Umi est une jeune lycéenne qui vit dans une vieille bâtisse perchée au sommet d’une colline surplombant le port de Yokohama. Chaque matin, depuis que son père a disparu en mer, elle hisse face à la baie deux pavillons, comme un message lancé à l’horizon. Au lycée, quelqu’un a même écrit un article sur cet émouvant signal dans le journal du campus. C’est peut‐être l’intrépide Shun, le séduisant jeune homme qu’Umi n’a pas manqué de remarquer. Attirés l’un par l’autre, les deux jeunes gens vont partager de plus en plus d’activités, de la sauvegarde du vieux foyer jusqu’à la rédaction du journal. Pourtant, leur relation va prendre un tour inattendu avec la découverte d’un secret qui entoure leur naissance et semble les lier…

À Yokohama, un malfaiteur kidnappe un enfant, qu'il prend pour le fils d'un industriel japonais. Il s'agit en fait du fils de son chauffeur. Le commissaire Tokura est chargé de l'affaire.

Yokohama, 1930. Deux lycéennes, Dora et Sunako, sont amoureuses de Henry, un playboy aux fréquentations douteuses. Lorsque Sunako se met à fréquenter le jeune homme, Dora préfère s'effacer devant son amie. Mais l'idylle est de courte durée.

Yukio Fujiki is a 91 years old prominent conservative figure in Yokohama, who organizes the distribution of the port and is well-connected with the people of the local political and business world. However, in 2019, Fujiki voiced his opposition to the administration's attempts to bring casinos to Yokohama and embarked on the last fight of his life to protect his own city from the expansion of the gambling industry.

When a hooded stranger appears in private eye 'Mike' Hama's office with the cryptic challenge "I want you to look for me," Hama is drawn into a string of bizarre serial murders that have Yokohama's police baffled and the city terrified.

Two killers revenge a wirepuller of the underworld in Yokohama.

Concert film featuring milet's ONLINE LIVE "eyes" held in December 5, 2020 at Yokohama Bay Hall.

A documentary that pursues the traces of a woman in Yokohama who stood at a street corner as a prostitute for 50 years after the war. An old woman, dressed in an aristocratic dress with her face made up white, quietly stands at a street corner. Known as a beautiful prostitute, her sophisticated behavior, as the years rolled by, became part of the local scenery. Never revealing her real name or her age, the woman preserved her lifestyle as a prostitute. People call her "Yokohama Mary". In winter 1995, Mary disappeared from the street. Rumors spread like an urban legend. There were some people who kept a kind watch for her. One such person is a chanson singer, Nagato Ganjiro, who has very little time left to live because of his illness. As Nagato recalls his memories of Mary, his desire to sing in front of her once more grows.

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

Concert film featuring miwa's acoustic live tour 2018 "acoguissmo 47 Todofuken ~Kan~" held at Yokohama Arena on June 10th, 2018.