(Dir. Rob Reiner, 2025)
Okay, let’s get this out of the way. I haven’t even looked at other reviews yet, but I know many of them are going to address whether or not this movie goes to 11. Of course, this refers to the famous scene in the 1984 comedy masterpiece, THIS IS SPINAL TAP, in which lead guitarist, Nigel Tufnel (Christopher Guest) explains that his amplifier’s volume knob goes one louder than most amps. So, I’ll say upfront that, no, the new sequel, SPINAL TAP II: THE END CONTINUES, doesn’t go to 11, but it’s a solid seven.
Reprising his role as filmmaker Marty Di Bergi, Rob Reiner brings us up to date on the career of Spinal Tap in the 40 years since the original as Britain’s loudest band is lured out of retirement for one last concert, a contractual obligation to their deceased manager Ian Faith (played in the first film by Tony Hendra, who passed in 2021). While the band had performed some high-profile gigs – Wembley Stadium, Royal Albert Hall, and Glastonbury (these were real concerts) in the following decades, they had a falling out, and haven’t spoken in 15 years.
In the meantime, David St. Hubbins (Michael McKean) composed instrumentals for podcasts and for telephone hold music; Nigel Tufnel runs a cheese and guitar shop with his girlfriend Moira (Nina Conti), and Derek Smalls (Harry Shearer) curates a glue museum. There’s friction when the three re-unite for their show at New Orleans’ Lakefront Arena, which continues into their rehearsals that make up the bulk of the film.
That’s what there is of the plot, but is it funny? Well, yes, though I mildly chuckled more than laughed out loud. Most of the proceedings left me with a smirk as Reiner, who co-wrote with Guest, McKean, and Shearer reassemble many of the beats from the original, and catch us up with what happened to a number of their supporting players, including Fran Drescher as Bobbie Flekman, Paul Shaffer as Artie Fufkin, and June Chadwick as St. Hubbins’ ex-wife, Jeanine Pettibone.
As I’ve been a huge fan since seeing THIS IS SPINAL TAP on opening night at the Varsity Theater in Chapel Hill in 1984, I had fun seeing these people again, and had a warm, fuzzy feeling when lines landed, but also felt some cringe when things were more awkward than amusing.
One thread that didn’t exactly kill was the new character of concert promoter Simon Howler (Chris Addison), who is clinically unable to appreciate music. This premise doesn’t pay off, and the conclusion to the character’s screen-time is far from satisfying. Spinal Tap’s young new drummer, Didi Crockett (Valerie Franco) is affably spunky but also doesn’t fare as very funny, but they didn’t give her much to do except when it comes to the climatic concert sequence.
Faring better are cameos, as a scene featuring Sir Paul McCartney joining Spinal Tap in the studio for a rendition of their faux ‘60s song, “Cups and Cakes.” St. Hubbins’ reaction afterward is hilarious as he feels the famous former Beatle has a “toxic personality.” Elton John’s appearance isn’t as funny, but he brings it onstage for the big “Stonehenge” finale where they finally have the right size dimensions for the stage prop.
As a fairly funny film, SPINAL TAP II: THE END CONTINUES does continue the vibe of its predecessor, but it’s a little too loose and lazy to come anywhere close to the original’s comedy classic status. Mileage will vary on how big a fan of the fake band one is, as so much of the sequel relies on how well one knows what went down the first time.
I liked, but didn’t love what Reiner, Guest, McKean, and Shearer did here, but it’s still better than I expected. It’s great that this and the NAKED GUN reboot (which honestly is much funnier), are showing that comedy can make a comeback to the movies, so here’s hoping that’s what will really continue.
More later...