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Showing posts with label oscars 2014. Show all posts
Showing posts with label oscars 2014. Show all posts

Tuesday, March 11, 2014

New Releases On Blu Ray & DVD: 3/11/14


The Coen brothers’ excellently icy INSIDE LLEWYN DAVIS (my #2 favorite film of 2013) is today’s most notable release on home video, in single disc Blu ray and DVD editions that only have one Special Feature: the 43-minute behind-the-scenes “Inside INSIDE LLEWYN DAVIS” mini-doc that’s been showing on HBO the last few months. It’s good stuff with interviews with Oscar Isaac, Carey Mulligan, T. Bone Burnett, and the filmmakers, but some other bonus material would’ve been nice. However, fans who've collected the Coen bros. work on DVD/Blu ray will know this is par for the course.

Next up, Brian Percival’s THE BOOK THIEF, a World War II drama that I didn't care for when it was released last December, is also available today in 1-disc Blu ray/DVD editions. The film, concerning Sophie Nélisse bonding with her kindly German foster parent Geoffrey Rush over stealing books from being burned by the Nazis, has about 40 minutes of Extras including the half hour doc “A Hidden Truth: Bringing THE BOOK THIEF to Life,” almost 7 minutes of Deleted Scenes, and the Theatrical Trailer.

Despite its stellar cast including Christian Bale, Woody Harrelson, Willem Dafoe, Zoe Saldana, Casey Affleck, and Forest Whitaker, OUT OF THE FURNACE, Scott Cooper's followup to his acclaimed country music drama CRAZY HEART (you know, the movie that won Jeff Bridges an Oscar), was largely ignored last fall. Now its out on Blu ray and DVD so it can be ignored all over again. No, just kidding - it's a not bad Rust Belt drama thriller about Bale as an ex-con whose younger brother (Affleck) goes missing after taking part in an illegal bare-knuckle fight run by the beyond evil Harrelson. It may not be as good as any random episode of True Detective, but it's not a waste of time either. Special Features: Four featurettes (“Inspiration,” “Scott Cooper,” “Crafting the Fight Scenes,” “The Music of OUT OF THE FURNACE,” and the Theatrical Trailer.

Nominated for the Best Foreign Language Film Oscar (it lost to THE GREAT BEAUTY) Felix van Groeningen's THE BROKEN CIRCLE BREAKDOWN also hits home video this week, but only on DVD. It's a tunefully sad drama which examines the relationship of tattoo artist Veerle Baetens and banjo player Johan Heldenbergh who fall in bluegrass soaked love, but that's put to the test by their terminally ill 6-year old daughter (Nell Cattrysse). Only one Special Feature is included: Interview with Director Felix van Groeningen.

Do we really need another documentary about the JFK assassination? Not really, but Malcolm McDonald's JFK: THE SMOKING GUN, releasing today only on DVD, is at least about one of the lesser known theories concerning the 50-year old event. It puts forth that the fatal head shot didn't come from the 6th floor of the Texas School Book Depository or the grassy knoll; it came from one of the cars full of Secret Service agents following Kennedy. 

With testimony from witnesses, that, of course, were ignored by the Warren Commission, and computer graphic breakdowns, McDonald's thriller-emulating doc isn't without points of major plausibility, but its way too padded with reenacted bits with stiff actors playing out scenes that have already been recreated dozens, if not hundreds of times before - i.e. the doctor unsuccessfully trying to stop the Secret Service from taking JFK's body from Parkland Hospital, the overcrowded Bethesda operating room, etc. Bonus Features: Forensic Evidence Gallery, Behind the Scenes Clips.

Also out today: Gary Fleder's action thriller HOMEFRONT, starring James Franco, Jason Stratham, Winona Ryder, and Kate Bosworth;  Takeshi Kitano's Japanese mafia thriller BEYOND OUTRAGE; Victor Salva's latest horror flick DARK HOUSE; Fabien Constant's documentary MADEMOISELLE C, about former Vogue Paris editor-in-chief and fashion stylist Carine Roitfeld; and the Criterion Collection release of David Gordon Green’s 2000 directorial debut GEORGE WASHINGTON.

More later...

Tuesday, March 04, 2014

New Releases On Blu Ray & DVD: 3/4/14


It what might seem like a piece of finely tuned timing, but what's more likely a bit of luck, Steve McQueen's 12 YEARS A SLAVE hits home video today fresh from winning the Academy Award for Best Picture Sunday night. The acclaimed historical drama, which also won Oscars for Best Supporting Actress (Lupita Nyong'o) and Best Adapted Screenplay (John Ridley) just like I predicted, is now available in 1-disc Blu ray and DVD editions. Special Features: a over 40 minute Making Of mini-doc entitled “12 YEARS A SLAVE: A Historical Portrait,” a 7 minute behind-the-scenes featurette (“The Team”), and a 4 minute bit about the music of Hans Zimmer in the film (“The Score”). Read my review from when the film first came out last year here.

The other heavy hitter out this week is Francis Lawrence's sci-fi sequel smash starring Jennifer Lawrence, THE HUNGER GAMES: CATCHING FIRE, in 2-disc Blu ray and single disc DVD editions. Special Features include an Audio Commentary with Director Francis Lawrence and Producer Nina Jacobson, a 2 hour and 24 minute doc made up of 9 Making Of featurettes, a little over 4 minutes of Deleted Scenes, and, for some reason, a almost 7 minute Sneak Peak into the upcoming Neil Burger movie DIVERGENT.

Spike Lee's remake of Chan-wook Park's 2003 cult classic OLDBOY also drops today. I was among many that missed the film that starred Josh Brolin, Elizabeth Olsen, and Samuel L. Jackson, as it flopped when it was released theatrically last Thanksgiving, but now we can all catch up with the release that's packaged with over 10 minutes of Extended & Alternate Scenes, The Making of Oldboy (17 min.), Talking Heads (2 minutes and 43 seconds of Cast and crew sound bites), something called Transformation (2:11), and a Workout Video (0:49).

Having never seen any of the FAST AND FURIOUS films, and being oblivious to him in anything else, Eric Heisserer's HOURS, also out today on Blu ray and DVD, was my first time seeing a performance by the late Paul Walker (I did see FLAGS OF OUR FATHERS, but don't remember him in it). Walker puts in some admirable acting in this thriller set in a hospital in New Orleans during Hurricane Katrina, but the film strains unsuccessfully for whatever suspense it can think to wring out of its spare premise concerning a man trying to protect his just born baby. Special Features: “All I Feel Is You” music video by Safran and a PSA for Paul Walker's charity Reach Out.

Another B-movie available this week is Ruairi Robinson's sci-fi thriller THE LAST DAYS ON MARS, starring Liev Schreiber, Elias Koteas, and Olivia Williams. It's no great shakes, as most movies set on Mars usually go, but at least it's a watchable retread of tropes from classics like ALIEN, and THE THING. Special Features: “The Making of THE LAST DAYS ON MARS” (15 min.), “Analyzing the Visual Effects” (6 min.), Behind the Scenes Comparisons (4 min.), and AXIS TV: A Look at The Last Days on Mars (3 min.).

Other notable releases today include Richard E. Robbins' documentary GIRL RISING (only on DVD), concerning the global campaign for girls' education; Wong Kar Wai's Hong Kong-Chinese martial arts drama THE GRANDMASTER, Tze Chun's crime thriller COLD COMES THE NIGHT, starring Alice Eve and Bryan Cranston;  
Giulio Paradisi's 1979 psychological thriller THE VISITOR, and Jamie Payne's Doctor Who TV event THE TIME OF THE DOCTOR, which was the 800th episode of the long running British series, and the last to feature Matt Smith as the iconic character.

Also on the TV front there's Venture Bros: Complete Season Five, Oliver Stone's 2012 10-episode Showtime series Untold History of the United States, Mr. and Mrs. Murder Series 1, Agatha Christie's Poirot: Series 11, Ancient Aliens Season 5 Volume 2 and the seventh season of the classic '60s Clint Eastwood Western series Rawhide gets released in 2 separate multi-disc volumes (DVD only).

More later...

Monday, March 03, 2014

Oscars 2014 Recap: Complete With Tweets!



I really enjoyed watching last night's broadcast of the 86th Academy Awards at the Rialto Theatre (pictured on the right) here in Raleigh. It was the first time showing the program for the 72 year old theater, and despite some lady cackling maybe a bit too much at host Ellen DeGeneres' schtick, it was a lot of fun to be in attendance.

I got my best Oscar predictions score ever, with only three wrong out of the 24 winners. I missed Best Documentary Feature which went to Morgan Neville's fine documentary about back-up singers, TWENTY FEET FROM STARDOM, because I thought since a music-centered doc (SEARCHING FOR SUGARMAN) won last year, it wouldn't happen this time around. I had thought for sure Joshua Oppenheimer's powerful but hard to watch doc about Indonesian death-squad leaders,THE ACT OF KILLING, would get the gold. Oh, well. Can't win 'em all.

The others I got wrong were the Best Live Action Short (I guessed THAT WASN'T ME), and Best Costume Design, which went to THE GREAT GATSBY (I guessed AMERICAN HUSTLE, which won nothing).

I wasn't that disappointed that one of favorite films of 2013, THE WOLF OF WALL STREET, didn't win anything because I didn't expect it to.

As for the rest of the show, here's some highlights from my live tweeting (follow @filmbabble) of the event last evening:

Ellen's monologue - not bad, about as risqué as she can get.

Best supporting actor: nailed it! Leto will next take on Jesus Christ Superstar.


Never caught up with what the hat means - Pharrell Williams-wise. 

2nd win for DALLAS BUYERS - setting it up for a major McConaughey moment.

Yes, MR. HUBLOT! It was the best animated short so I'm happy.

FROZEN - I picked it but still haven't seen it.

GRAVITY's first win for a tech award. There will be more.

Wow - HELIUM. Missed that. Oh well. 

Whoa - 20 FEET FROM STARDOM for best doc. Happy to be wrong here.

C'mon THE GREAT BEAUTY! Yes!

It's about time Tyler Perry got here.

Okay, U2 is U2-ing it up for a movie nobody has seen.


Biggest celebrity selfie ever?

I tell ya - every tech award goes to GRAVITY. 

Best shooter: GRAVITY again, of course. 

Whoopi will set us straight. 

Kelly Preston - still getting it done. @RealKevinBrewer * said that.

In memorial - decent picks n all - gotta end with PSH. 

John Travolta: "there will always be a place in my heart for really unrealistic hair"

Again GRAVITY. Yep. 

Damn, well maybe this bodes well for a 12 YEARS best pic win. 

Is this shaping up to be the most predictable oscars ever? Sure seems like it.

Seems like today everybody else is saying it was one of the most predictable Oscars ever, which it must have been if I got 21 out of 24 right! I was hoping for at least one big surprise, like, say, Jonah Hill or June Squibb winning, but it was a big breezy show that entertained me greatly. Definitely better than last year's Seth McFarlane mess.

* I recorded an episode of my friend Kevin Brewer's podcast, postmodcast, last week in which we discussed the legacy of the recently departed Harold Ramis, and chatted a bit about Oscar predictions. Please listen to it here.

I'll leave you now with my favorite moment from last night's big show:



More later...

Thursday, February 27, 2014

Hey Kids! Funtime 2014 Oscar Picks!



It's that time of year again, time for me to post my predictions for the Oscars, which will air on ABC this Sunday night. I'm glad to see that the 86th Academy Awards Ceremony will be hosted by Ellen DeGeneres because she was very funny when she first helmed the show back in 2007.

I thought that last year's Oscar winners were one of the hardest rosters to predict in history, but I actually scored 18 out of 24 right. I seriously doubt I'll get as good or better this go around, but I'm still gonna give it the ole college try.

Oh yeah, I'll be live-tweeting the Oscars too: follow @filmbabble.

1. BEST PICTURE: 12 YEARS A SLAVE



I thought this was a shoo-in when I saw it last fall, but then AMERICAN HUSTLE started gaining major momentum as an awards season favorite. GRAVITY has a lot of pull too, but I'm sticking with Steve McQueen's powerful historical drama. It just seems to have Best Picture written all over it.

2. BEST DIRECTOR: Alfonso Cuarón for GRAVITY

3. BEST ACTOR: Matthew McConaughey for DALLAS BUYER'S CLUB

4. BEST ACTRESS: Cate Blanchett for BLUE JASMINE

5. BEST SUPPORTING ACTOR: Jared Leto for DALLAS BUYER'S CLUB

I almost want to pick a wild card - say, Jonah Hill for THE WOLF OF WALL STREET - because there's often a surprise in one of the Supporting categories, but I'm still going with Leto.

6. BEST SUPPORTING ACTRESS: Lupita Nyong’o for 12 YEARS A SLAVE (Wild card: June Squibb for NEBRASKA)


And the rest:

7. PRODUCTION DESIGN: THE GREAT GATSBY

8. CINEMATOGRAPHY: GRAVITY



9. COSTUME DESIGN: AMERICAN HUSTLE

10. DOCUMENTARY FEATURE: THE ACT OF KILLING

11. DOCUMENTARY SHORT: THE LADY IN NUMBER 6

12. FILM EDITING: GRAVITY

13. MAKEUP: DALLAS BUYER'S CLUB

14. VISUAL EFFECTS: GRAVITY

15. ORIGINAL SCORE: GRAVITY

16. ORIGINAL SONG: “Let it Go” from FROZEN

17. ANIMATED SHORT: MR. HUBLOT

18. LIVE ACTION SHORT: THAT WASN'T ME

19. SOUND EDITING: GRAVITY

20. SOUND MIXING: GRAVITY

21. ORIGINAL SCREENPLAY: HER

22. ADAPTED SCREENPLAY: 12 YEARS A SLAVE

23. ANIMATED FEATURE FILM: FROZEN

24. BEST FOREIGN FILM: THE GREAT BEAUTY


Okay, so as you can see - when I was in doubt on a technical award, I just went with GRAVITY.

As usual, stay tuned to see how many I get wrong.

More later...

Thursday, February 06, 2014

THE GREAT BEAUTY: The Film Babble Blog Review


Opening Friday in the Triangle at the Rialto Theater in Raleigh, the Carolina Theatre in Durham, and the Chelsea Theatre in Chapel Hill...

THE GREAT BEAUTY 
(Dir. Paolo Sorrentino, 2013)


On a trip through Europe last year, my wife and I stumbled upon an exhibit entitled “Fellini and the Arts” at the Ludwig Museum in Koblenz, Germany. On display were hundreds of the late Italian filmmaker’s drawings, photographs, documents, costumes, props (including the original moulding of Donald Sutherland’s head for FELLINI’S CASANOVA) – all reminders of the vividly wild worlds of decadence and introspection the director created for nearly fifty years on film until his death in 1993.


So when word was going around that Paolo Sorrentino’s newest film, THE GREAT BEAUTY (Italian title: LA GRANDE BELLEZZA), was extrememly Fellini-esque – a modern update of LA DOLCE VITA many critics have called it – I was incredibly intrigued, but while the comparisons are valid, this film has a heartbeat (a techno beat at times) and a vision that are all its own.

Sorrentino regular Toni Servillo stars as one of my favorite film archetypes: an author of a very celebrated debut book who never came through with a follow-up (see D.OA., WONDER BOYS, STARTING OUT IN THE EVENING, SINISTER).

So Servillo poignantly portrays a once promising novelist turned high society magazine columnist who looks back on his life with a renewed self awareness. This happens a few days after the over-the-top rooftop rave of his 65th birthday party (a flashy and fun opening sequence) when he finds himself going through a “what does it all mean?” phase while he suavely schleps in expensively tailored suits around some of the Rome’s most exquisite sights.

Such material can bring fears of pretentious pontification, but Servillo’s jaded journalist attacks pretentions at every turn. When interviewing a question evading publicity seeking performance artist (Anita Kravos) whose act consists of head butting the wall of an aqueduct and speaks of living on extra sensory vibrations, Servillo sensibly states that “all I’ve heard is un-publishable fluff. You can’t charm me with things like: ‘I’m an artist, I don’t need to explain.’”

In another stand-out scene, Servillo savagely rips to shreds the criticisms and boasts of a fellow socialite/writer (Galatea Ranzi) with his savage wit and an honesty that doesn’t spare his own status. Somehow, by the end of their exchange Servillo appears to have compassion and empathy for his verbal victim when he speaks of her “untruths and fragility.” There’s a great beauty in that, I can’t help saying.

Though it’s Servillo’s show, notable characters on the sidelines include Giovanna Vignola as the writer's blue-haired dwarf editor, Carlo Verdone as a struggling playwright friend, Sabrina Ferilli as an aging stripper that Servillo has a few genuine moments with, and Roberto Herlitzka as Cardinal Bellucci, who brushes our protagonist off when he asks questions about his spirituality.

Herlitzka is one of the protectors of a 104-year old Mother Theresa-like nun (Sonia Gessner), who Servillo poses his existential concerns to. But like everybody else, Gessner just asks “Why did you never write another book?”

Even with its immaculate imagery that could serve as an erotic ad campaign for the splendors of Italy, I wanted more of THE GREAT BEAUTY to be more dialogue-driven by way of Sorrentino and Umberto Contarello’s layered screenplay, but the sumptuous cinematography by Luca Bigazzi makes the point to 'screw the meaning of it all, just look at how beautiful the scenery is' better than these folks’ words ever could.

As for the Fellini-esque-ness of it all, the thing I hope it most resembles the great Italian masters' work in is that it wins the Academy Award for Best Foreign Film, like 4 of Fellini's films did, at this year's Oscars.

More later...