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Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Thursday, 25 July 2013

Comic Book INTENSITIES

Screenshot of the new issue header for INTENSITIES


Way back in the dim mists of online time (on January 23, 2013, to be precise), Film Studies For Free publicised its discovery of the new online incarnation of Intensities, the wonderful journal of cult media studies.

Not only are four existing issues of the journal freely available at its website, but a new issue has recently been published there, with lots of items of film studies related interest. The table of contents is pasted in below with links to these excellent items.

Of related interest: FSFF's entry on Studies of the Remediation of Films, Comics and Video Games.



INTENSITIES, Issue 5: Comic Book Intensities (Spring/Summer 2013) 

Articles

Monday, 18 March 2013

Studies of the Remediation of Films, Comics and Video Games



                   The Video Game Film from Matthias Stork on Vimeo.
This mash-up is a playful offshoot of [Matthias Stork's] research project on the aesthetic intermediality of films and video games [e.g. see above]. Edgar Wright’s seminal film SCOTT PILGRIM VS. THE WORLD (2010, Universal Pictures) effectively illustrates the audiovisual parallels and differences between the two media. It organically integrates the distinctive stylistic flourishes of video game play into the dominant cinematic texture, to the point that the film, particularly in its action sequences, evolves into a subjectively rendered (and relatable) gameplay experience. It thus represents a genuine video game film. This video essay seeks to foreground this affective dimension by heightening the aesthetic strategies of the film. And it is further intended as an homage to the director’s exceptional work.

"The Video Game Film" was made according to principles of Fair Use (or Fair Dealing), primarily with scholarly, critical, and educational aims. It was published under a Creative Commons Attribution-Noncommercial 3.0 Unported License.

             From the Panel to the Frame: Style and Scott Pilgrim from Drew Morton on Vimeo. Originally published at PressPlay with a great introduction by Matt Zoller Seitz

Film Studies For Free today presents an entry which has long been in preparation. It was originally conceived of especially as a showcase for the above, hugely innovative and informative video essay studies by Matthias Stork and Drew Morton. But it has grown into a veritable font of wonderful links to online and open access studies of the connections between films, comics and video games.

FSFF hopes you enjoy the below list, and if you'd like to add any, as yet missing open access studies to it, please just let this blog know about those in the comments. Thank you! [Please note: FSFF can't publish one submitted suggestion for a non-open access book in the field, one which has no free excerpts. Sorry about that. But, hopefully, that commercial publisher has an advertising budget to compensate for this little blog's interest in other forms of publishing. Thanks anyway.]

Game on!

Wednesday, 23 January 2013

Four Issues of INTENSITIES: The Journal of Cult Media and a Call for Papers

Screencap from the credit sequence of Games (Curtis Harrington, 1967). Read Steven Jay Schneider's 2003 article for Intensities in which he discusses this and other cult psychological thrillers and horror films.

Film Studies For Free just bumped into the new online incarnation of Intensities, the wonderful journal of cult media studies. Oh yes!

Always a highly innovative and valuable project, Intensities was first launched at Cardiff University in 2001 under the editorship of Matt Hills and Sara Gwenllian Jones. As its new website tells us, it later moved to Brunel University, where it was edited by David Lavery. The journal has relaunched in 2013 with Leon Hunt as its new editor and will publish two issues a year. The journal addresses all aspects of cult media including cult television, cult film, cult radio, cult comics, literary cults and cult authors, new media cults, cult figures and celebrities, cult icons, musical cults, cult geographies, historical studies of media cults and their fandoms, cult genres (e.g. science fiction, horror, fantasy, pulp fiction, Manga, anime, Hong Kong film etc.), non-generic modes of cultishness, theorisations of cult media, relevant audience and readership studies, and work that addresses the cult media industry.

In addition to publishing refereed essays (of between 6000 and 8000 words), Intensities also features a non-refereed Cult Media Review section which will carry shorter speculative reviews, reviews of cult phenomena (e.g. cult TV series, cult films, cult novels, science fiction, comics), short critical essays, interview transcripts, conference and convention reviews and articles about aspects of industry, fan culture, production and authorship.

Intensities' latest calls for papers are reproduced below, as are the tables of (linked) contents from the excellent first four issues of this journal. Let's all wish Intensities a very happy and long online life at its new website. Its entry has been updated at FSFF's permanent listing of open access film and media studies journals.
Call for Papers
Intensities will publish two themed issues in 2013.  Essays should be between 6000 and 8000 words, referenced Harvard style and sent as a word document – a 200 word abstract should be sent as a separate document.
Issue 5 Comic Book Intensities – Comics and Cult Media
The first new issue seeks submissions dealing with comics as cult media.  Topics might include:
  • Cult comic book auteurs – Grant Morrison, Alan Moore, Mark Millar, Joss Whedon.
  • Cult films from comics – Cinefumetti, Manga and Anime, the Turkish KIlink films, Dredd 3D.
  • National and international comic book cultures – French bandes dessinees, Italian fumetti, Japanese Manga.
  • Comic book fan cultures – Cosplay and beyond.
  • Underground and alternative traditions.
  • Beyond the cape and mask – neglected comic book genres.
  • From EC to Dark Horse – Horror comics.
Deadline extended to Friday March 1st 2013
Issue 6 Historical Approaches to Cult TV
This issue seeks submissions examining TV shows that have acquired cult status at a historical distance – both established cult shows (The Avengers, The Prisoner, the ‘classic’ series of Doctor Who) and those that have received less (or possibly even no) critical attention.  In addition, the papers will locate those shows historically, either by drawing on archive materials or suggesting new cultural, historical or institutional contexts in which they might be understood. Deadline for submissions: May 31st 2013