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A Visit

Naturally, as a Brit, I have been to this place before.

The Tower of London beneath the City – I rather like the contrast.

It is a famous historical place nowadays dwarfed beneath the glass and steel of the City. Yes, you’ve probably guessed it is The Tower of London – those Ravens are a bit of a giveaway.

Left, walking along the battlements towards the Lanthorn Tower rebuilt by the Victorians. Right, view of the Shard from the Lanthorn Tower.

Many of us visit the Tower of London as part of a school trip or, as in my case, are taken by the parents.

And the four things I remember from my childhood visit are; it was a big, proper castle, the ravens were big too, the Crown Jewels were, well, crowns with big jewels and I was utterly bored by the seemingly endless display of armour in the White Tower.

Left, horse armour on display in the White Tower. Right, the White Tower. Early medieval building completed 1100 AD.

This time, as an ageing adult, I went to the Tower with a purpose. I wanted to walk through the space that Thomas Cromwell had known. I really should have done my research BEFORE this overpriced visit. The Royal Apartments, including the Great Hall, that were the backdrop to the ‘Tudor’ events at the Tower were originally rebuilt by Henry III in the 1220s and 1230s, but are now all long gone.

Most of the Tudor palace of the 16th century was demolished during an extensive remodelling in the 1660s and any remaining parts that had been incorporated into other buildings were lost during the 18th and 19th centuries when more rebuilding was carried out. However, there are still random sections of old wall extant. These would have formed part of the rooms where Katharine of Aragon stayed on the night before her coronation procession with Henry VIII in 1509.

From Traitors’ Gate, up the steps towards the Bloody Tower passing through the arch towards the White Tower. A section of old wall, part of the ruins of the Tudor Royal Apartments, is just visible in the bottom photograph.

These would be the same rooms where later in 1535 Thomas Cromwell would interrogate Thomas More, and where a year later Anne Boleyn would be held before her execution on 19th May 1536. And then later still, those same rooms would be where Thomas Cromwell would spend his last hours before he was beheaded on Tower Hill (outside the boundary of the Tower) on 28th July 1540.

Stone building to the left is the Chapel Royal of St Peter ad Vincula.

Interestingly, the bodies of Thomas More, Anne Boleyn and Thomas Cromwell were all buried in the Chapel Royal of St Peter ad Vincula, the parish church of the Tower. Their graves had no markers until the Victorians, undertaking renovations in 1876, found human remains. These remains were re-buried and marked with marble slabs (no photography is permitted in the church).

Both Anne Boleyn and Thomas Cromwell were imprisoned during the time of Henry VIII and endured relatively short stays in the Tower unlike those incarcerated during the reign of Elizabeth I. The leading Catholic peer, Philip Howard, Earl of Arundel was imprisoned in the Beauchamp Tower for 10 years. Many of the ‘long stay’ prisoners left their mark as graffiti carving signs and symbols into the stone walls.

Graffiti attributed to Thomas Peverel 1570 including arms, shield of the Peverel family (a skull, damaged) and a cross with heart.

On the day of my visit I arrived just after the Tower had opened and their were no queues. I stayed over two hours and by the time I left it was very busy despite the pouring rain. I didn’t bother to queue to see the crown jewels again, but I did walk up (all 247 steps) and through the White Tower and traipsed past all the armour again (still boring). However, there were one or two gems like the first official guidebook to the Tower by John Hewitt printed in 1854.

The Tower: Its History, Armouries and Antiquities. John Hewitt. 1854.

And, down in the basement there was a rather delightful video installation featuring significant historical events with ravens flying through and across the centuries.

Stills from video installation in the White Tower.

The ravens in the video are luckier than the Tower’s resident living ones as they have their wings clipped to stop them flying away and spend most of their days caged.

Grim, ungainly, ghastly, gaunt

Ludwig Vordermayer Heubach

raven rossetti
The Raven – pen and ink drawing on paper by Rossetti.
ca 1848, V&A, London
It’s that time of year again with Halloween fast approaching that thoughts turn to the bleak and morbid and ravens. Famously, this ‘Grim, ungainly, ghastly, gaunt’ bird inspired the poem, The Raven, by Edgar Allan Poe. A poem which in turn inspired the Pre-Raphaelite Dante Gabriel Rossetti to draw an intense, slightly creepy illustration.

Ravens also prompted the German sculptor, Ludwig Vordermayer to create the above dramatic ceramic piece for the Heubach factory in Koppelsdorf sometime around 1908. This hard-paste porcelain raven can now be seen lurking on a top shelf within the ceramics display at the V&A Museum.

The amazing genus Corvus gives us a group of birds that the derogatory expression ‘bird brain’ does a gross injustice to. Evidence suggests that crows, rooks, jackdaws and ravens are top of the avian intelligence pecking order. These birds have been observed constructing tools, using bait and even possibly exhibiting self-recognition. As a child I remember being amazed by the size of the ravens at the Tower of London and being bewitched and entranced by the way they stared at me. But this morning I had to make do with a common, but clever crow on my neighbours television aerial.

Crow-not-Raven

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