Savageland

It seems like whenever I'm about to call it quits and give up on the whole tired deluge of mediocre "found footage"/"fake documentary" movies that have flooded the horror genre in recent years, one will come along and win me back by effectively using that narrative platform in clever and inventive ways that help better reveal their stories and characters.

As easy as it is to find dozens of bad examples of these kind of movies over the past few years, there have also been a few gems like THE CONSPIRACY and AFFLICTED that stand head and shoulders over the others and serve to demonstrate how much potential these kind of movies can have if they're done correctly.

I caught SAVAGELAND tonight as part of the New Orleans Horror Film Festival and, I'm happy to report, that it is definitely counts as another one of these "found-footage"/"fake documentary" gems that has, at least temporarily, restored my faith in that overplayed genre.

Told in news-footage/documentary style with the use of interviews, stock footage, etc., SAVAGELAND tells the story of the fictional massacre of an entire small Arizona border town and the one man, an illegal immigrant, arrested for the crime. But as more information and evidence comes to light, the audience is forced to delve deeper into the mystery of what really happened that night.

While I found the movie to be a little too long and repetitive in places, it is generally gripping and very intense. I also think the filmmakers may have given the answers away to the audience a little too easily and a little too soon in the movie, but as a whole, SAVAGELAND succeeds at using its' documentary format to draw you into the story and identify with the characters.

If you're like me and are constantly looking for a beacon of light at the end of the long tunnel of mediocre found-footage horror movies, I recommend checking out SAVAGELAND.

This film started out well and I'll have to say it looks close to a usual documentary. However the story lags and leaves too many unanswered questions to be as good as it could have been. An average film.

I didn't expect nearly as much as I got, particularly with such a low budget, but it delivered. The film actually doesn't spend much time with the man charged in the murder of an entire town, but instead we get to see what he saw that night using a set of blurry, yet unsettling photos depicting the carnage that went on as he made his way through town. There is no shortage of plot holes that can't be so easily filled in with the racism theme the movie is going for, but the creep factor is dialed to 11. You catch on to what is happening fairly early into the movie, but the most interesting thing is the way it makes an old trope feel new. You'll have a much better experience with it if you avoid any and all spoilers.

This story is a fictional documentary. Very creepy in the way the story builds, but then when it's time to explain what happened, there's nothing. Do these events make sense? We'll never know. How disappointing.

Like the podcast "Serial," this film attempts to uncover what really happened one night when the residents of a small town in Arizona on the Mixican border are massacred, mutilated, and disappeared. It focuses on determining the involvement--guilty or innocent--of the lone survivor, arrested for the apparent crimes and railroaded toward a death sentence.

Not really a mockumentary--it's not making fun of documentaries--but a documentary style of storytelling to recount a fake event. Not really found footage but found photos. The content, documentary style, is mainly interviews with law enforcement, journalists, and photography experts. The discussion is illustrated with clips from a jail house confession and photos taken of the event as it unfolded. A 3-D drawing of the town shows what occurred when and where. The photos are unclear, adding to the mystery of what happened. Likewise, the survivor is alternatingly uncommunicative and incoherent, open to interpretation of what really happened and how he was involved.

For this style of storytelling--where you're told what happened, not shown--the film is pretty good. Tension builds as everyone interprets the vague evidence according to their own biases. As the documentary tries to unravel what really happened, each revelation is even more horrific. I kept thinking, "I can't wait to find out what really caused this!" Unfortunately, I never did. My rating is 8 for most of the film but 2 for the ending.

Sometimes the trailers lie...not this time. For some reason, this movie took some digging to find, a part from its trailers. As far as this sub-genre goes, this movie will be hard to top. I usually fast forward or pause a film, not this time. Not quite a mystery. More like a puzzle that someone keeps handing you pieces of, and even after you can see the basic shape, the pieces keep coming faster.

By my usual 3 categories; story, acting, effects. 1, The story was interest all round. From how it was told; using video interviews, photos, and lastly a clip of found video, and point of view. Pacing was near perfect as we are carried a long. Skillfully put together. 2, the acting was really well done, very believable, no over acting. 3, effects. How do I explain this without spoilers? There is a definite art to what is clearly shown and what is indistinct, hinted at, in a horror movie. This balance was masterfully achieved in this movie. There are no big budget effects. In truth only one small snippet of live action at the end. Mostly its done with B&W photographs taken by the main character. 30 some photos that will leave you very uncomfortable. This film has a great sense of realism. The movie ends, but the story goes on.