.

I’m always fascinated by what people mean when they say that they’re a druid, a witch, a magician, a pagan, and so on. Sometimes the journey is quick – you find a term and it just fits. And sometimes the journey is long, and starts with a bad impression but you find yourself returning again and again.

I’d love to hear from you, please do comment below – what is your favourite word to describe yourself and the path you’re on, and how did you come to it?


Speaking of community…

The Enchanted Academy Community

Or T.E.A. for short, because tea is magic. Doors open for the free community now, join today for:

  • Magical community
  • Oracle & healing swaps
  • Magical Masterclasses & events

An academy and forum for learning magic. Sign up to my mailing list to hear about upcoming courses and get my monthly news and musings.

A wide shot of Halo on a dimly lit stage at Druid Camp, in a gold shirt, with audience sat on camping chairs - singing Cryptozoologist.
Singing Cryptozoologist – you are all fabulous time keepers!

PS: Cryptozoologist lyrics here – for those that want them! New verses will be added soon!

On the Goddess Babalon

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I’m thrilled to share with you that I’ve just signed a new book contract… an introduction to the Goddess Babalon!

And yes, this is the Babalon my first two singles – Red Goddess, Come“, and “Her Body, The Temple were written in honour and praise of!

Pagan Portals: Babalon

Goddess of life, love, lust, liberty, & death

Due out 2026 with Moon Books publishing.

If you haven’t heard of Babalon (the Goddess, not the city “Babylon”) then here’s the short version: Babalon is a modern goddess with ancient roots, and could be best summarised as an earthy goddess of life, death, love, lust, and everything in between.

She embodies total, unconditional, self-acceptance, and is a powerful ally in reclaiming your personal power, pleasure, and freedom. For many she is a symbol of feminine empowerment and liberation, but she goes beyond that, encompassing all genders as she encompasses all of life, and even being the moment of dissolution-creation that is the gateway between potential and manifestation.

Creatrix, seductrix, initiatrix.

Babalon found her birth (or rebirth) as we know her today within the occult religion/philosophy of Thelema, founded by Aleister Crowley in 1904 – in which learning your True (Divine) Will and striving to live it is key – and through ritualists and devotees inspired by her vibrant, challenging appearance within, but, as you can see, she has much to offer people outside of Thelema as well. (To my Thelemite friends, please excuse the simplification!)

Perhaps you’ve met her in her role as goddess of pleasure through my book, Crimson Craft, (or in my magical poetry in Twisted) perhaps you’ve caught glimpses of her in occult spaces as a femme fatale figure, or as a goddess that holds space for feminine rage in modern writings about her.

Perhaps you’ve been put off by the hypersexualised imagery that so often gets associated with her – she was, after all, presented as a stereotypical model of women’s sexual liberation, with titles such as Holy Harlot. Or perhaps you’ve heard her whispers of queer understanding and felt that there is something behind the sensationalism in the “Woman Girt with a Sword”.

Babalon is all of these things, and more.

The hypersexualised, free-loving, femme fatale, and the unconditional love. The Earth of the womb and the tomb. The queer space of the othered, the reclaimed rage, the sweet touch under the tough personae.

And this is why I’m writing about Babalon as a pagan and an occultist, as a queer woman and a sensual witch. I first met her over 15 years ago and about 10 years ago began to work with her in earnest. Most people I meet seem to feel like you must be promiscuous, masochistic, or hedonistic to connect with her, but that isn’t true.

You can be, of course.

Babalon calls you to be those things if they are true to you. And she calls you to not be if they are not.

Babalon asks one thing: that you live your life as your full self.

And I can’t wait to introduce you!

Meet Babalon

In celebration of the new book contract I’m offering a live class, free and online, on 16th June. “Introduction to Babalon” – will be a talk on the basics of Babalon as I understand her, with a magical mini-ritual to connect with her magic, plus a special offer on an upcoming adventure with Babalon…

As always, there will be a replay, but I always make time after the recording for those who do come live to ask questions and share… so pop it in your calendar now and make sure you’re signed up to get the Zoom and replay link here.


Do you know Babalon? Share in the comments what she means to you, I’d love to hear.

Is she new to you? What does the description above make you feel?

Come and dance with the Scarlet Goddess.

She’s never far away.


Want to go deeper?

Red Button labelled: Babalon Book Club & Circle

Join the Babalon Circles (& Book Club) for:

  • A live circle on Zoom each month to explore ritual and practices to meet and build a relationship with the goddess Babalon and her lineage.
  • PLUS an asynchronous Book Club in the forum to read Pagan Portals: Babalon before release!
  • and a forum to get direct magical support from Halo and your peers in this work!

A Very Gobliny Adventure

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I apologise for being somewhat quiet on the posts here, I’ve got a backlog of talks from the South Wales Occult Con to finish writing up, and notes on the Glastonbury Occult Con last month to join that too!

Behind the scenes I’m prepping the new bardic course (Cauldron of Awen) and one for the Crimson Coven that I’ve been promising since last year, “Rope for Ritual and Magic” (are you on the mailing list for that one?) and enjoying the growing community at The Enchanted Academy.

But honestly the big thing that has tangled up my brain involves dressing up and being rather silly this Saturday, 8th March 2025. The Goblin Masquerade.

I’m brushing off my Goblin Circus top hat tonight… 10 years after this weird storytelling show was launched into the world and this has grown from just me in a cheap top hat and red blazer from the charity shop, through walkabouts at markets, attempts at writing a comic, acquiring Maurice the Gryphon, joining the steampunk scene… through to becoming this amazing community event.

Halo peeking over a hedge with top hat covered in colourful cloths and a red dragon puppet peeking too.

I remember exactly when I first dreamed of the Goblin Circus. I’d been chatting to Dr Geoff about creativity over his Steampunk Tea Museum at the Thought Bubble Comic Convention. We finished the conversation, and as I wandered away pondering what *my* tea museum would be inspiration struck.

I quickly made a note on my phone – “Not a *fairy* story… a *goblin CIRCUS*” – and thus the Goblin Circus entered the world. A tiny spark amidst worlds of creativity in word and image and silliness and seriousness, in November 2014.

The following February we warmed up for Damh the Bard and the duo, Blanche Rowen & Mike Gulston (who were all wonderfully supportive!)

10 years later we’re hosting the fourth Goblin Masquerade, a whole event of music and dance and monsters and dressing up and stalls and steampunk and tea and sandwiches and even more!

I couldn’t do this ridiculous event without my friends who pitch in as volunteers and performers, or who support us by having a stall at the market. Certainly couldn’t do it without my fella, who wrangles all the sound mixing for the day! (alongside getting the kit there, setting up, packing down, and cleaning up after… plus helping me brainstorm, flyer the town, and generally being supportive of me and the goblins…)

I don’t know where the goblins will lead me next, but I know that it’ll be fun.

See you in Borth on Saturday?

A flyer in cream and red, for "the fourth annual goblin masquerade"

Creatively blocked? Come find your inspiration in the Cauldron of Awen, and community in The Enchanted Academy

Decorative banner - Cauldron of Awen, a course and bardic initiation at TEA with Halo Quin

NEW COURSE – STARTING 1ST APRIL 2025

The Cauldron of Awen is a three month adventure in storytelling, creativity, and inspiration with the witch-goddess of initiation: Ceridwen… and Taliesin, the legendary Bard of Wales.

Dive into the Cauldron’s brew and emerge inspired, with a toolkit of magical skills to enchant your audience and never fear the blank page again!

To Re-enchant the (already Enchanted) World

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Re-enchant the world.

If you’re already deep into magical space this might sound like a contradiction, as the world is already Enchanted.

Well, yes, your world is.

And my world is.

But for many, the world is disenchanted.

This is a phrase I use a lot, and for me it is very specifically about “world” as our Web of relationships, it isn’t about the universe, or the earth, or the realms of spirits and magicians, which are of course already and always Enchanted.

Communication always has an audience, right, so for those that feel their world is disenchanted, “reenchant the world” is for you, to encourage you to shift your relationship to the universe, the beings, your self.

It’s an invitation to re-enchant your experiences and understanding of that which is.

If “the world” is “where we live,” then many people do live in a disenchanted world, because they do not remember or accept or relate to the enchantment present beyond *their* current lived world.

“Worldview” is a way of describing it, but it also includes the “worlds” we live in culturally – my world is enchanted, but I move in worlds that are not, on occasion, because I’m interacting with other humans who do not grasp the enchanted nature of life any more, and I try to re-enchant pieces of those worlds for the others there, so they may remember their way home too.

And it’s a “re-enchantment” because Enchanted is our natural state, it is the human state, the state of all beings, and most cultures throughout history and space. The materialist culture I was raised in is the odd one, let’s be honest.

So yeah, I agree with those who critique this phrase because All is enchanted. Yes, it is indeed. And I also suggest that this is for communicating with those of you who feel you have lost that enchanted part of your world, those relationships and meanings and understandings that you live within… And this is also for those know the truth, but who see other people who have lost this knowledge that the All is Enchanted, and want to help re-enchant their world.

It’s good to re-enchant the worlds our worlds nest within.

You know, like the dominant materialist overculture that influences and shapes so much of our lives.

It’s why I use it as a catch phrase, and then, in classes and rituals and all my teaching, remind folk that the process is one of remembering, of realising that, in reality, the disenchantment is the illusion.

In the moment that is grasped, your world, like mine, is enchanted again.


Decorative banner - Cauldron of Awen, a course and bardic initiation at TEA with Halo Quin

NEW COURSE – STARTING 1ST APRIL 2025

The Cauldron of Awen is a three month adventure in storytelling, creativity, and inspiration with the witch-goddess of initiation: Ceridwen… and Taliesin, the legendary Bard of Wales.

Dive into the Cauldron’s brew and emerge inspired, with a toolkit of magical skills to enchant your audience and never fear the blank page again!

The Cauldron of Awen: A Creative Initiation

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Happy Imbolc!

Tomorrow marks Imbolc, which is considered by many to be the festival of Brigid, Goddess and Saint of poetry, healing, and smith-craft (among other things).

(It’s also the start of the annual song-writing challenge, FAWM, which I’ve found so inspiring these past two years.)

Here in the Northern Hemisphere, in Wales, the land is starting to wake up after the long dark nights, and cold storms. There will likely still be hard frosts to come, but the snowdrops are emerging, and with it arises inspiration.

In Wales the Goddess of inspiration, the keeper of the Cauldron of Awen, is the Witch and Mother Ceridwen. Even in Christian bardic traditions it was often claimed that the divine inspiration, the Awen, flowed into the world through her cauldron, that’s how powerful her name is… they may not have called her a goddess then, but in modern paganism we certainly do.

She gathers the wisdom of the land and brews the potion to grant wisdom, creative insight, and magic.

And as the fire in the land begins to brighten, we remember the fire that flickered under the iron vessel, stirred by the child that would one day become a great bard…

This Imbolc I invite you to light a white candle, brew yourself a cup of tea – whether caffeinated or herbal is entirely up to you – and as you stir reflect on where you give yourself space to be inspired. How will you feed your creative springs in the days to come?


When I have felt stuck, or like my creative well has run dry, I turn to magic, the stories, and my gods.

On April Fool’s day we will step into a three month journey with Ceridwen and Taliesin, the Goddess of Initiation and Inspiration, and the Greatest Bard that ever lived, in The Cauldron of Awen.

Together we will explore Bardic Skills, the magic of the voice, the power of breath, and tools for devotion, discipline, and overcoming creative block and the fear of being seen that keeps us from sharing our stories. We will gather tales, explore their magic, and build our skills to share them as enchantments weaving wonder in the world. I offer a focus on words and the voice, but this is open to wonder-weaving in all mediums.

This is your invitation to begin your Bardic Initiation with Ceridwen and Taliesin.

Are you ready to leap into inspiration?

Halo smiling at the camera with three golden dots of clay on their forehead and tents in the background.

Magical Classes & Talks – with Halo

BABALON CIRCLE & BOOK CLUB

Live Babalon Circle – Visions of BabalonOur monthly magical working to connect with BabalonMonday 17th November, 8pm (UK) – online – replay included

October Book Club Topic: Babalon’s Lineage

Join the Babalon Circles & Book Club here.

Online Talk: Of Fair and Cunning Folk – Sunday 26th October, 8pm (UK) – for the “Magic & Musings” Tier on Patreon

Upcoming appearances include: Ancestral Pathways Conference (online, 31st Oct), Earth Sea & Sky Conference (Cardiff, 1st Nov), music at the Festival of the Living Rooms (online, Dec), Glastonbury Occult Conference (Glastonbury, 14th Feb)…

Storytelling for Magic Online Book Launch Party

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I’m so excited to share my newest book with you all!

I just wanted to share a quick note to invite you to the party tonight – starting in 3 hours! There will be a replay in The Enchanted Academy so join us there even if you can’t make it live.

The Book launch party is entirely free, and there will be magic, time for questions and celebrations, and a special announcement about what’s coming next from me…

NEWEST BOOK: “Storytelling for Magic” – Details Here!

Storytelling for Magic - free book launch party on 28th January 2025 - Bardic Skills & Ritual Craft for witches and pagans. Join us for storytelling, magic, a Q&A and an announcement!

Book Reading, storytelling, magic, Q&A, and a special offer on the replay… in The Enchanted Academy!

The Book!

Cover: Storytelling For Magic by Halo Quin - Bardic Skills & Ritual Craft for Witches and Pagans - text over image of a cloaked figure in warm colours, moving through wintery trees with a bird flying overhead

*Affiliate link for UK folk. Also available wherever you buy your books!

Storytelling for Magic

Learn the bardic art of storytelling to craft rituals, empower your magic, and enchant your life.

In this book are the keys to bringing the gifts of the ancient magic-weavers, the storytellers, into your life. The Bards of old wove magic with their words. Through myth and legend, history and inspiration, they shaped the world around them. Just like them, you can connect with the magic of storytelling to create powerful change.

Join professional performer, ritualist, bard, and witch Halo Quin, and discover how to use your voice in magic, how to unravel the secrets of stories, how to craft your own rituals to bring the power of myths and folk tales into your life, and how to find, learn, and tell stories to enchant the world inside and outside the circle.

Out 28th January 2025

Storytelling for Magic is from Moon Books, at Collective Ink Publishing – order direct here.

BOOK REVIEW – Claves Intelligentiarum by David Rankine

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BOOK REVIEW – Claves Intelligentiarum by David Rankine

(Note for Transparency – I received a copy of Claves Intelligentiarum to review, what follows is my honest review.)

Book cover of Claves Intelligentiarum by David Rankine - dark blue starry background with pale blue frame with swirly border for title.

It’s no secret that my magic tends towards the unscripted, intuitive, grab-the-threads-of-wyrd-and-weave-the-world-anew style, and I heavily encourage direct contact over relying on book learning when it comes to meeting spirits. I’m a pagan, through and through, and my magical roots are in ecstatic, experiential, embodied Craft.

But I’ve done my share of exploring Grimoires, and continue to do so.

There’s a power in words passed down, in techniques that have been honed and worn into the fabric of the Universe through repetition and time.

And there are definitely spirits who fully expect “the proper protocol”, and most appreciate the care and attention involved.

Following a step-by-step process also means you’re not laying down the circuitry anew every time you do magic (which is why so many Pagan groups have their favourite ritual structures!)…

But so many of the classic Grimoires don’t actually explain what circuitry you’re meant to use! Or where they do there are gaps in the process which you’re expected to know stuff already, and when you match them with other texts you get different instructions.

David Rankine’s Claves Intelligentiarum is different.

Rankine takes the reader step-by-step through the process of Conjuration within his tried and tested methodology, and explains the reasoning as he goes.

He outlines where he’s made changes to the traditional process, and why, and where he hasn’t changed things a reader like myself might be tempted to alter. Like including a consecration script for contact lenses, and adding the modern practice of visualisation during circle casting, but keeping the Abrahamic Holy Names instead of swapping them out for a Pagan audience.

This book is a practical guide to conjuring Planetary Intelligences – a particular class of spirit connected to the planets, who he tells us arose first within the Christian lineage of Grimoires.

By placing these spirits in the context of their earliest named relationship with magicians and presenting a clear framework for meeting and working with them, Rankine takes the guesswork out of calling the right number and setting up your first date, as it were.

This is not a book of theory, this is a book to be used.

And it is a brilliant introduction to conjurations in general, though I’d suggest you’ll get more out of it if you have at least some basic magical experience first.

In Claves Intelligentiarum Rankine is thorough, clear, and comprehensive. If the only book you had was this one you would have everything you needed to conjure the Planetary Intelligences… and having done so, not only would you have a team of spirit connections to cover almost any practical magic, but you’d know how to construct a framework for Conjurations of other spirits within the Grimoire tradition, and fill in the gaps.

I love that Rankine acknowledges that many of us work with other spirits that we might not wish to banish from our home or working space before a ritual which calls for such an opening. He then gives a script I’ve not seen anywhere else, a “License to Remain”. Gems like this show he has not just done the extensive research which is a hallmark of his work, nor “merely” pieced together a framework from a patchwork of sources (a mammoth task in itself!) but that he has actively thought through the implications and impact of the process with care, tested it, and made sure to include everything we might need to know to perform a conjuration with success.

Read this book if you want to work with the Planetary Intelligences, if you want a look behind the curtain at the mechanics of a conjuration, or if you want to learn from an expert who genuinely, wholeheartedly, knows that magic is real because he lives it.


Speaking of which, David Rankine will be teaching Conjuration at a weekend retreat at The Visible College in South West England in April 2025.

It’ll be intensive, hands on, and comprehensive.

Conjuration is, ideally, a team sport so it’s a brilliant opportunity to take the instructions off the page and get deep into the practice.

I’ll be there. Come and See.


Buy Claves Intelligentiarum by David Rankine here.


Star Club – Making Magicians – Occult Training in the UK

Star Club logo - a geometric image with stars, runes, moons, and the motto "societas astris"

Star Club is a syncretic training program and modern magical order co-founded by myself and Sef Salem of The Visible College, rooted in the hermetic tradition and incorporating multiple magical threads into an experiential, hands on, group magical experience. Come and See.

Our next cycle starts in February and there are just a couple of spaces left!

Occult Con Reflections – On Necromancy

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Part of a series of posts inspired by the South Wales Occult Conference in Cardiff on 2nd November 2024 – find the first post and index here.

It wouldn’t be a conference on death in the occult without at least one talk on, well, talking to the dead. Enter Dr Al Cummings. On video.

Poetically titled “Black Arts and Cunning Crafts”, Al’s talk was thick with information about Early Modern cunning folk practices and beliefs on speaking with the dead and enlisting their aid in supernatural endeavours.

Here, nowadays, we tend to be a bit skittish around the dead but that’s actually quite unusual for human beings throughout history and around the world. As Dr Al pointed out, of all the spirits dead humans are most likely to be invested in human life, and our ancestors even more so.

One of the factors which interrupted this relationship, we were told, was the fact that Christian orthodoxy held that the dead couldn’t return from the otherworld until Judgement Day, and as Judgement Day hasn’t happened yet the souls that Necromancers spoke to must be from Purgatory… except the Protestant reformation did away with Purgatory for political reasons. So who were these ghosts?

The devil? Catholic spirits? Demons pretending to care?

Whatever people were supposed to believe, and however the dead were supposed to behave, Necromancers and Ghosts continued to not only communicate with each other but to help each other.

Perhaps, Necromantic practice says, the Dead dwell beside us, “not restless but retired” and if so they likely have a lot of time on their hands. If they’re still interested in the things they were when alive, why wouldn’t they want to keep doing those things?

Dr Al shared stories and magical charms used in these practices, but one particularly interesting ritual included instructions for “Spectral Grimoire Delivery” – acquiring a book of magic with the help of the dead.

Specifically, someone who you make a deal with on their deathbed.

A deal that binds them after death to come when you call.

They are then sent to find a courier spirit to bring you a book of magic from the Elemental Kings, specifically a book of magic that you can use.

I find it fascinating that this ritual included them giving you their “christendom” – why? Because they’d lose it in the process? As a bargaining chip? Or because they can’t do the job if they are Christened? – and then you return it afterward, but retain the agreement that they’ll come when called.

The whole process suggests that you could find someone willing to do this task for you, which reminds me of the dead folk who turn up in a Spiritualist Church to prove that there is life after death to their congregants, and the promises others make to visit their loved ones.

We don’t stop wanting to be involved in community just because we died.

Dr Al mentioned the connection between the dead and the fertility and wellbeing of the community, and it is to our detriment that we’ve forgotten this as a culture.

There is a slow movement to bring more Ancestor Veneration within pagan spaces, though we’re often clumsy with it because it is both so simple, in many ways, and so complex in others.

To reconnect with our helpful dead many of us have to shift a fundamental understanding of the universe and the processes of life and death. To remember that Saturn’s sickle is not the end of existence, but rather the end of a chapter and we remain in community together.

The land of the dead, like the land of the Fair Folk, is not elsewhere but here. Our land, bleeding into planes of existence that we can’t quite see with our earthly eyes, but that are still here.

And if we ask really nicely, perhaps they’ll bring us wonders, and magic books, that are normally just out of reach.


Did you know that if you travel into faeryland you’re as likely to find the dead as you are to find the fae? The two are very closely connected, as you’ll find in Folktales, Faeries, & Spirits

Cover of Folktales, Faeries, and Spirits book

One powerful way to build relationship with the spirits of your land is through the stories and folklore local to you. Folktales, Faeries,& Spirits is a guidebook to how you can find those tales and unpick the clues within.

Folktales, Faeries, and Spirits – a practical guide to working with faeries and the spirits of nature, by Halo Quin

Coming Soon – Storytelling for Magic

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Have you ever wished you could tell a story and enchant your listeners?

Have you ever wanted to explore the magic of a myth?

Have you ever been curious about how to use your voice, and your words, effectively in ritual and spells?

Do you want to create and perform powerful rituals that change your life?

Then this book is for you.

MY NEW BOOK – STORYTELLING FOR MAGIC – IS OUT 28TH JANUARY 2025!

Cover: Storytelling For Magic by Halo Quin - Bardic Skills & Ritual Craft for Witches and Pagans - text over image of a cloaked figure in warm colours, moving through wintery trees with a bird flying overhead

A few years ago I began dabbling with the title “Enchantress/Enchanter” alongside “witch” because one of my favourite ways to weave magic is through my voice, through words, and through storytelling.

In ancient times, and in many cultures, those who told stories and recited poetry were recognised as powerful magicians, capable of turning the tide of history, bringing good fortune or misery as they chose.

This power of storytelling connects us to our ancestors as in storytelling we use the language they passed us to shape a world, whether for a moment or a lifetime.

It connects us to those that come after us, for in the stories we keep alive we choose what to offer to them, what world and magic we are passing on.

We all tell stories to connect, to entertain, to teach, to inform, to persuade, and for many other reasons besides, even if we don’t think we are storytellers.

Yes, even you.

I love storytelling, and I often do it as a devotional act. I learn stories that connect to my gods and spirits, that remember the Fair Folk, or that carry wisdom from older times, and I share them to keep them alive. I craft new stories, such as the Goblin Circus, to bring that healing which comes from playfulness, so needed in today’s world.

One of my home traditions, Reclaiming Witchcraft, works deeply with stories in ritual and as teaching tools, and this has long inspired me. RJ Stewart’s work taught me how the folk and fairy tales can carry the keys to Faeryland. OBOD begins with the “Bardic Grade”, and encourages creativity as you work through learning the foundations of modern pagan magic. In these and many other modern traditions we have felt the importance of storytelling, and it is common to invite folk to tell tales… but very often there is no guidance on how to do so.

Often people say to me: “I wish I could do that, but I couldn’t remember a whole story!”

But storytelling is a natural human activity, so you already tell stories! And to tell a tale in a way that enchants is a set of skills which you can learn. To craft ritual and magic from stories is, too, another skill you can learn.

In a culture where we receive our stories from media it is easy to forget that storytelling is a natural expression of humanity. And if you have a longing to be part of that ancient lineage, then you can remember that, and recover those skills for storytelling as enchantment, whether you’re performing, bespelling your life, or sharing the tales with the trees.

I wrote this book to show you exactly how you can take each step. Some of the questions answered within are:

How can I connect with the magic of air, words, breath, voice?

How can I find a story? And make it my own?

How can I remember a whole story?

How can I tell a story in a way that is natural for me?

How can I use the magic of myth to empower my spells?

How can I create a ritual from a story, to bring me closer to the magic within?

And, while my focus is on the voice, there are many ways to tell a tale. I’ve included suggestions for how you can use the skills and exercises in this book without sound, and how you might adapt the magic within to your own practice, both solo and for groups.


Cover: Storytelling For Magic by Halo Quin - Bardic Skills & Ritual Craft for Witches and Pagans - text over image of a cloaked figure in warm colours, moving through wintery trees with a bird flying overhead

*Affiliate link for UK folk. Also available wherever you buy your books!

Storytelling for Magic

Learn the bardic art of storytelling to craft rituals, empower your magic, and enchant your life.

In this book are the keys to bringing the gifts of the ancient magic-weavers, the storytellers, into your life. The Bards of old wove magic with their words. Through myth and legend, history and inspiration, they shaped the world around them. Just like them, you can connect with the magic of storytelling to create powerful change.

Join professional performer, ritualist, bard, and witch Halo Quin, and discover how to use your voice in magic, how to unravel the secrets of stories, how to craft your own rituals to bring the power of myths and folk tales into your life, and how to find, learn, and tell stories to enchant the world inside and outside the circle.

Out 28th January 2025

Storytelling for Magic is from Moon Books, at Collective Ink Publishing – order direct here.