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I poslije linije - linija

by Involucija & Zarkoff
/
1.
Idi odavde Nika ga nema Idi odavde Idi odavde Nika ga nema Nika ga nema Nika ga nema Nika ga nema Idi odavde Idi odavde Nika ga nema Idi odavde Nika ga nema Get out of here Nobody has it Get out of here Get out of here Nobody has it Nobody has it Nobody has it Nobody has it Get out of here Get out of here Nobody has it Get out of here Nobody has it
2.
mramor hladnoća lice u ledu nemoć crnina ruže pod vodom grad u magli pruga u daljini most iznad rijeke ponor stijene limena glazba križ izvan groblja marble cold face in the ice weakness blackness roses underwater city in the fog train tracks in the distance the bridge above the river abyss rocks tin music cross outside the cemetery
3.
Recepti za ograničavanje sreće i širenje terora polaze od činjenice da smo plašljivi pred misterijom postojanja Zapisani su u knjigama za koje kažu da su svete gdje nas Demijurg plaši infernom vječnim mukama A crnorizci i vladari zadovoljno trljaju ruke jer njihova vlast dolazi od neba Gospodi pomiluj raba svojega grešnoga upute za ljubav i obitelj također su detaljno propisane izbjegavanje grijeha postaje nemoguća igra Ispravno je: -zatomiti želje -obuzdati čula -odreći se užitka Ne uvodi nas u napast no izbavi nas od zla od vrata pakla izbavi, Gospode dušu moju I tako ispada da je na ovom svijetu najbolje zaboraviti sreću da se ovog života nekako najpametnije odreći da je ljubav ispravna samo ako je u tijesnim okvirima svetih pravila tradicije dok vaša srca venu u žudnji za slobodom U ime oca i sina i duha svetoga amin Ne daj bože da se dva muškarca vole da dvije žene postelju dijele da u brak stupa troje da čudaci odgajaju djecu Ne daj bože Gopspodi, usliši molitvu moju i vapaj moj k tebi pride ne odvrati lica svoga od mene jer je u tebe smilovanje i radi zakona tvojega otrpio sam te, Gospodi Recipes for limiting happiness and the spread of terror started from the fact that we are afraid of the mystery of existence They are written in books which they say are sacred where our Demiurge scares the inferno eternal torment And the clergy and rulers they rub their hands contentedly because their power comes from heaven God have mercy we are your servants sinful Instructions for love and family they are also prescribed in detail avoiding sin it becomes an impossible game It is correct: - Suppress desires - Control the senses - Give up pleasure Do not lead us into temptation deliver us from evil from the gates of hell deliver me, Lord my soul And so it turns out: That in this world it is best to forget happiness That this life is somehow the smartest thing to give up That love is right only if it is in the tight confines of the sacred rules of tradition while your hearts wither in the longing for freedom In the name of father and son and the Holy Spirit Amen God forbid two men love each other that two women share a bed that three marry that weirdos raise children God forbid Lord, hear my prayer and my cry comes to you do not turn away your face from me because you have mercy and for thy law's sake I have endured you, Lord
4.
sumnjam u sve počevši od sebe riječi riječi su laži slova su mrtva na papiru su prazna obecanja ti ne postojiš stvarno svijet je nesto što se sanja glad je nešto što me budi sjreca je prazno obećanje sumnjam sumnjam u sve sumnjam da si stvarno tu kraj mene mene zapravo nema ja sam samo gledanje u mraku slušanje tišine dodir praznine I doubt everything starting with your words words are lies words are dead on paper they're empty promises you you don't really exist the world is something that they dream of hunger is something that wakes me up happiness is an empty promise I doubt I doubt everything I doubt you're really there next to me me there really isn't I’m alone looking in the dark listening to silence a touch of emptiness
5.
pazi! zlatna mladež djeca koja ne poznaju svijet običnih ljudi odrastaju u nesretnike i nesreću svoju šire u koncentričnim krugovima oni su ishodišta jada pazi da im ne okreneš leđa kad se raduju čine to očajnički jer očaj je njihova karakteristika mogli bi reći očaj je njihov običaj da se izrauim pjesnički ali nema poetike u toj grubosti okruženoj zlatom samo patetični trenuci bijesa u kužnim dvorima otaca generali, šverceri, ratni zločinci, saborski zastupnici, loše organizirani kriminalci podli gradonačelnici ministri bez kulture u ime boga i nacije očiju mračnih od lađnog morala njihove zlostavljane pokvarene žene ne pitaju nikada - otkuda? prikladno žmire na porijeklo imovine groteskno masno premazane poklade njihova lica su krhke fasade njihovo prstenje spremnici otrova pazi da im ne okreneš leđa pazi da se ne zatekneš u njihovom radijusu da se ne ponadaš neočekivanoj koristi da ne postaneš zaklani pijetao na karnevalskoj gozbi u kući optočenoj zlatom watch out! golden youth children don’t know the world of ordinary people they grow up to be unfortunate and their misfortune widens in concentric circles they are the source of misery be careful not to turn your back on them when they rejoice they do it desperately for despair is their characteristic you could say despair is their custom to express myself poetically but there is no poetics in that rudeness surrounded by gold just pathetic moments of rage in the domestic courts of the fathers generals, smugglers, war criminals, members of parliament, poorly organized criminals vile mayors ministers without culture in the name of god and nation eyes dark with cold morals their abused corrupt women they never ask – where from? appropriately closed eyes on the origin of the property grotesquely greasy coated carnival their faces are fragile facades their rings, poisons containers be careful not to turn your back on them be careful not to get caught within their radius not to hope for unexpected benefits not to become a slaughtered rooster at a carnival feast in a house encrusted with gold
6.
Novinari uvijek pišu: "vatrena stihija" baš uvijek Svaki požar i onaj podmetnut u skladištu broj 2 i onaj što se proširio iz crnog BMWa na parkiralištu nocnog kluba i onaj u ilegalnom starackom domu vatrena stihija odnijela živote zahvatila hektare o životinjama da i ne govorimo kucu onog poznatog pjevaca odmah je objavio fotografiju zgarišta na instagramu s neba intrvenirali kanaderi spektakl a možda se uništenje odvija po planu možda postoji plan uništenja dokument crno na bijelo izgaranjem do zemljišta plamenom do osiguranja ovo nije antiutopijski Fahrenheit samo obicni pokvareni stupanj Celzijusa plan za osvetu za profitabilno raseljavanje za zadnji pogled prema poznatom životu za neizvjestan opstanak za lošije sutra za konacno gašenje lomaca za istospolne parove za vještice za protudržavne elemente strategija spaljene zemlje Journalists always write: "firestorm" every time for every fire and the one planted in warehouse number 2 and the one that spread from a black BMW in the nightclub parking lot and the one in the illegal nursing home the fire took lives covered hectares not to mention animals the house of that famous singer he immediately posted a photo of the crematorium on instagram from heaven water bombers intervened spectacle and perhaps this destruction goes according to plan there may be a plan of destruction a document black on white by burning to the ground flames to insurance this is not an anti-utopian Fahrenheit just plain corrupt degrees Celsius a revenge plan for profitable displacement for a last look according to a familiar life for uncertain survival for a worse tomorrow for a final shutdown bonfires for same-sex couples for witches for anti-state elements a scorched-earth strategy
7.
noću hodam pustim ulicama obilazim kuće s ugašenim svjetlima u njima više nema života one mi se obraćaju tihim glasovima prošlih vremena, sanjivim uspomenama iz djetinjstva govore “Idi odavde! Idi odavde sto dalje U nama nema života“ ali ja život i ne tražim nego premotavanje unatrag ne želim bolju budućnost nego srednju prošlost i ne podnosim nova iskustva ne podnosim uznemiravanje mene zanimaju sjećanja u davno umrlog grada samo vrane znate crne, velike vrane one čuvaju sjećanja pričaju priče davno umrlog grada meni je to dovoljno više mi ne treba at night I walk the deserted streets I walk around the houses with the lights off there's no more life in them they address me in quiet voices past times, dreamy memories from childhood they speak “Get out of here! Go as far as possible from here” There’s no life in us“ but I’m not looking for life rewind I don't want a future better than an average past and I don’t tolerate new experiences I can't stand the harassment I’m interested in memories in a long-dead city only crows know big black crows keep memories they tell the stories of a long-dead city that's enough for me I don't need it anymore
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about

INVOLUCIA·ORG [I·O LP002] / aufnahme + wiedergabe [a+w lp063] *

GET OUT OF HERE!

Zarkoff brings it all:

- A cry to battle
- An ode to the abyss
- A sacrilegious chant

INVOLUCIJA recruits vocalist & poet Zarkoff from Sumerian Fleet to deliver razor-sharp justice. You can label it EBM, industrial techno or even futuristic math-rock - we just call it Balkan Body Music.

"And after a line, another line" (Serbo-Croatian: I poslije linije, linija) is a flippant reference to Yugoslavia's nostalgic lament 'And after Tito - Tito!' Oh how the ethical goalposts of the past are moved, again and again.

As Zarkoff warns: don't turn your back on the golden youth!


* Berlin labels aufnahme + wiedergabe and INVOLUCIJA·ORG connect again for another split-label release
credits

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released October 3, 2025

Written and produced by Michel Morin & Saša Rajković / Photography by Lucija Invo / Mastered by Stewart Walker

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aufnahme + wiedergabe Berlin, Germany

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