Lucky

So I had no plans of seeing this movie except that I happened to be attending a festival at Village East Cinemas and saw that "lucky" was playing with a Q/A and my boyfriend wanted to watch it. The movie is Good. Not Great but solid. The actors did a good job and the story, although familiar, (I'm an immigrant) had an interesting spin on it. It was unapologetic and I appreciated that. This is a real independent film and you can tell the budget must have been tight, which was acknowledged in the Q/A so that much more respect to the filmmakers for pulling it off. After hearing everything they had to do to get this made, you appreciate it that much more. Kudos to the team. The music was great too.

I was fortunate enough to see Lucky when it premiered at the Urban World Film Festival and was blown away. It exceeded all of my expectations (which were high). The pacing of the film is consistently taut, it's well shot and well acted and I was glued to the screen for the entire ride. Excited for its upcoming release!

I had the pleasure of seeing Bari Kang's "Lucky" at the New York City theatrical premiere last week. "Lucky" stands out with a 1970s aesthetic, with many gritty night shots of Kang driving through New York City's streets. The casting is superb, as the film is populated with real character actors, who fully and convincingly embody their characters. Alfredo Diaz is standout in particular, in his role of Fernando, adding a strange and uncomfortable joy to his character's menacing quality, which plays well off of Bari's character, Lucky, who is more restrained, with internal torment. Excited to see what the multi-talented Bari Kang does next!

Extremely deft rendering of current immigrant experience (South Asian) in the NYC underbelly recalling not only Scorsese but even Scott B and Beth B by a young filmmaker who will go far. Accolades from the LA Times are highly justified pointing to the multinational, multi-everything, cast who gel almost as an ensemble. The perspective of a NYC taxi driver working the night shift is iconic and the immigrant's outer-borough reality in high relief. The Manhattan sophisticates at Cinema Village East were floored when one beautiful shady character, brilliantly realized by Galla Borowski, burst into Russian in the cab. One sensed creator Bari Kang was playing himself though having turned his life around. Hard-hitting, violent, mournful and haunting. Representations of miserable struggles, drugs and desperation, hearkening to years when Gotham was totally out of control, a time forgotten by many comfortable New Yorkers.

I saw LUCKY a couple days ago and it sticks with me. It is a fun ride through the under belly of New York City. The film does a great job of capturing an immigrant's struggle for the American dream without falling into the trap of boring the audience with a political lecture about immigration and race. Set in the gritty streets of the not yet gentrified outer reaches of New York City. It has a throw back quality to the gritty crime films of the 70s and 80s, with modern day pimps and prostitutes hustling the streets. The plot unwinds in a logical and honest way that leads the audience to identify with an otherwise moral man who is left with no other choice but to descend into a life of crime. The film is blessed with a great cast, great score and a very well written script. I look forward to more from this director.