VMP (Vinyl Me, Please)

In 2020, Vinyl Me, Please released the first-ever vinyl edition of John Cale’s legendary lost mix of The Stooges.  In an interview published on the VMP blog, reissue producer Jason Jones (A&R, Rhino) said the Cale mix was originally shelved because it was “too quiet and did not have the power Holzman [original producer] had in mind. However, in my opinion, I relish the John Cale mix because it’s even more cavemen-like than Holzman’s!“ Jones continues: “In working with Rhino’s production team, we decided to go with glossy tip-on sleeves, and I chose a rarely used Elektra design for the labels. I took every piece of the design to heart.“  The release features 180g vinyl pressed with a transparent red and black Galaxy effect, housed in a 12" disco bag and full-color case-wrapped jacket sporting red foil stamping.  Are you ready to get started on your next vinyl project? Get in touch today to get started! 👉 https://www.atozmedia.com/ 📸 by Vinyl, Me Please

A few years ago, when my wife noticed my love for Lyle Lovett’s Joshua Judges Ruth album, she encouraged me to explore something special—getting back into vinyl. That led me to a company called VMP (Vinyl Me, Please), and it’s been an incredible journey ever since. Vinyl isn’t just music; it’s an experience. From carefully unwrapping the album to placing it on the turntable and flipping it halfway through, there’s something about the tactile connection that makes it so unique. It’s a ritual—one that reminds me of my teenage years, saving up for albums, inspecting every record for scratches, and listening intently, front to back. Recently, my Vinyl Me, Please subscription delivered another set of gems: - Sublime’s second album, a throwback to my Southern California days. - A beautiful jazz record by Fauna Hughes. - Bill Frisell’s Have a Little Faith, adding more jazz to my collection. - And a classic: Creedence Clearwater Revival’s Willie and the Poor Boys. Each record tells a story, not just through its music but also through its carefully curated liner notes and design. And yes, the weight and quality of today’s 180-gram vinyl make it feel like a true keepsake. For me, vinyl isn’t just nostalgia—it’s about being present with music. While I love streaming through Sonos for convenience, sitting down with a turntable is intentional. It’s slower, and in a world that moves fast, that’s priceless. Even my son, Charlie, who doesn’t yet have a turntable, has started collecting records. He’s saving them for a future where life slows down, where he can sit and savor music the way it’s meant to be enjoyed. Music has always been a bridge across generations, and vinyl makes that bridge tangible. If you haven’t explored it yet, I encourage you to take a trip to a local record store or check out services like Vinyl Me, Please. You might just rediscover the magic. What about you? Do you still spin vinyl, or is there another way you connect deeply with music? Let me know—I’d love to hear your story! #VinylRecords #MusicLovers #RediscoveringMusic #VinylMePlease #MusicAndMemories #ListeningIntentionally