The Baker

A nice gritty cliche about an old man whose past does not reflect what he's doing now until he's forced to go on a road trip with his granddaughter who he just met to find his astray son who got himself into a mess.

Pearlman plays it like a champ, giving a great performance and even better action sequences. It's like he's trying out for the new Expendables movie as he pulls off these cool combat sequences where he's facing bad guys one at a time, which makes sense because The Hellboy star has to be 70 years old, and it would have been unrealistic if he was battling 20 at a time.

It a good watch with an interesting leading man able to hold my interest for the entire time. Thumbs up!

If you think the story line is familiar, winner winner chicken dinner.

Its another in a long long long line of 'who is this guy' movies.

So, its nothing new. But, that's ok. What really matters here is 'do the performances hold your attention'? Yes they do. Extra large Ronnie is awesome in this, yes he's playing the same role (Hellboy aside) that he always plays and he does it with a nice undercurrent of humour and not taking himself too seriously.

Elias is solid if not under used and Harvey K delivers exactly what you think he is going to do. Still its nice to see him on screen.

The movie (see for yourself) does miss the opportunity for a classic screen moment towards the end but such is life.

Watch the credits.

Nice effort :)

When the movie started, I was thinking to myself that it kind of felt familiar. It was almost like somebody had binged watched some early Steven Seagal movies like Nico (1988) and Échec et mort (1990), and then thought up this story. Wasn't bad, just a little slow. The action wasn't that bad, Ron Perlman aka The Baker, did a reasonable job portraying his character. Old school baddie, Harvey Keitel was his usual self and matched his character too. Vic (Elias Koteas) played the tortured number two. If you are expecting a movie similar to Taken (2008) or the fast action of Liam Neeson, you won't find it here.

Overall, a solid above average movie. I would recommend at least one watch.

I don't even understand how this movie can rank below a minimum of 8 in review ratings. Ron Perlman is way underrated as the real man's man of what a strong, silent, no nonsense real hero should be. Not withstanding in this movie, a dream fantasy grandfather or father any kid would be proud to a part of that bloodline. The plot may seem straight forward predictable but it's the flow of a good movie and it's great talent that elevates this from mediocre. RP character doesn't need lots of stunt work to get the message across or work done. Guess it's his many years as a veteran artiste professional that commands an implied presence that requires no words. Like the bread that he bakes, he more than rose to the crunch. 🍞👍🙏👌😋👏🎊💐

I'm a fan of Ron Pearlman. I've seen him in so many movies and love him in Sons of Anarchy. I'm glad to see him get a leading movie role, and his performance does not disappoint. The more surprising development is child actress Emma Ho somehow matching his performance, especially when much of this movie rides on her shoulders.

The Baker is mostly well-made and does a good job investing you in the characters. They add in little details, moments, and actions that may seem inconsequential to the story but make both lead characters so endearing. And it doesn't feel randomly inserted, but rather a natural part of the story and characters.

The fight scenes are the only thing holding this back from crossing the threshold between good and great; from being something I rewatch. And I don't think it's the fault of the director. I don't know how to say this without sounding mean, but Ron Pearlman is too old to perform convincing fight scenes. It's the Liam Neeson effect.

The reason I don't think it's the directors fault is a fight scene early on that doesn't involve Pearlman. It's a good scene and got me excited. When Pearlman has a fight scene, there are five cuts per second (no exaggeration) to mask the unconvincing choreography. It's hard to watch, metaphorically and literally.

In another fight scene involving Pearlman, there are no cuts for about two minutes. But the scene is intentionally shadowy and never once shows Pearlman's face. It's clearly a stunt double the entire time. And because it's so dark, it's difficult to see the fight itself. It could have been a cool one-take scene if they didn't have to film it in the dark.

I still had a good time with this movie but I doubt I'd watch it again. I think most people will enjoy it, at least mildly. It's definitely better than most streaming movie garbage. (1 viewing, opening Thursday 7/27/2023)