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Going back to sleep...

by A Colourful Storm
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1.
There was a light in my head Wanted to die but I burned instead Sunlight in my eyes Watched the earth revolve from a flower bed But the good times end too soon Feeling upside down in an empty room It’s that kind of day Got lost somehow, some way In the park I called your name Blue and green Saturday...
2.
Washed up by the sea Yours to keep So unique Your friends seem to land In your hand Your command Seem to land
3.
I didn’t write you And you didn’t write me We may now close the book There is nothing to see I mean what I say And I say what I mean I mean what you say If you see what I mean We don’t have words for each other We are the words ourselves Oh, how we speak to each other And listen to nobody else You are the word, not its meaning We are the words themselves How we relate to each other And don’t understand what we say You’re quite self-assured It’s in black and white You spell all your words With the letter ‘I’ Well maybe I’m bold You’re just too polite You rhyme with every single Word you come by Now turn the page slowly Turn the page slowly
4.
I wax, you wane You wax, I wane I crossed all the way You got your feet chopped and I’m here to stay, estranged, on this sunken rock Screaming and barking, you were louder than talking, feedback shot sparks You’re so clear, you move the fear We’re all bunched up, no standing here Give birth to the body Kill the old bitch Fire
5.
6.
Chateau How Long on the Platform Race between the stations Racing into the wide How long to put aside… a failure then faint Recess in a minute, now It’s recess in the wards How long in the wallet now Waitin for your pay A decent job A decent day How long on the platforms
7.
If pushed, best guess. Avenues. Dead ends. Under duress. Only three ways back. To schooling. Though local, I am lost. Is it just me? Therein lies the problem. Ahead, old haunts. Again. Refrain. Forever in hiding.
8.
This is the song about how the words don’t work I’ll try and think and get another verse The verse should begin like this... about how I’m hypnotised by the ocean in your eyes And you don’t have to talk to me, you can be my muse and visit me like a breeze Make it happy, make it sad Your gift is all I ever had And the memories of these words are dead This is the song that was inspired by your voice... by song by your... by your song
9.
I’m on the fruit and nuts I’m feeling very tough I’m working overtime Practicing my lines I come here every day We say the same old things Things about the price and shame How very, very far it came How very, very far it came I can see your mother cared a lot Your body’s made of fruit and nuts You look like you’re made of the good stuff The good stuff, the good stuff I try not to think too much I spend my AM’s in the club Seeing you completes my day In a way, in a way Black coffee gets me to the door All the way from Ecuador I memorise the words to say But commerce often gets in the way You’re my north, guiding star Peace of mind to know where you are To know you’re just three blocks away In the same place, every day But money always gets in the way Money always gets in the way And you feel like you are on display Made beautiful by fruit and nuts The good stuff, the good stuff, the good stuff
10.
Tip-toe in darkness It’s Chaos on Meridian United remedies Only temporary The silence is burning Ignited by a melody The wound that never heals In so deep but hard to reach It’s wearing thin, oh Seraphin Running dry, I’m breaking in Now we’ve come to be the curse Scraping dirt from under our skin Going back to sleep (again)
11.
Writing names across your neck Made it home but now I am a wreck Was a word that could not be said Was the ground before I became lead Was the earth before I turned clay It took time And the sand is falling fast Through the borrowed hourglass We could clench against the task Or hide within the past Knowing nothing really lasts Even towers become tall grass In good time Circles are forming Behind our eyes (In good time) I am pulling strands of your hair From between the pillowcase I am following a trace It’s a letter once engraved On the footpath outside your place We will walk it once again If there’s time We’ll make amends in our time In good time
12.
Went to the city lights Trying to think of you I haven’t picked design There’s somewhere near you Out my window now Tried to stay alone And almost seems so calm Why’d it take so long Night comes a crazy change Don’t you forget to know And don’t be afraid to change It’s not where you have to go Night comes crawling in And opening up to you The the same as it’s ever been I am coming home to you To you my love I’m coming home to you

about

“The silence is burning… ignited by a melody”

Going back to sleep… a lovingly gathered suite of windswept, heart-bursting DIY indie-pop and folk-indebted songs from an ensemble of contemporary luminaries. Centred around a node of antipodean artists predominantly recording and performing in intimate spaces, its ambition and sentiment extends to likeminded souls around the world.

The opening strum by Glenn Donaldson's The Reds, Pinks and Purples sets the breezy yet bittersweet atmosphere, its lavish tones and textures swirling beneath one of contemporary indie's most distinct voices. "There was a light in my head / wanted to die but I burned instead", he laments with a soaring baritone to revelatory effect. His Fruits and Flowers companions The Gabys, a low-key UK-based duo who first landed in our orbit with their self-titled cassette in 2021, follow with a burst of combustible energy. Despite being predominantly instrumental - untuned, overdriven riffage the order of the day - there lies an unshakable melodic impulse.

Devotees of Dutch group Lewsberg will recognise immediately the voice of frontman Arie Van Vliet, who appears here as new duo The Hobknobs with Yaël Dekker. The interplay between Van Vliet's and Dekker's voices works unexpectedly well, striking the perfect balance between heartfelt tenderness and the wry matter-of-factness that Lewsberg fans have come to love. New kids on the block Who Cares? were our most cherished discovery last year, their sound encapsulating a woozy pastoralism and their lyrics a sense of something deeply sinister yet darkly humorous: "you got your feet chopped and I’m here to stay, estranged, on this sunken rock..."

The Sprigs, Chateau, I Can I Can't and the Volcanic Tongue-backed Drunk Elk are evergreen exemplars of DIY primitivism and their songs are the fruits of impulsive budget recording. Act now, think later. From the uncanny gonzo-folk of 'Leagues of Marsh to Swallow Towers' and 'How Long on the Platform' to the reckless yet brutally tender 'Personal Favourite' - "recorded in the dark sometime around 2009" and released under a working title, for it was never meant to see the day - a sense of nervy sleep-deprivation and self-destructiveness emerges. Controlled chaos that culminates in the void-dwelling rush of 'Euros', a propulsive meditation on momentary hues and everlasting greys: "make it happy, make it sad / your gift is all I ever had".

The prolific David West returns under his Rat Columns guise with a ballad that feels like reconnecting with an old friend, a voice you've known your entire life. A balmy autumnal breeze that perfectly compliments the subdued elegance of The Lewers, who make their first appearance since their rapturous 518A debut, and who's lyrics perfectly capture the compilation's sentiment: "the wound that never heals / so deep but hard to reach". Time stands still with the arrival of Daily Toll, their bruised yet ultimately optimistic meditation on love and loss a weightless, atmospheric masterpiece. Lead Kata Szász-Komlós looks inward during a sublime instrumental section before a painful confession: "writing names across your neck / made it home but now I am a wreck".

Concluding the suite is Carla dal Forno's first single since Come Around (2022). An effortless, elegant reverie daubed with cautious desire, her voice soars over a delicate Foresteppe instrumental and was recorded during rehearsal sessions for her forthcoming album. A testament to chance and an unexpectedly beautiful moment during the songwriting process.

These songs capture a feeling of introspection that seems impossible to achieve when recording for anyone but yourself. We see it as a traversal through the now wonderfully diverse international pop underground, but more simply, a group of wide-eyed yet world-weary music makers performing on our imaginary stage.

credits

released November 7, 2025

Mastered by Mark Klon at Klon Studios
Vinyl cut by Tim Xavier at Manmade Mastering

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A Colourful Storm Melbourne, Australia

Record label curated by Moopie. We also offer recording, mixing and mastering services by Klon Dump.

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acolourfulstorm.com

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