Lucifer and his carnies are plotting against Heaven. This is how the war begins.Lucifer and his carnies are plotting against Heaven. This is how the war begins.Lucifer and his carnies are plotting against Heaven. This is how the war begins.
Kevin 'ohGr' Ogilvie
- The Twin
- (as Nivek Ogre)
Marissa Alaniz
- Heaven's Elite
- (as Marissa Bay Riggs)
Amy Argyle
- Applicant
- (as Amy Lawhorn)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One has to wonder with all these 10 star reviews wether this could be a hidden gem. However it's something you'd prefer to stay hidden. The acting is soso, the props are decent, the script is abysmal. You will want to stab yourself in the eyes while watching it to lessen the pain.
My advice is to skip it. If you still want to watch it, put in earplugs and blindfold yourself, it's the only way to "enjoy" this "movie".
My advice is to skip it. If you still want to watch it, put in earplugs and blindfold yourself, it's the only way to "enjoy" this "movie".
A feature-length sequel to a 50-minute short, I had no idea what to expect walking into this film. It completely blew my mind at every turn - it's like an acid trip art film, yet it has EVERY ELEMENT of the classic golden-age-of-Hollywood films of legend. Old-timey color filters, silent-movie setting titles, period slang, capes on suits, catchy tunes, swing dancing, police brutality, Schutzstaffel armbands, and Adam Pascal in a dog collar.
....Okay, maybe a couple of those were left out of the old classics. My point is, this film is like no other. It's Gentlemen Prefer Blondes meets Fight Club. You can't dream this shiz up. Unless you're Terrance Zdunich, of course. Then, I'd imagine, it'd be all you ever thought about.
....Okay, maybe a couple of those were left out of the old classics. My point is, this film is like no other. It's Gentlemen Prefer Blondes meets Fight Club. You can't dream this shiz up. Unless you're Terrance Zdunich, of course. Then, I'd imagine, it'd be all you ever thought about.
I will admit, I wasn't sure where this one was going to go, but the creators delivered! The film has a longer running time, but still paces like the first, which helps diminish the 3 year gap between the two films. I was excitedly tapping (or stomping) my feet to the songs as the musical numbers came up. Like the first, I loved the characters and loved the story. If you are a fan of any of the performers and crew involved, or you loved musicals, this movie is for you, ESPECIALLY if you loved the first episode. Can't wait to see it again and again! Correction, can't wait to EXPERIENCE it again and again! Reviewing the movie here almost seems unfair. TDC was created to be experienced and consumed, not just watched!
Part 2 of the epic musical/rock opera takes the story to new heights. The longer runtime doesn't always work in the film's favor. There are some great sequences but overall it seems all over the place and by the end, it still doesn't come to a satisfying conclusion (there is yet more to come, eventually). The visual and makeup fx are excellent and a lot was put into the production design and cinematography but it doesn't satisfy as a complete film (you have to have seen the first part to truly get into and enjoy this film). Despite the film's faults, it's a compelling concept that keeps you engaged because there are so few other films like it out there.
In the interest of full disclosure, let me state right off the bat that I worked on this film.
However...
I've worked on other projects that I maybe didn't like all that much. This one is different.
I've always been a huge fan of musical theater, having grown up working crew for various productions throughout my early years. Then I got swept away by the music industry, and all my focus rested there - until I somehow found myself watching 'The Devil's Carnival' and working on that film's social media. It brought me right back to my roots, and I've jumped at every chance to further that project and this, its sequel, ever since.
When we were filming this one, 'Alleluia! The Devil's Carnival,' it became clear to me that what we were making went beyond the staid formula for musicals and indie films. We were pushing ourselves to create art that would transcend genre boundaries.
After watching the film at the premiere the other night, I feel as though we succeeded. The music, of course, is absolutely wonderful - catchy songs, with vocals that fit perfectly with the vision set forth by the creators of this topsy-turvy universe. Visually, the film is stunning: the wardrobe and art departments completely blew my mind with their pieces, the makeup and prosthetics were truly fantastic, and the cinematography and lighting make everything come to life even more.
I can't possibly say enough about the actors, from legends like Paul Sorvino and Ted Neeley and Adam Pascal (that voice!) to music icons like Emilie Autumn and Tech N9ne and Oghr, and all the other actors who you'd probably recognize from more mainstream projects (including super gorgeous humans Lyndon Smith and Briana Evigan and Kristina Klebe, to name a few). Each one brings something special to their character, a magic that you just can't write - it comes from within.
I'm eternally grateful to have been part of this maddening, chaotic, wondrous world...and hope that everyone who watches this film enjoys it as much as I did.
However...
I've worked on other projects that I maybe didn't like all that much. This one is different.
I've always been a huge fan of musical theater, having grown up working crew for various productions throughout my early years. Then I got swept away by the music industry, and all my focus rested there - until I somehow found myself watching 'The Devil's Carnival' and working on that film's social media. It brought me right back to my roots, and I've jumped at every chance to further that project and this, its sequel, ever since.
When we were filming this one, 'Alleluia! The Devil's Carnival,' it became clear to me that what we were making went beyond the staid formula for musicals and indie films. We were pushing ourselves to create art that would transcend genre boundaries.
After watching the film at the premiere the other night, I feel as though we succeeded. The music, of course, is absolutely wonderful - catchy songs, with vocals that fit perfectly with the vision set forth by the creators of this topsy-turvy universe. Visually, the film is stunning: the wardrobe and art departments completely blew my mind with their pieces, the makeup and prosthetics were truly fantastic, and the cinematography and lighting make everything come to life even more.
I can't possibly say enough about the actors, from legends like Paul Sorvino and Ted Neeley and Adam Pascal (that voice!) to music icons like Emilie Autumn and Tech N9ne and Oghr, and all the other actors who you'd probably recognize from more mainstream projects (including super gorgeous humans Lyndon Smith and Briana Evigan and Kristina Klebe, to name a few). Each one brings something special to their character, a magic that you just can't write - it comes from within.
I'm eternally grateful to have been part of this maddening, chaotic, wondrous world...and hope that everyone who watches this film enjoys it as much as I did.
Did you know
- TriviaThough a follow up to The Devil's Carnival, the film will mostly center on God and his angels, who are described by Darren Lynn Bousman as darker than Lucifer and his carnies.
- Crazy creditsThere is a mid-credits scene featuring the song "Songs of Old", sung by Adam Pascal.
- ConnectionsFollows The Devil's Carnival (2012)
- SoundtracksShovel And Bone
Written by Terrance Zdunich and Saar Hendelman
Performed by Terrance Zdunich and Briana Evigan
- How long is Alleluia! The Devil's Carnival?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Карнавал Дьявола: Аллилуйя!
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.78 : 1
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