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Literary Hub

@lithub / lithub.tumblr.com

A daily literary website highlighting the best in fiction, nonfiction, poetry, and criticism.
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100 open access books on JSTOR

African American Studies

African Studies

American Indian Studies

Anthropology

Archaeology

Architecture

Asian Studies

Communication Studies

Cultural Studies

Development Studies

Education

Environmental Studies

Feminist & Women's Studies

Film Studies

Food Studies

Gender Studies

History

Language & Literature

Latin American Studies

Law

Linguistics

Middle East Studies

Music

Peace & Conflict Studies

Performing Arts

Philosophy

Political Science

Population Studies

Psychology

Public Health

Religion

Science & Technology Studies

Sociology

Technology

Urban Studies

FYI, all of these books were made open access as part of our Path to Open program, where included books are set to become open access three years after their publication date.

Many of the above books can be downloaded as PDFs in full!

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Under apartheid, publishing radical books was an act of resistance. Ravan Press, (founded in 1972 by Peter Randall and others) amplified banned voices, Black Consciousness writers, and critical texts that commercial publishers wouldn’t touch.

Ravan published the first novels by authors like J.M. Coetzee and Miriam Tlali, often risking raids and censorship to do so. Its work was one part of a broader liberation struggle across Southern Africa, building political awareness from the grassroots up.

See more primary sources in the Struggles for Freedom: Southern Africa collection on JSTOR, with an emphasis on materials from Botswana, Mozambique, Namibia, South Africa, and Zimbabwe.

Image: Books for Workers from Ravan Press. January 1, 1984. Digital Innovation South Africa.

Mashing up Jane Austen’s fiction with zombies, erotica, or extraterrestrials has become so common in pop culture that such stuff may no longer raise an eyebrow. Pride & Prejudice & Zombies was, and feels, so very ten years ago. But who could have known then that the most fresh, funny, and moving mash-up was yet to come—and that it would take menstruation as its most unlikely subject? Jane Austen’s Period Drama, Julia Aks and Steven Pinder’s Oscar-nominated (and brilliant) short live action film, turns on a clever pun on the word “period.” The 13-minute film—recently made available to viewers on YouTube—also captured headlines when Emma Thompson signed on as its “Executive Menstrual Adviser.” Jane Austen’s Period Drama has emerged as a serious contender for the Academy Award.

Devoney Looser explores 19th-century attitudes about menstruation through Jane Austen’s Period Drama, the Oscar-nominated short

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In our Letters from Minnesota series, writers, organizers, and activists on the ground in Minnesota bear witness to ICE and American authoritarianism. Today, read dispatches from Kao Kalia Yang on preparing for the worst with her children, Jim Moore on echoes of protests past, and Katherine Packert Burke on “why we will win.”

In our Letters from Minnesota series, writers, organizers, and activists on the ground in Minnesota bear witness to ICE and American authoritarianism. Today, read dispatches from Kao Kalia Yang on preparing for the worst with her children, Jim Moore on echoes of protests past, and Katherine Packert Burke on “why we will win.”

James Folta talks to Minneapolis bookseller Angela Schwesnedl:

“Angela Schwesnedl from Moon Palace Books in Minneapolis picked up my phone call on Saturday almost two hours to the minute after Alex Pretti was murdered in the street by ICE officers.

‘If you haven’t seen the video, don’t,’ she told me. ‘It’s an execution.’

We had made a plan the day before to talk about Friday’s huge ICE Out protest, march, and general strike against the federal occupation, but Alex Pretti was dead, and we began in somber sadness. The early reports of the murder would continue to filter out to us, to me hunched in a friend’s small office in New York while taking notes, and to her in the back of a Minneapolis store while managing diaper distribution.”

“We wear whistles now. Mine is bright yellow and plastic and weighs barely enough to dangle from its string. I carry it in my pocket. Others wear theirs like an amulet. Under any other circumstance, my whistle would be mistaken for a Christmas-tree ornament, a birthday-party favor, or a second-hand Fisher-Price toy. It looks amateur, but the noise it makes is contractor grade.

The neighbors all carry one. Some whistles are clearly brand-new—an overnight Amazon Prime purchase—others a leftover from a long-ago summer lifeguard job. In blaze-orange safety vests and down puffers, we line the streets around our schools each morning and afternoon, standing watch for ICE caravans, little plumes of frozen breath rising from beneath our hoods.”

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