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I wish that someone who writes in Hollywood would actually go to Texas before pretending to know anything about this state.

I don't think Texas has had a governor who even remotely resembled Caleb Lockwood since the 1930s, and his nickname was "Pappy." Texas governors wear nice tailored suits, have college educations, and understand the law and diplomacy.

We have had Republicans and Democrats, liberals and conservatives, in office for my whole lifetime, and none of them would have done what this one did, even the most conservative of the lot. We do not believe in crossing international borders and stealing prisoners, and if some vigilante group (looks more like Idaho to me) were to steal a prisoner from Mexico and bring him here, our governor would not set up carnival booths and exploit this thing in the media.

Most likely, the governor -- any governor from the past 50 years -- would have personally called the secretary of state and asked for help in resolving this international incident.

This series is fabulous! The writing is (usually) excellent. I love this entire series, and I know that even the best of them have a "rotten" one here and there, but really? Who is the unimaginative, lazy person who actually thinks that Texans elect fat "Boss Hawg" types of politicians to parade around in street clothes, using exaggerated accents, and talk like they are on "Smokey and the Bandit?" I still gave the episode a "6." Most of them, in my opinion, are worth a 9 or a 10, but they need to can the persons who wrote this caricature in, and while they are at it, get rid of whoever it was that cast the actor for the governor. We have not had an overweight governor in my entire lifetime, and they all have dressed the part, even the ones I didn't particularly like, such as the one right before the man we have now.

Up to now, the show has been majestic! Oh, there are a few characters that come and go that are not that appealing to me (nor important to mention at this time), but most of the "occasionals" are great, too.

Well-written and compelling, this particular episode as the usual great 40-some-odd minutes of more than entertainment, but I always watch it with a little sadness.

This is the beginning of the "writing out" of Sam Seaborn. Yes, I know that Rob Lowe was ready to leave, and I think Aaron Sorkin invents a great way of doing it, but I also know that the show's decay begins as Lowe leaves. Maybe not because he leaves, but it also tells us that Sorkin's powerful influence on the show is leaving as well.

The first three seasons have been delightful. My personal favorite is season 2. But now, in season 4, we begin the dismantling of the most engaging, most powerful series on TV. There will still be a "West Wing" for three more seasons, but not like the one we have loved until now.

This one introduces Joshua Malina, which does a masterful job of making us immediately like Will Bailey, who is brilliant and full of integrity. He will continue to be until, for some reason, he jumps ship and begins to campaign for a lesser candidate who is not worthy of either that integrity or brilliance.

We know that the End is Near. I usually quit somewhere in season 5 and start over at the beginning, because watching season five and forward is like eating ribs: you get some meat here and there, but it's harder to find and a lot less satisfying.

I know a president can't serve more than two terms, that actors and writers and producers must move on as well, so I understand that. But when Sam goes to California to try to quash the campaign of a dead man, you know that great things won't last much longer.

This episode, by itself, is magnificent. But it's hard for a veteran "The West Wing" fan to watch it, because I know what's coming.