Baby Driver
Coerced into working for a crime boss, a young getaway driver must face the music when a doomed heist threatens his life, love, and freedom.Coerced into working for a crime boss, a young getaway driver must face the music when a doomed heist threatens his life, love, and freedom.Coerced into working for a crime boss, a young getaway driver must face the music when a doomed heist threatens his life, love, and freedom.
- Nominated for 3 Oscars
- 43 wins & 66 nominations total
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I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
I was able to watch Baby Driver during an advanced screening last week and and yes it's as amazing as the critics say it is. The way it uses the music is just so great. It's so different from all the other movies, but it isn't artsy in a way that only the critics will like it: this is a movie for everyone. I went with a friend who is really hard to please when it comes to movies, but I just knew he would love this. And I was right, I never saw him as excited about a movie as he was about this one. It's just so much fun to watch, but it's also serious when it needs to be and it has very intriguing characters. But I'll be honest, the core of the movie is its music. I think this is the second time I say it, but the music works so well. If I wasn't in the theaters I would sing with the songs. Even though it's completely different, it reminds me a bit of Fury Road in the way that it makes you want to punch your fist and the air and cheer during the movie. In reality I think it's more a mixture of La La Land and Grand Theft Auto (it's definitely not a musical by the way). Go see this movie. I don't want to overhype anyone, but I'll make a bold statement and say this is my favorite Edgar Wright movie. I'll be shocked if this doesn't appear on many 'Best of the Year' lists in December, at least I already know it'll be on mine.
Baby Driver is one hell of a film,I was lucky enough to go to preview of this film and it was worth it.This film uses music the way no other film has ever, It's stylish and has a cast that bring it to life especially Ansel Elgort,Jamie Foxx,Jon Hamm and Kevin Spacey bring a performance that almost tops all their others.The film has exciting car chases and intense moments that leave you on the edge of your seat just acing to know what happens,the final act is probably where Baby Driver shines in all it's glory.Period. Overall this film is a film for everyone,it has music that makes you want to get up and dance right there in the theater.I give Baby Driver a 10/10,go and see it now.
The film stars Ansel Elgort as the titular character in deep with some undesirables from the criminal underworld. To pay them back, he must use his driving skills to help with a number of heists. During all this, he becomes smitten with a waitress (Lily James) who makes him feel like he's more than just a criminal. He then decides to try and escape his life of crime, but he soon realizes that it's much easier said than done.
I must say, Edgar Wright did a fantastic job with this film. All the music fit so well in their respective scenes, combined with the great acting all around to make one of the most entertaining films I've seen in a long time.
Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers. This is the first time Wright has worked with this much star power, specifically American star power. The actors played well off of each other, especially in scenes involving comedy where they nailed the punchlines.
The music was good, not all of it recognizable by the average viewer, but effective nonetheless. Supposedly Edgar Wright based the whole movie idea around the Baby Driver song by Simon & Garfunkel, which is an accomplishment all on it's own.
Baby Driver was paced well, was never boring, and made me want sit back down in my seat and watch it over again.
I wanted to keep this review kind of short, but I did want to give you enough information to hopefully convince you to go out and see this film if you get the chance.
My suggestion: Do yourself a favor, go enjoy a night out at the movies and go see Baby Driver!
Seen at a advance screening in Roseville, Minnesota.
I must say, Edgar Wright did a fantastic job with this film. All the music fit so well in their respective scenes, combined with the great acting all around to make one of the most entertaining films I've seen in a long time.
Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers. This is the first time Wright has worked with this much star power, specifically American star power. The actors played well off of each other, especially in scenes involving comedy where they nailed the punchlines.
The music was good, not all of it recognizable by the average viewer, but effective nonetheless. Supposedly Edgar Wright based the whole movie idea around the Baby Driver song by Simon & Garfunkel, which is an accomplishment all on it's own.
Baby Driver was paced well, was never boring, and made me want sit back down in my seat and watch it over again.
I wanted to keep this review kind of short, but I did want to give you enough information to hopefully convince you to go out and see this film if you get the chance.
My suggestion: Do yourself a favor, go enjoy a night out at the movies and go see Baby Driver!
Seen at a advance screening in Roseville, Minnesota.
Did you know
- TriviaDirector Edgar Wright once parked his car in a parking garage, only to realise that, by complete coincidence, the car next to him had a stylised "BABY ON BOARD" sign, with Baby's (Ansel Elgort) face taken from the film's poster. Wright left a note on the car's windshield that read, "From the director of Baby Driver, I approve!!!", complete with his signature.
- GoofsDarling is shot in the right arm. Minutes later when she's eating in the diner, her right arm has no blood on it, and her jacket has no hole in it where she was just shot.
- Crazy creditsThe "ding" in the opening Sony logo turns into the sound of Baby's tinnitus.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Baby Driver (2017)
- How long is Baby Driver?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Baby, el aprendiz del crimen
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $34,000,000 (estimated)
- Gross US & Canada
- $107,825,862
- Opening weekend US & Canada
- $20,553,320
- Jul 2, 2017
- Gross worldwide
- $226,945,087
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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