Part of my process is building the character first — testing variants, angles, structure, texture — until the design feels real from every perspective. Front, profile, back. Making sure the presence holds up before taking it into a more cinematic space. This version of Vi is raw and unapologetic. The smeared black paint feels primal, not decorative. The red in her hair cuts through the darkness like a warning. She doesn’t look styled — she looks forged. Brutal. Authentic. For me, it’s not...
