Changes of Pace

The cover of our Spanish Civil War rules, nicely designed by Michael Koznarsky

I’d like to say I have some new big ol’ project I’m rushing to complete, but that would be a fib. Actually September and October were filled with fun non-game things. In September Lorri and I used our timeshare to stay in Whistler, B.C. for most of a week. It was the perfect time, with the gondola to Blackcomb and Whistler mountains operating for one last week. Kids were back in school and we had a wonderful time just hanging out in the valley. In October, son Patrick and I flew to Albany and made the trip to visit the holy of holies, the National Baseball Hall of Fame in Cooperstown. This was a bucket list adventure that included the Cooperstown visit, trek across New York to the Canada side of Niagara Falls, and then down to Cleveland for the Rock and Roll Hall of Fame. Both trips were a delight.

Before I left, I completed a pretty big project, my Cuban Rebellion/Moro Rebellion/Philippine Insurgency/Spanish American War projects. I’d also been working pretty hot and heavy with Michael Koznarsky and others on a Spanish Civil War project, including developing our own set of rules. There is more to come on the latter, but I’ll hold off until it’s a bit further along or at least until my brain is a bit more settled on what is happening.

One thing I have been doing is working with AI on Chat GPT to help with developing player aids and scenario design. Chat GPT is free, though it does limit how much work it will do without a subscription. i don’t recommend it as design tool per se, but I have used it to help me gather information about the Spanish Civil War. It has helped me develop several scenarios for use with my Aztecs and Quetzacoatl Rampant, and it is helping with player aids for Airwar C21. Usually it successfully provides what I want, but sometimes it doesn’t help much. It’s worth exploring. Little Wars TV also has a video on YouTube about using Chat GPT for scenario design.

Today is Halloween and the month is coming to a close, so here is what I’ve been working on and what I will likely be doing for the rest of the year. I’m still meeting with my Silver Kings group as often as possible. That’s 2-4 times per month. We’re still playing SAGA. I’ve had an offer to play my Skraelings. My answer is always “of course . . . muhahahaha” Everyone hates them. They’re painful to play, but honestly they probably have a 50/50 win factor. They have crappy armor, no legendary hero, and no mounted figures, no hearthguard. But they all throw or shoot things and make people crazy, so I love ’em. I also try to attend the games at Wizard’s Keep in Kent each month. It’s a great gathering with lots of different games played, so very worthwhile. I am gaming much more than I did before retirement.

My hoard of SCW militia. About 120 figures of socialist and anarchist militia. Mostly based for urban conflict in Barcelona 1936.

I’ve painted a lot of Spanish Civil War figures, as I’ve said, and my stash of unpainted guys have pretty much ended. We’re hoping to do another playtest of our rules on the 11th, so we’ll see how that goes. I have a few more figures coming, some vehicles and an anti-tank gun to finish, then I think I’ll put additional figures on hold for a while until we sort out some important rules issues.

Republican Regular infantry from North Star Miniatures

I’ve been in contact with George Kettler about playing some Vietnam-era air stuff. George has most of the planes needed. While I am slowly starting to complete my planes, I don’t feel the need to have them all done before starting something with him. I am working to try to complete some game aids for the Airwar C21 system. Hopefully I can get some AI help. If not, it’s Kevin alone doing my best Daveshoe impression, which isn’t very good. Finishing the planes I have is a September goal. There are about 20 Thunderfchiefs, Phantoms and Corsair II’s.

Two-fifths of my printed train. It’s coming along.

David Sullivan and I also did a project with Bob Murch’s Crucible Crush Flint and Feather figures. These are just gorgeous Native Americans representing Iroquois and Hurons during the early and pre-European contact periods. I had about two dozen and David had a few more plus some early Europeans with firearms. I painted all I had, but I took a couple dozen more that David hadn’t painted. I’ll add these to the pile and run some games using Ganesha’s “Song of Drums and Tomahawks.” These were fun rules that don’t require many figures, but having more is just fine, and it will be a way of resurrecting a David and Kevin project.

I always have lots to do and paint so I won’t succumb to boredom any time soon.

Upcoming Hundred Years War Titles

I’m kind of in a leaving my books alone moment.  I haven’t bought any in almost a year, and find myself with plenty to read.  But out on the horizon are some must have Hundred Years War titles.

Before I leap into discussing the books and their importance, let me just offer this warning.  Act fast. These will be limited pressings on small publishers and when they are gone, they’re gone.  Case in point: Edward III and the War at Sea: The English Navy 1327-1377 by Graham Cushway snuck under my radar when it was published in 2011.  But at 200 or so pages, this extremely useful sounding book was probably a lot less than its current $98-$115 price tag.  Don’t miss out because you didn’t act quickly enough.  Both titles are on my Amazon Wish Lists.

The first book that will come out is Henry V’s Navy: The Sea Road to Agincourt and Conquest  There are bajillions of books on Agincourt, fewer on the Conquest, but none focus on Henry V’s naval campaign.  Though there was an active naval campaign throughout the Hundred Years War, simply mounting a new land campaign in France became a gigantic naval undertaking for the English.  By the end of Richard II’s reign in 1399, the English navy, through relentless budget cuts by parliament, ceased to exist.  Learning about English shipbuilding under Henry V, as well as assembling the 1,500 ships necessary to move the English army to Harfleur in 1415 would be fascinating. This book will be released February 1, 2016.

The second book tackles a well-known topic, the Battle of Crecy.  But is it really the battle we think it is. Americans Michael Livingston and Kelly DeVries have edited The Battle of Crecy: A Casebook.  This book will re-examine over 80 contemporary sources from the Battle of Crecy, and most importantly, challenges the traditionally held site of the battle, placing it more than five miles from the currently believed site.  In his biography of Edward III, Richard Barber acknowledged the lack of certainty about the battle site,  This is some serious shit.  It challenges what we know about the topography of the battlefield and how it must have influenced the English defense and how Philip VI must have committed his troops to action.  This book was released earlier this month in England.  It is scheduled for an April 1 2016 release in the States.  Trust me, it will not last long. $101.62 in hardcover, $36.43 in paperback. I’d keep an eye on it too, the release on Amazon doesn’t seem certain.

What’s on Your Painting Table

Baueda's medieval tent for 28 mm.  Try not to look too carefully a the markings.  Not my finest moment.

Baueda’s medieval tent for 28 mm. Try not to look too carefully a the markings. Not my finest moment.

I finished the Miami earlier than planned, so I took on a couple of new tasks.  The first was painting up a Medieval fancy, schmancy tent for my Poitiers army.  It is in colors for Prince Edward at that same battle.  It’s the 28mm offering by Baueda.  The chief colors are Vallejo Vermillion and Vallejo Prussian Blue.  I practically brush my teeth with these colors, I use ’em so much.  The yellow is Vallejo Deep Yellow.  The cover is lined with Purpleheart Red, also by Vallejo.  It wasn’t super hard to paint, or even particularly time consuming, but let’s just say I rushed through the heraldry and am not too happy with the yellow lions. But if you look at it from a distance . . . The miniature is nice, as Baueda stuff tends to be.  I’d like to have three of these for each side.  Of course, if there was a wargaming god of fairness, Baueda would make a 28mm version of their awesome King’s pavilion. I still need to add the Prince’s standard.

I also got my next little project ready to go.  I’ll be painting the

Perry's excellent Volunteers of Ireland.  I'm anxious to paint these guys.

Perry’s excellent Volunteers of Ireland. I’m anxious to paint these guys.

excellent Perry Miniatures version of the Volunteers of Ireland.  This Loyalist unit served in the South in the British army and appeared in a number of “my battles,” including Hobkirk’s Hill and Eutaw Springs.  As you can see, their uniform is unusual with the tall leather cap and the Brandenburg lace.  Haven’t gotten much further than priming and mounting the fellas for painting, but I’ll keep you posted.

Troiani print of the Volunteers of Ireland

Troiani print of the Volunteers of Ireland

And Now For Your Listening Pleasure

About 15 years ago I picked up a used cd copy of Waiting For Columbus by Little Feat.  I absolutely loved it and have moments when I just blare it from my car or at home.  It’s one of the few records I purchased to duplicate my cd when I ratcheted up my vinyl collection in February.  But dang it, Little Feat just doesn’t sound a lot like that live album.  The songs are the same, but Waiting is just a little over the top, with for focus on the instrumental jams, something that lead singer Sailin' ShoesLowell George really didn’t like.

If you want to hear a more typical Little Feat record, grab a copy of Sailin’ Shoes. It was their second album, and is a great mix of musical styles-country, blues, folk and rock. My favorite song is a “Tripe Face Boogie” which has a lot of energy and is fun.  But one of the band’s trademark songs, recorded by everybody seemingly, is “Willin.” The rest of the record is very good too, with contributions from George and the rest of the band. A very pleasant listen while painting medieval heraldry.

Book Review: Flotilla-The Patuxent Naval Campaign in the War of 1812

The campaign in Chesapeake Bay that resulted in the disastrous burning of Washington in August of 1814 and the abortive attack on Baltimore a month later is not without its chroniclers.  Walter Lord wrote a classic account, followed by more recent accounts that garnered regional interest by Anthony Pitch and Christopher George.  All paint pretty much the same picture: a tidewater region wholly unprepared to defend itself suffered the depredations of the British for two long years resulting in the humiliation of the burning of the nation’s capital followed by the heroic stand at Fort McHenry.  When Dave Schueler alerted me that Naval Institute Press alerted me that Donald Shomette was scheduled to release a new book in 2009 on this topic, I resisted my typical urge to run out and buy a copy.  It’s take a while, but I finally borrowed Dave’s and finished reading it this week.

This image of Joshua Barney is circa 1800

In many ways Shomette tells the same story as Lord, Pitch and George.  If you’re looking for something uplifting about the conduct of the War of 1812 in the  Tidewater region, there just isn’t a lot to see here.  Well, that’s not true, there’s a nugget but only a nugget.  Amid the various incidents of the British Navy setting up camp on Tangier Island, raiding both shores of Virginia and Maryland, there is also the story of Joshua Barney and his flotilla of gunboats.  All the histories tell this story, but Shomette simply tells it better and more completely.  Shomette reports on the authorization of the two flotillas of gunboats authorized by Congress, and focuses on those under Barney’s command.  In addition, he shares the details of the little vessels’ construction and armament, as well as their fitting out problems.  Finally, Sholmette details the bottling up of Barney and his valiant, but tiny navy on the Patuxent River, the British navy’s effort to get at him, and the resulting battles at St. Leonard’s Creek and the Flotilla’s flight to Nottingham.

If this is what you’re looking for from this book, you’ll be pleased.  Unfortunately it consumes about a quarter of the book’s 355 pages.  Almost any history of the Chesapeake campaign must focus on the British.  Shomette also tells this story well.  By any standard, the war on the Chesapeake was hopeless.  The British had a vastly superior navy.  As it’s size grew, either by seizing local vessels, or reinforcements from home, it’s mission capabilities also grew.  In addition to deepwater ships of the line, frigates and sloops, the Brits were able to add vessels able to work in the shallow tidewaters and rivers, transporting raiding parties throughout the coastal region that carried off livestock, grain, tobacco and slaves, burned plantations and created general havoc and disaffection among the local landed classes. With the end of the Napoleon’s regime in France, elements of Wellington’s Peninsular army made their way to the Chesapeake and become the strike force that defeats the the American scratch force at Bladensburg and goes on to destiny in Washington D.C.

Shomette’s narrative is lively and offers considerable new information on Barney’s participation in the movements leading to Bladensburg.  Shomette’s account of Bladensburg may be the most thorough I’ve read.  The movements by all units leading to the battle, the political decisions made by American leaders until the battle, the fate of various American militia units and their unceremonious exits from the action, and Barney’s troops and their last stand are explained in more complete detail than other accounts.

Donald Shomette’s book is published by Naval Institute Press and is available from Amazon.com or the Naval Institute

Shomette’s book is a great addition to a War of 1812 library.  Though the narrative provides considerable context,this highly readable volume provides depth and fills in gaps to the body of work readily available to those seeking additional knowledge of the Chesapeake campaign.

My rating:  Five stars.