Claude revision report, May 2025
I mostly burned out on writing with the machine circa 2016-2018, but I am still committed to checking in, every so often, on the state of the art.
Polishing up my recent microfiction for publication here, I noted the release of some new Claude models, so I thought, okay, let’s give it a go.
I wrote a quick script to loop a draft through two prompts: one requesting a plan for revision, the other executing those revisions. My idea was, I’d run the text through this edit/write loop a few times and see where it got me.
Now LISTEN: the fact that this strange, gloppy computer program can propose reasonable changes at all —
None of Claude’s edits met my standards, which are very high. The model’s suggestions made the story duller rather than sharper; they clobbered precisely the bits of language (often weird-angled) that were the most fun; they pushed the story’s shape and tone powerfully towards conventionality.
Just a few examples from various runs of the script:
Opening line adjustment: Change “Another idiot with a trillion souls in his back pocket” to something more specific that establishes the narrator’s world-weariness, like “Third hyperhostage situation this month, and this kid’s claiming a trillion souls.”
It’s difficult for me to explain exactly why these edits are bad …
Tighten the researcher description: “Some weirdo researcher develops an AI model with minimal reasoning but maximal experiencing.” → “Some researcher figured out how to strip reasoning from consciousness —
pure experience, no thought.” (More precise, more chilling)
… which is interesting: artistic taste operates right up at the limits of language and explainability. However, I have absolutely 100% confidence in my correctness. Claude’s edits …
Strengthen the shipwreck metaphor: After the quote, specify who said it (Virilio) and tighten the parallel: “Paul Virilio said that. Well, the invention of the experience model was the invention of the hyperhostage.”
… read like suggestions from someone who has read a hundred books about How To Write, rather than someone …
Stronger ending: “Guess I’ll get another coffee.” → “I get another coffee and wonder if model #265,358,979,323 drinks coffee in there, or just dreams about it.” (Ties back to the central dilemma, maintains narrator’s detached tone while adding depth)
… who knows how to write.
Anyway! We’ll try again in another couple of model generations and see where we stand.
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