I don’t like to assume the worst and assign vindictitive motives to people, but what Apple is doing here is hard to read as anything other than petulant and nasty …and really, really bad for users.
If you’ve ever made a progressive web app, please fill in this survey.
Web Push on iOS is nearing its one year anniversary. It’s still mostly useless.
Sad, but true. And here’s why:
On iOS, for a website to be able to ask the user to grant the push notification permission, it needs to be installed to the home screen.
No other browser on any of the other platforms requires you to install a website for it to be able to send push notifications.
Apple is within their rights to withhold Web Push to installed apps. One could argue it’s not even an unreasonable policy - if Apple made installing a web app at least moderately straightforward. As it is, they have buried it and hidden important functionality behind it.
I really, really hope that the Safari team are reading this.
I read 25 books in 2023. That’s exactly the same amount that I read in 2022.
15 of the 25 books were written by women—a bit of a dip from last year.
I read a lot more fiction than non-fiction this year. I’m okay with that.
There was plenty of sci-fi as usual, but 2023 was also the year I went down a rabbit hole of reading retellings of the Homeric epics. I’ve had a copy of The Odyssey on my coffee table while I’ve been diving into the works of Madeline Miller, Natalie Haynes, Pat Barker, and more. I’m really enjoying this deep dive and I don’t intend to stop anytime soon.
It’s funny; reading different takes on the same characters and interweaving storylines is kind of like dipping into the Marvel Cinematic Universe, just a few millennia older. In some ways, it feels like reading fantasy, but as Ursula Le Guin points out, things aren’t so black and white:
The Trojan war is not and you cannot make it be the War of Good vs. Evil. It’s just a war, a wasteful, useless, needless, stupid, protracted, cruel mess full of individual acts of courage, cowardice, nobility, betrayal, limb-hacking-off, and disembowelment. Homer was a Greek and might have been partial to the Greek side, but he had a sense of justice or balance that seems characteristically Greek—maybe his people learned a good deal of it from him? His impartiality is far from dispassionate; the story is a torrent of passionate actions, generous, despicable, magnificent, trivial. But it is unprejudiced. It isn’t Satan vs. Angels. It isn’t Holy Warriors vs. Infidels. It isn’t hobbits vs. orcs. It’s just people vs. people.
I’ve been reading some Ursula Le Guin this year too, and that’s something else I intend to keep on doing. Like the retellings of Troy, her work just keeps on giving.
Anyway, in my usual manner, here’s my end-of-year summary of what I’ve read, along with a pointless rating out of five.
To recap, here’s my scoring system:
A nautical tale of The Great Hunger. It’s a tricky subject but this book mostly tackles it well. It’s fairly dripping in atmosphere.
★★★☆☆
Another rivetting tale from Nnedi Okorafor, this one set in a world that seems quite different from ours, where magic is a powerful force.
★★★☆☆
The second book in the trilogy—this time it’s war. Once again, the setting and the vibe are unlike any other alien invasion story. I’m looking forward to reading the final installment.
★★★☆☆
On the one hand, this book feels like homework because it really is required reading for any web designer or developer. On the other hand, Heather does an excellent job in making what could be a very dry topic as interesting as possible. The contrasts between the US and Europe are particulary eye-opening.
★★★☆☆
Absolutely top-notch hard sci-fi! It feels like two of the biggest characters in the book are time and evolution. For a tale that’s told over thousands of years, the pace never lets up. Now I get why this book won so many awards. It’s quite a feat of story-telling. I loved it!
★★★★☆
A fairly by-the-numbers retelling of the early days of computer hackers. To be honest, I found the pre-computer part (detailing telephone hacks) to be the most interesting bit.
★★☆☆☆
Everyone was going on about how great this book was so my expectations were high. They were exceeded. This book is just wonderful. When I finished it, I found myself craving more. That set me on the path of reading other retellings of Homeric characters, but none of them could quite match the brilliance of Circe.
★★★★☆
An assembly of speeches, memos, and emails. It’s refreshingly un-hagiographic, given the publisher. And of course it’s beautifully typeset.
★★★☆☆
After reading and loving Circe, I went back to Madeline Miller’s previous story of the Trojan War. The Song Of Achilles didn’t quite match Circe for me, but it came very close. Once again, everything is described vividly and once again, it stayed with me long after I finished reading it.
★★★★☆
Another retelling of the Trojan war. This is an episodic book that weaves its threads together nicely. Sometimes it’s a little on-the-nose about its intentions but it mostly works very well.
★★★☆☆
Le Guin’s first novel is far from her best work but it’s still better than most sci-fi. A good planetary romance.
★★★☆☆
Refreshingly level-headed and practical. If you work somewhere that’s considering using generative tools built on large language models, read this before doing anything.
★★★☆☆
The second of Le Guin’s Hainish books. Another planetary romance that’s perfectly fine but not in the same league as her later work.
★★★☆☆
The third of the Hainish novels, this one gets pretty trippy. I enjoyed the sensation of not knowing what was going on (much like the protaganist).
★★★☆☆
This was such a frustrating read! On the one hand, the world-building as absolutely superb. The idea of magic being driven translation is brilliant. So is the depiction of a British empire that exploits and colonises foreign languages. But then the characters in this world are not well realised. The more the book went on, the less believable they seemed.
There’s also a really strange disconnect in the moods of the book; one minute it’s gritty revolutionary fare, the next it’s like Harry Potter goes to Oxford.
It didn’t work for me. And I know that my opinion can be easily dismissed as that of a mediocre middle-aged white man, but I really wanted to like this. I was totally on board with the politics of the book, but the way it hammered me over the head constantly didn’t do it any favours.
A message like “racism is bad” or “colonialism is bad” might work as subtext, but here, where it’s very much the text-text, it doesn’t succeed.
★★☆☆☆
A collection of short stories set in the west of Ireland. Good stuff.
★★★☆☆
Back to the Trojan war in the first of a series by Pat Barker. She takes a naturalistic tone with the dialogue, modernising it. It works quite well. By this time, having read Madeline Miller’s The Song Of Achilles and Natalie Hayne’s A Thousand Ships, I really felt like I was looking at the same series of events from different angles.
★★★☆☆
Another great accessible science book from Ed Yong, this time about senses in the animal world. It sometimes feels a bit like a series of articles rather than a single book, but when the articles are this good, that’s absolutely fine.
★★★☆☆
Okay, this might get a bit ranty…
The plot and the writing style in this book are perfectly fine, gripping even. It’s got that Gibsonesque structure of having two or three different characters in very different settings being propelled towards an inevitable meeting point (it happens pretty much exactly at the half-way point in this book).
But this is a cli-fi book that fails. It will not encourage anyone to take action other than turn into a doomer. Instead of asking what the future might actually be like, it instead asks “what’s the absolute worst that could happen?” Frankly, it’s a cop-out.
The book takes a similar tack with its characters. It assumes everyone’s terrible and will do terrible things. It’s lazy.
So you’ve got an unrelenting series of people behaving terribly in a horrific setting. It gets boring.
I was trying to cut the book some slack, but when there was a rare scene of actual consensual sex, it quickly turned into an adolescent male fantasy.
Reading this was like reading the opposite of Kim Stanley Robinson. Avoid.
★★☆☆☆
Back to Troy we go for the second in Pat Barker’s series. More good stuff.
★★★☆☆
A recommendation from Chris. He thought I’d enjoy this and he was not wrong. Tim Harford strikes just the right tone as he relays stories of statistics gone wrong as well as statistics done right.
★★★☆☆
I’ll read anything by Ann Leckie. I loved her Imperial Radch series and this book is set in the same universe. There’s a strange juxtaposition of body horror in places with a Becky Chambers style cosiness. It’s partly a courtroom drama, but one where the courtroom gets very dramatic indeed. And there are lots of questions around identity and belonging. I liked it.
★★★☆☆
Full disclosure: the author is a cousin of a friend of mine. She told me how much of this book was based on actual family history. It’s set in Belfast in the 70s and it is very vivid in a very kitchen-sink kind of way. It feels all-too real. Recommended.
★★★☆☆
The sequel to Children Of Time doesn’t quite hit the same high bar, but it’s still an excellent rip-roaring space adventure that continues the themes of evolution and time. Thoroughly enjoyable.
★★★☆☆
My final foray to ancient Greece for the year. This is a debut novel that’s absolutely on par with the other Homeric writers I’ve been reading. Even though you know where things are headed, you can’t turn away. In other words, it’s a classic Greek tragedy.
★★★☆☆
I had’t read any Joanna Russ before, which was something I’ve been meaning to rectify. I picked up a second-hand copy of this slim volume of short stories that was published by The Women’s Press back in the 80s but which is now out of print. Stories are vaguely connected and they all explore identity, gender, disguises and passing. But it’s the opening award-winning story Souls that’s the real stand-out. Well worth reading.
★★★☆☆
So that was my reading year. There were some disappointments in the sci-fi category, with both Babel and The Water Knife, but generally the quality was high.
I didn’t really read enough non-fiction to choose a best one of the year.
When it came to fiction, there was a clear winner: Circe by Madeline Miller.
If you fancy reading any of the books I’ve reviewed here, there’s a list of them on bookshop.org. Or go to your local library.
If you’re interested in my round-ups from previous years, here they are:
Personal sites—and, more broadly, our digital lives—are a mirror of who we are. Some of us will try to neatly organize everything under one hyper-curated digital roof while others will scatter things around on 12 different domains and 24 services. Some will design a site for themselves and not touch it again for a decade while others will feel the need to redesign every 6 months. Those are all right answers to a question that doesn’t have wrong answers.
Before The Situation, I used to work in the Clearleft studio quite a bit. Maybe I’d do a bit of work at home for an hour or two before heading in, but I’d spend most of my working day with my colleagues.
That all changed three years ago:
Clearleft is a remote-working company right now. I mean, that’s hardly surprising—just about everyone I know is working from home.
Clearleft has remained remote-first. We’ve still got our studio space, though we’ve cut back to just having one floor. But most of the time people are working from home. I still occasionally pop into the studio—I’m actually writing this in the studio right now—but mostly I work out of my own house.
It’s funny how the old ways of thinking have been flipped. If I want to get work done, I stay home. If I want to socialise, I go into the studio.
For a lot of the work I do—writing, podcasting, some video calls, maybe some coding—my home environment works better than the studio. In the Before Times I’d have to put on headphones to block out the distractions of a humming workplace. Of course I miss the serendipitous chats with my co-workers but that’s why it’s nice to still have the option of popping into the studio.
Jessica has always worked from home. Our flat isn’t very big but we’ve got our own separate spaces so we don’t disturb one another too much.
For a while now we’ve been thinking that we could just as easily work from another country. I was inspired by a (video) chat I had with Luke when he casually mentioned that he was in Cypress. Why not? As long as the internet connection is good, the location doesn’t make any difference to the work.
So Jessica and I spent the last week working in Ortygia, Sicily.
It was pretty much the perfect choice. It’s not a huge bustling city. In fact it was really quiet. But there was still plenty to explore—winding alleyways, beautiful old buildings, and of course plenty of amazing food.
The time difference was just one hour. We used the extra hour in the morning to go to the market to get some of the magnificent local fruits and vegetables to make some excellent lunches.
We made sure that we found an AirBnB place with a good internet connection and separate workspaces. All in all, it worked out great. And because we were there for a week, we didn’t feel the pressure to run around to try to see everything.
We spent the days working and the evenings having a nice sundowner appertivo followed by some pasta or seafood.
It was simultaneously productive and relaxing.
Oh no! My claim has been refuted by a rigourous scientific study of …checks notes… ten people.
Be right back: just need to chat with eleven people.
An entire generation of apps-that-should-have-been web pages has sprung up, often shoehorned into supposedly cross-platform frameworks that create a subpar user experience sludge. Nowhere is this more true than for media — how many apps from newspapers or magazines have you installed, solely for a very specific purpose like receiving breaking news alerts? How many of those apps are just wrappers around web views? How many of those apps should have been web pages?
Instead of doing what the competing browsers are doing (and learning from years of experience of handling Web Push), Apple decided to reinvent a wheel here. What they’ve turned up with looks a lot more like a square.
Push notifications are finally arriving on iOS—hallelujah! Like I said last year, this is my number one wish for the iPhone, though not because I personally ever plan to use the feature:
When I’m evangelising the benefits of building on the open web instead of making separate iOS and Android apps, I inevitably get asked about notifications. As long as mobile Safari doesn’t support them—even though desktop Safari does—I’m somewhat stumped. There’s no polyfill for this feature other than building an entire native app, which is a bit extreme as polyfills go.
With push notifications in mobile Safari, the arguments for making proprietary apps get weaker. That’s good.
The announcement post is a bit weird though. It never uses the phrase “progressive web apps”, even though clearly the entire article is all about progressive web apps. I don’t know if this down to Not-Invented-Here syndrome by the Apple/Webkit team, or because of genuine legal concerns around using the phrase.
Instead, there are repeated references to “Home Screen apps”. This distinction makes some sense though. In order to use web push on iOS, your website needs to be added to the home screen.
I think that would be fair enough, if it weren’t for the fact that adding a website to the home screen remains such a hidden feature that even power users would be forgiven for not knowing about it. I described the steps here:
- Tap the “share” icon. It’s not labelled “share.” It’s a square with an arrow coming out of the top of it.
- A drawer pops up. The option to “add to home screen” is nowhere to be seen. You have to pull the drawer up further to see the hidden options.
- Now you must find “add to home screen” in the list
- Copy
- Add to Reading List
- Add Bookmark
- Add to Favourites
- Find on Page
- Add to Home Screen
- Markup
As long as this remains the case, we can expect usage of web push on iOS to be vanishingly low. Hardly anyone is going to add a website to their home screen when their web browser makes it so hard.
If you’d like to people to install your progressive web app, you’ll almost certainly need to prompt people to do so. Here’s the page I made on thesession.org with instructions on how to add to home screen. I link to it from the home page of the site.
I wish that pages like that weren’t necessary. It’s not the best user experience. But as long as mobile Safari continues to bury the home screen option, we don’t have much choice but to tackle this ourselves.
Your website is a way for you to share your stream of consciousness, that temporary and subjective and highly biased snippet of the universe, with everyone else, including your future self.
Ben wrote a post a little while back about maybe organising his home page differently. It’s currently a stream.
That prompted Om to ask is “stream” as a design paradigm over? Mind you, he’s not talking about personal websites:
Across the web, one can see “streams” losing their preeminence. Social networks are increasingly algorithmically organized, so their stream isn’t really a free-flowing stream. It is more like a river that has been heavily dammed. It is organized around what the machine thinks we need to see based on what we have seen in the past.
Funnily enough, I’ve some recent examples of personal homepages become more like social networks, at least in terms of visual design. A lot of people I know are liking the recent redesigns from Adam and Jhey.
Here on my site, my home page is kind of a stream. I’ve got notes, links, and blog posts one after another in chronological order. The other sections of my site are ways of focusing in on the specific types of content links, short notes, blog posts in my journal.
Behind the scenes, entries those separate sections of my site are all stored in the same database table. In some ways, the separation into different sections of the site is more like tagging. So the home page is actually the simplest bit to implement: grab the latest 20 entries out of that database table.
I don’t make too much visual distinction between the different kinds of posts. My links and my notes look quite similar. And if I post a lot of commentary with a link, it looks a lot like a blog post.
Maybe I should make them more distinct, visually. Because I actually like the higgedly-piggedly nature of a stream of different kinds of stuff. I want the vibe to be less like a pristine Apple store, and more like a chaotic second-hand bookstore.
Going back to what Ben wrote about his site:
As of right now, the homepage is a mix of long-form posts, short thoughts, and links I consider interesting, presented as a stream. It’s a genuine representation of what I’m reading and thinking about, and each post’s permalink page looks fine to me, but it doesn’t quite hold together as a whole. If you look at my homepage with fresh eyes, my stream is a hodgepodge. There’s no through line.
For me, that’s a feature, not a bug. There’s no through line on my home page either. I like that.
I can’t remember the last time that a website made me smile like this.
Obviously, no one does this, I recognize this is a very niche endeavor, but the art and craft of maintaining a homepage, with some of your writing and a page that’s about you and whatever else over time, of course always includes addition and deletion, just like a garden — you’re snipping the dead blooms. I do this a lot. I’ll see something really old on my site, and I go, “you know what, I don’t like this anymore,” and I will delete it.
But that’s care. Both adding things and deleting things. Basically the sense of looking at something and saying, “is this good? Is this right? Can I make it better? What does this need right now?” Those are all expressions of care. And I think both the relentless abandonment of stuff that doesn’t have a billion users by tech companies, and the relentless accretion of garbage on the blockchain, I think they’re both kind of the antithesis, honestly, of care.
A personal site, or a blog, is more than just a collection of writing. It’s a kind of place - something that feels like home among the streams. Home is a very strong mental model.
I don’t know about you, but it seems like everyone I follow on Twitter is playing Wordle. Although I don’t play the game myself, I think it’s pretty great.
Not only does Wordle have a very sweet backstory, but it’s also unashamedly on the web. If you want to play, you go to the URL powerlanguage.co.uk/wordle. That’s it. No need to download an app.
That hasn’t stopped some nefarious developers trying to trick people into downloading their clones of Wordle from app stores. App stores, which are meant to be curated and safe, are in fact filled with dodgy knock-offs and scams. Contrary to popular belief, the web is quite literally a safer bet.
Wordle has a web app manifest, which means you can add it to your home screen and it will behave just like a native app (although I don’t believe it has offline support). That’s great, but the process of adding a web app to your home screen on iOS is ludicrously long-winded.
Macworld published an article detailing how to get the real Wordle app on your iPhone or iPad. On the one hand it’s great to see this knowledge being spread. On the other hand it’s dispiriting that it’s even necessary to tell people that they can do this, like it’s a hidden nerdy secret just for power users.
At this point I’ve pretty much given up on Apple ever doing anything about this pathetic situation. So what can I do instead?
Well, taking my cue from that Macworld article, the least I can do is inform people how they can add a progressive web app to their home screen.
That’s what I’ve done on thesession.org. I’ve published a page on how to install The Session to your home screen.
On both Android and iPhone the journey to installing a progressive web app begins with incomprehensible iconography. On Android you must first tap on the unlabeled kebab icon—three vertical dots. On iOS you must first tap on the unlabeled share icon—a square with an arrow coming out of it.
When it comes to mobile operating systems, consumer choice means you choose which kind of mystery meat to eat.
I’ve included screenshots to help people identify these mysterious portals. For iOS I’ve also included a video to illustrate the quest to find the secret menu item buried beneath the share icon.
I’ve linked to the page with the installation instructions from the site’s “help” page and the home page.
Handy tip: when you’re adding a start_url value to your web app manifest, it’s common to include a query string like this:
start_url: "/?homescreen"
I’m guessing most people to that so they can get analytics on how many people are starting from an icon tap. I don’t do analytics on The Session but I’m still using that query string in my start_url. On the home page of the site, I check for the existence of the query string. If it exists, I don’t show the link to the installation page. So once someone has installed the site to their home screen, they shouldn’t see that message when they launch The Session.
If you’ve got a progressive web app, it might be worth making a page with installation instructions rather than relying on browsers to proactively inform your site’s visitors. You’d still need to figure out the right time and place to point people to that page, but at least the design challenge would be in your hands.
Should you decide to take a leaf out of the Android and iOS playbooks and use mystery meat navigation to link to such a page, there’s an emoji you could potentially use: 📲
It’s still worse than using actual words, but it might be better than some random combination of dots, squares and arrows.
(I’m not really serious about using that emoji, but if you do, be sure to use a sensible aria-label value on the enclosing a element.)
When I post a link, I do it for two reasons.
First of all, it’s me pointing at something and saying “Check this out!”
Secondly, it’s a way for me to stash something away that I might want to return to. I tag all my links so when I need to find one again, I just need to think “Now what would past me have tagged it with?” Then I type the appropriate URL: adactio.com/links/tags/whatever
There are some links that I return to again and again.
Back in 2008, I linked to a document called A Few Notes on The Culture. It’s a copy of a post by Iain M Banks to a newsgroup back in 1994.
Alas, that link is dead. Linkrot, innit?
But in 2013 I linked to the same document on a different domain. That link still works even though I believe it was first published around twenty(!) years ago (view source for some pre-CSS markup nostalgia).
Anyway, A Few Notes On The Culture is a fascinating look at the world-building of Iain M Banks’s Culture novels. He talks about the in-world engineering, education, biology, and belief system of his imagined utopia. The part that sticks in my mind is when he talks about economics:
Let me state here a personal conviction that appears, right now, to be profoundly unfashionable; which is that a planned economy can be more productive - and more morally desirable - than one left to market forces.
The market is a good example of evolution in action; the try-everything-and-see-what-works approach. This might provide a perfectly morally satisfactory resource-management system so long as there was absolutely no question of any sentient creature ever being treated purely as one of those resources. The market, for all its (profoundly inelegant) complexities, remains a crude and essentially blind system, and is — without the sort of drastic amendments liable to cripple the economic efficacy which is its greatest claimed asset — intrinsically incapable of distinguishing between simple non-use of matter resulting from processal superfluity and the acute, prolonged and wide-spread suffering of conscious beings.
It is, arguably, in the elevation of this profoundly mechanistic (and in that sense perversely innocent) system to a position above all other moral, philosophical and political values and considerations that humankind displays most convincingly both its present intellectual immaturity and — through grossly pursued selfishness rather than the applied hatred of others — a kind of synthetic evil.
Those three paragraphs might be the most succinct critique of unfettered capitalism I’ve come across. The invisible hand as a paperclip maximiser.
Like I said, it’s a fascinating document. In fact I realised that I should probably store a copy of it for myself.
I have a section of my site called “extras” where I dump miscellaneous stuff. Most of it is unlinked. It’s mostly for my own benefit. That’s where I’ve put my copy of A Few Notes On The Culture.
Here’s a funny thing …for all the times that I’ve revisited the link, I never knew anything about the site is was hosted on—vavatch.co.uk—so this most recent time, I did a bit of clicking around. Clearly it’s the personal website of a sci-fi-loving college student from the early 2000s. But what came as a revelation to me was that the site belonged to …Adrian Hon!
I’m impressed that he kept his old website up even after moving over to the domain mssv.net, founding Six To Start, and writing A History Of The Future In 100 Objects. That’s a great snackable book, by the way. Well worth a read.
This is my new favourite indie web site (super performant and responsive too).
If you download Safari Technology Preview you can test drive features that are on their way in Safari 15. One of those features, announced at Apple’s World Wide Developer Conference, is coloured browser chrome via support for the meta value of “theme-color.” Chrome on Android has supported this for a while but I believe Safari is the first desktop browser to add support. They’ve also added support for the media attribute on that meta element to handle “prefers-color-scheme.”
This is all very welcome, although it does remind me a bit of when Internet Explorer came out with the ability to make coloured scrollbars. I mean, they’re nice features’n’all, but maybe not the most pressing? Safari is still refusing to acknowledge progressive web apps.
That’s not quite true. In her WWDC video Jen demonstrates how you can add a progressive web app like Resilient Web Design to your home screen. I’m chuffed that my little web book made an appearance, but when you see how you add a site to your home screen in iOS, it’s somewhat depressing.
The steps to add a website to your home screen are:
It reminds of this exchange in The Hitchhiker’s Guide To The Galaxy:
“You hadn’t exactly gone out of your way to call attention to them had you? I mean like actually telling anyone or anything.”
“But the plans were on display…”
“On display? I eventually had to go down to the cellar to find them.”
“That’s the display department.”
“With a torch.”
“Ah, well the lights had probably gone.”
“So had the stairs.”
“But look you found the notice didn’t you?”
“Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of The Leopard.’”
Safari’s current “support” for adding progressive web apps to the home screen feels like the minimum possible …just enough to use it as a legal argument if you happen to be litigated against for having a monopoly on app distribution. “Hey, you can always make a web app!” It’s true in theory. In practice it’s …suboptimal, to put it mildly.
Still, those coloured tab bars are very nice.
It’s a little bit weird that this stylistic information is handled by HTML rather than CSS. It’s similar to the meta viewport value in that sense. I always that the plan was to migrate that to CSS at some point, but here we are a decade later and it’s still very much part of our boilerplate markup.
Some people have remarked that the coloured browser chrome can make the URL bar look like part of the site so people might expect it to operate like a site-specific search.
I also wonder if it might blur “the line of death”; that point in the UI where the browser chrome ends and the website begins. Does the unified colour make it easier to spoof browser UI?
Probably not. You can already kind of spoof browser UI by using the right shade of grey. Although the removal any kind of actual line in Safari does give me pause for thought.
I tend not to think of security implications like this by default. My first thought tends to be more about how I can use the feature. It’s only after a while that I think about how bad actors might abuse the same feature. I should probably try to narrow the gap between those thoughts.
There’s a nice shout-out from Jen for Resilient Web Design right at the 19:20 mark.
It would be nice if the add-to-homescreen option weren’t buried so deep though.
Colin wrote about his typical day and suggested I do the same.
Y’know, in the Before Times I think this would’ve been trickier. What with travelling and speaking, I didn’t really have a “typical” day …and I liked it that way. Now, thanks to The Situation, my days are all pretty similar.
That’s a typical work day. My work week is Monday to Thursday. I switched over to a four-day week when The Situation hit, and now I don’t ever want to go back. It means making less money, but it’s worth it for a three day weekend.
My typical weekend involves more mandolin playing, more reading, more movies, and even better meals. I’ll also do some chores: clean the floors; back up my data.