The New Firebirds
One thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a snowy February morning.
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World-class review of ballet and dance.
One thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a snowy February morning.
Continue ReadingThe Prix de Lausanne 2026 crowned fourteen young dancers in its finale held at the Théâtre de Beaulieu in Lausanne, selected from 78 candidates who took part in the competition’s selection rounds. The jury this year was presided over by Kevin O’Hare, artistic director of the Royal Ballet.
Continue ReadingWhen Alban Lendorf was four, he became attentive to the piano. When his lessons advanced to the learning of a Chopin waltz, his piano teacher suggested he take dance classes to help open up the music.
Continue ReadingLast week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production premiering at the Kimmel Center’s 600-plus seat Perelman Theater on December 19.
Continue ReadingThroughout the year, our critics attend hundreds of dance performances, whether onsite, outdoors, or on the proscenium stage, around the world.
Continue ReadingIt’s a law of the universe, immutable as gravity: if you’re a ballerina, in December you’re dancing “The Nutcracker.”
Continue ReadingMisty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.
Continue ReadingMartha Graham’s short ballet from 1947 “Errand into the Maze” takes inspiration from the epic Greek legend of the Minotaur’s Labyrinth.
Continue ReadingIn 1963, Jeff Duncan started working from home. Duncan—born Thomas Jefferson Duncan Jr. in Longview, Texas—was a celebrated dancer and assistant for Anna Sokolow and Doris Humphrey in the 1950s.
Continue ReadingLos Angeles–based dance artist Jay Carlon knew that the proscenium stage couldn’t house his 2024 work, “Wake,” in its fullness. So he moved it elsewhere: to a rave.
Continue ReadingThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continue ReadingFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continue ReadingWatching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire,...
Continue ReadingThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
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Beneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.
Continue ReadingAfter a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.
Continue ReadingAn “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.
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