Beyond Tellerrand has a new website and it’s beautiful!
And look! Past speakers like me get our own page.
In fact there’s a great big archive of all the past talks—that very much deserves your support as a friend of Beyond Tellerrand.
A curated selection of visually interesting datasets collected by local, state and federal government agencies.
This site must’ve started as a way of showcasing really interesting collections, but now it’s turning into an archive of what’s being systematically destroyed by the current US regime.
Signed!
We, the undersigned, call on the record labels and members of the Recording Industry Association of America (RIAA)—including UMG, Capitol Records, Concord Bicycle Assets, CMGI Recorded Music Assets, Sony Music Entertainment, and Arista Music—to drop your lawsuit against the Internet Archive.
Explore our hand-picked collection of 10,046 out-of-copyright works, free for all to browse, download, and reuse. This is a living database with new images added every week.
This magnificent piece by Maxwell Neely-Cohen—with some tasteful art-direction—is right up my alley!
This piece looks at a single question. If you, right now, had the goal of digitally storing something for 100 years, how should you even begin to think about making that happen? How should the bits in your stewardship be stored with such a target in mind? How do our methods and platforms look when considered under the harsh unknowns of a century? There are plenty of worthy related subjects and discourses that this piece does not touch at all. This is not a piece about the sheer volume of data we are creating each day, and how we might store all of it. Nor is it a piece about the extremely tough curatorial process of deciding what is and isn’t worth preserving and storing. It is about longevity, about the potential methods of preserving what we make for future generations, about how we make bits endure. If you had to store something for 100 years, how would you do it? That’s it.
A complete digital archive of the famous typography from the Sanborn Fire Insurance Maps
The lettering really is lovely!
What are your own scribbles, your own ordinary plenty, not worth much to you now but that someone in the future may treasure?
For many archivists, alarm bells are ringing. Across the world, they are scraping up defunct websites or at-risk data collections to save as much of our digital lives as possible. Others are working on ways to store that data in formats that will last hundreds, perhaps even thousands, of years.
A library of CC-licensed photos.
Next time you’re tempted to use a generative “AI” tool to make an image for a slide deck, use this instead.
An interesting idea from Tantek for an offline page that links off to an archived copy of the URL you’re trying to reach—useful for when you’re site goes down (though not for when the user’s internet connection is down).
Remy has turned his linkrot-battling technique into a service that you can use. He has more details on his blog.
Here lies a nearly-complete archive of Whole Earth publications, a series of journals and magazines descended from the Whole Earth Catalog, published by Stewart Brand and the POINT Foundation between 1970 and 2002. They are made available here for scholarship, education, and research purposes.
I really, really like the progressive enhancement approach that Remy is taking here with outbound links:
When a real user clicks on a link, it’s swapped out to be redirected through my own endpoint that checks if the URL is still OK, and if so permanently redirects the visitor, otherwise my endpoint checks the Web Archive for the URL and permanently redirects to that instead.
I think I’m going to do the same! I’d have to rewrite the server-side code in PHP, but that shouldn’t be too tricky.
This could a project for the next Indie Web Camp I attend.
Go spelunking down the archives to find some lovely graphic design artefacts.
A false sense of security persists surrounding digitized documents: because an infinite number of identical copies can be made of any original, most of us believe that our electronic files have an indefinite shelf life and unlimited retrieval opportunities. In fact, preserving the world’s online content is an increasing concern, particularly as file formats (and the hardware and software used to run them) become scarce, inaccessible, or antiquated, technologies evolve, and data decays. Without constant maintenance and management, most digital information will be lost in just a few decades. Our modern records are far from permanent.
Time capsules on the moon, using NanoFiche as the storage medium.
Clicking through these cold war slides gives an uncomfortable mixture of nostalgic appreciation for the retro aesthetic combined with serious heebie-jeebies for the content.
The slides appear to be 1970s/1980s informational or training images from the United States Air Force, NORAD, Navy, and beyond.
A short documentary that you can dowload or watch online:
The film explores how image banks including Getty gain control over, and then restrict access to, archive images – even when these images are legally in the public domain. It also forms a small act of resistance against this practice: the film includes six legally licensed clips, and is downloadable as an HD ProRes file. In this way, it aims to liberate these few short clips from corporate control, and make them freely available for viewing and artistic use.
Licensed under aCreative Commons 0: “No rights reserved” license.
I like how Luke is using a large language model to make a chat interface for his own content.
This is the exact opposite of how grifters are selling the benefits of machine learning (“Generate copious amounts of new content instantly!”) and instead builds on over twenty years of thoughtful human-made writing.
If you’re thinking of signing up to Hive or Post:
If posts in a social media app do not have URLs that can be linked to and viewed in an unauthenticated browser, or if there is no way to make a new post from a browser, then that program is not a part of the World Wide Web in any meaningful way.
Consign that app to oblivion.