When K-pop superstars Rumi, Mira and Zoey aren't selling out stadiums, they're using their secret powers to protect their fans from supernatural threats.
In a world ravaged by violence, and other serious social problems, Joan - a character that alludes to Christ (which represents the return to Earth) arrives to Italy by train and preaching for the salvation of mankind, condemning the hypocrisy and hedonism.
A musical-comedy by Conrad Wiene
Elijah Moshinsky’s witty production deftly walks the line between the lighthearted humor and the profound philosophical underpinnings of Strauss and Hofmannsthal’s opera, masterfully conducted here by Met Music Director James Levine. Deborah Voigt stars as Ariadne, the mythical heroine abandoned on the island of Naxos by her lover, and Richard Margison is Bacchus, the young god who eventually takes her away to a new life. The spectacular Natalie Dessay as Zerbinetta leads the troupe of comedians who unsuccessfully try to cheer Ariadne up. Susanne Mentzer is delightful as the young Composer of the opera-within-the-opera, and Wolfgang Brendel sings the Music Master.
Two people from two different Polynesian groups fall in love at first sight.
Carmen is a beautiful woman working in a business that is dedicated to smuggling. One day, Carmen fights and hurts to a smuggler woman, so a sergeant in the National Guard, José Navarro, stops detain her. In doing so he also falls in love with her, but jealousy will destroy his passion.
A Song Goes Round the World is a 1933 German drama film directed by Richard Oswald and starring Joseph Schmidt, Viktor de Kowa and Charlotte Ander.
The stars of the NBC musical drama series Smash reunite virtually for a special one-night-only streaming event featuring the never-seen sold-out live performance of Bombshell in Concert.
A rising pop sensation navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.
Like a falling satellite blazing across the musical landscape, Failure flamed-out in the late ‘90s, their promising rise derailed by drug addiction. Every Time You Lose Your Mind documents the origins, downfall, and rebirth of the pioneering trio.
Teenagers work, play, and dance to rock 'n' roll at the Lake Tahoe ski lodge.
Charles Starrett returns as the Durango Kid in Columbia's Rough, Tough, West. For most of the film, however, Starrett is known as "Steve Holden," a former Texas Ranger who comes to a wide-open mining town to visit an old friend (Jack -- later Jock -- Mahoney). Alas, said friend has turned bad, and is busy arranging a major land grab when Steve arrives on the scene. With deep regret, our hero dons his Durango disguise to thwart his ex-friend's criminal activities.
This film was prepared as a introduction to a series of opera broadcasts on German television. It depicts the behind-the-scenes manoeuvrings in preparation for the annual opera festival in Bayreuth.
Tino is a painter and occasionally a singer. When he has an opportunity to replace an absent singer, he becomes a sucess as a masqued singer, "Le chanteur masqué". Lisa is a typist who becomes a successful singer, also as a masqued singer, "La chanteuse masquée". Tino the painter falls in love for Lisa the typist, not knowing about her "masqued" activities. On the stage they are rivals.
In the bright sunlight of opera buffa, a handsome Turkish prince (with an agile bass voice) lands on the coast of Naples looking for amorous adventures. In no time at all he meets a vivacious Italian girl (a coquettish virtuoso soprano), who is accustomed to flitting between admirers, much to the displeasure of her elderly husband. This little group carries on its flirtations, rivalries and quarrels under the delighted eyes of the poet Prosdocimo, who, as it happens, has been seeking inspiration for a dramma buffo.
N.Y.H.C. is the first feature-length documentary to explore the New York Hardcore music scene. Drawings its roots from punk rock, hardcore evolved into a dedicated, self-contained movement, unconcerned with success in the mainstream. The documentary follows seven bands in the summer of 1995, ranging from Bronx inner-city youth to Long Island suburbanites to Hare Krishna devotees. N.Y.H.C. is a surprisingly in-depth and non-exploitive look into a vital and often neglected music community.
In the 18th century, Moravian missionaries from eastern Europe settled among Inuit on the Labrador coast in eastern Canada. They came to preach Christianity and one of their tools was music. So began the remarkable tradition of sacred music in the northern Labrador communities.
When 65-year-old Fatima discovers that her husband has been living a double life in Morocco for the past ten years, her world collapses. Furious and determined not to let fate get her way, she decides to pick up where she left off 50 years earlier, when she was to play Hamlet. Together with her best friends Mériem, Romaissa and Inès, three other grandmothers from Molenbeek, these "Baronnes" are about to make a decision that will turn their lives, those of their entourage, their neighborhood and the whole country upside down.
This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.
The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.