Suntan

Would have been perfect with a better and more realistic ending

I was not preparing for something serious after the first 10-15 minutes of the film; after which my wife left the room, offended by the nudity. We are both Greek-born and were used to the old ways, though we were quite aware of what modernism has brought to Greek beaches. But the movie was not about nudity. It was the drama of a middle-aged man who had not tasted the joys of life, being glum and relatively ordinary. But a young Aphrodite partying with her friends caught his attention. The movie relentlessly follows his obsession, and if Nabokov invented Lolita, this story gets more intense. I would say the Greeks have learned something about tragedy. I was dazzled by the excellent photography and the gorgeous Greek island. Not an absolute masterpiece but close to one.

This film is not a nudist film, nor will the nudist culture embrace it because of it's dark turn in the last act.

But it's exactly what a nudist film needs to be. Honest, unflinching, raw. This is an examination of what every American Nudist goes through. (to use the title of a failed film I was forced to make).

We middle-aged nudists have to come to terms with millennials calling themselves Young Naturists, who are rewriting the rules of nudist etiquette. And while they thrive, embracing the "new hedonism" which actually is pretty mild, and naturally, beautiful realized in this film, older nude beach goers like our hero Kostis feel like a relic, who no longer fit in with the younger crowd no matter how hard they try to hang on to romantic notions of love.

Kostis, a pathetic romantic fool, ends up like every unattractive romantic fool, neglecting his professional duties and spiraling downward in some misguided attempt to recapture something he never had.

And it can only end tragically. Because ultimately, romance is selfish. Romantics are self absorbed egomaniacs who are unable to see the world as it truly is. And romantic naturists are the worst offenders.

That being said, there are some weaker moments, Some scenes are repetitive and the fight choreography was awful. I was hoping it'd be even more violent, but that's my American attitude showing.

Overall, I highly recommend this film because it's the direction that any indie filmmaker interested in using nudity in their art should go. It's bold, daring and immediately relevant to our lifestyle.

I have been watching Greek cinema since 2009. This is the best Greek film I have watched since then. Also is the best film of Argyris Papadimitropoulos.

Argyris Papadimitropoulos' film 'Suntan' tells an unfortunately familliar and painful story: someone flirts, whether for good or bad reasons, with a lonely person; and that person responds with undue seriousness. The film's problems lies less in the fact that it's not exactly cheerful, but more in the fact that it's not really convincing. The central character is a doctor, but his personal decorum is quite unlike that of any doctor I've ever known; quite why a girl takes even a passing interest in him is unclear; and how he can deceive himself that things are ever going well as he tries to integrate into her crowd is also unclear. It's not that humans aren't capable of telling themselves stories, particularly where sex is concerned, but a story needs a seed, and this one seems to grow out of nothing. The resulting tregedy is thus not just painful to watch, but also a little bizarre.