"CLOWN TIGHT ROPE WALKER"
LOUISE NEVELSON // 1942
[wood and metal | dimensions]
TOBIAS BRADFORD / "TOO MUCH" / 2022
Source: instagram.com
MOSCHINO FW25 RTW
must admit: with Moschino having been a top-favorite of mine since I had initially discovered my love for fashion... I was less than enthusiastic about anyone taking J. Scott's place. however, this collection—though quirks remaining unique to themselves—didn't fall short of wrapping up the show with a tongue-in-cheek concept both tastefully depicted, yet backed with artistic sincerity. i'll be anticipating to see what Adrian Appiolaza unveils next.
Reblogged lucifersmaid
On Kawara, Nothing, Something, Everything, 1963
(On Kawara only made a date painting on September 15 twice: in 1985 and 1997.)
"NOISELESS BLACKBOARD ERASER" JOSEPH BEUYS // 1974 [felt blackboard eraser with stamp additions | 1 × 5 × 2"]
Noiseless Blackboard Eraser comes from an important year in the artist’s American reception. In May 1974 created his famous gallery show I Like America and America Likes Me for Rene Block’s space. He arrived from the airport in an ambulance, being carried into the gallery on a stretcher. He then shared the space with a coyote for several hours a day over the course of a week, eventually returning to Germany in the same way he arrived. During one of the lectures he gave while in this country, he was given an eraser to prepare a chalkboard for his notes, sparking the idea for this particular multiple.
Reblogged kaltsektion
Glen Martin Taylor, “but i am safe in here.”