The Violators

The auspicious film-making debut by terrifically talented writer/director Helen Walsh proved to be a remarkably assured affair, one of the more striking aspects of Walsh's remarkably dynamic indie feature is the searing authenticity of the performances from a gifted cast of largely unknown actors, their unfamiliarity a considerable blessing, adding a stark verisimilitude to 'The Violators' kitchen sink milieu, an unflinchingly bleak, heartfelt, energetically told tale of the not-so-quiet desperation of broken lives on a greatly deprived sinkhole estate in one of the more demonstratively rundown suburbs of Cheshire. Helen Walsh's surgical dissection of the devastating existential malaise fulminating within a decayed North England suburb is a witheringly earnest, frequently raw, emotionally complex, laudably unsentimental portrayal of damaged pretty teenager Shelly (Lauren McQueen), her increasingly fractured young life cruelly degraded by a grossly abusive father, this remarkably durable teenager's unlovely, unnurtured penurious half-life being a ceaselessly dispiriting descent into paltry, repetitive acts of petty theft, listless drug-taking, terminal truancy, and a profoundly isolating sense of disenfranchisement, Shelly's sole, tenuous grip on humanity being the love she feels for her younger, sweet-natured, BMX-riding brother Jerome (Callum King Chadwick), and her fractious friendship with the handsome, seemingly inviolable Soldier-boy-next-door Kieran (Liam Ainsworth). After an apparently random encounter with the eminently enigmatic middle-class misfit Rachel (Brogan Ellis) these two disparate, dysfunctional young lives become fatefully intertwined, the eerily beautiful Rachel forcefully acting as the singularly strange catalyst for a series of shocking, startlingly dramatic events that grievously culminate in a genuinely fascinating, emotionally engaging climax. 'The Violators' is mirror-bright, uncommonly vital independent cinema, with endearingly authentic performances, constrictor taut plotting, and an empathic director who clearly has a sympathy for the desperate plight of her all too real protagonists.

Another reviewer has captured exactly why The Violators is worth viewing with the comment it is "for lovers of film". This is brilliant story telling brought together by the sounds and movement of film. There are twists and turns, delicate moments, subtleties by the film maker all of which which require your full attention. I was glad to be confused. It encouraged me to absorb all the elements of the film - characters, dialogue, set, locations, and the broader social issues being presented. Very glad to have watched the film. The cast deliver the story superbly, it is wonderful acting, they are authentic. Important to note the setting in and around Liverpool and Merseyside is crucial, it brings with it an authenticity. Refreshingly far from typical London centric of so many films. The Violators is modern British story telling delivered by the medium of film.

The copy and paste production of yet another damp and depressing drama that sticks religiously to the same old worn out story of poverty and sorrow. The painfully slow pace. The lack of any highlights. The unimaginative dialogue.

The sad fact is that you will sit through this hoping it goes somewhere new and intelligent, just to realise that it has nothing to say. To say the end was an anti-climax would be a huge understatement.

But the two actresses did have something about them. Their casting being the single positive thing. It is just a pity that there was nothing here for them to show off their talents.

So just add this to the big pile of 'indie' disappointments that do nothing but depress the hell out of you. Not recommended.

A compelling, gritty drama. Visuals are great and the acting is superb!

Shelly lives in the urban overspill of Cheshire in a sink hole estate with her brothers, one who is a bit of a lad and the younger who is confused and in need of some succour in life . Said life is not easy and money is hard to find and the estate where they live can be a cruel place. Then her paths cross with local loan shark and all round nasty type Mikey Finnegan and he is very much taken by the fifteen year old.

She also happens upon Rachel who comes from the other side of the tracks and shows a remarkable interest in the young girl. However everyone seems to have hidden agendas and some, though, are not so well hidden and before long the masks of contrivance slip.

Now this is the directorial debut from Helen Walsh who also wrote this and I think she has made a film that she can very much be proud of. The direction is great the actors all do a commendable job and the camera angles and framed shots show that a lot of thought has gone into this and the results are obvious. This is an off beat story in an unusual part of the country and it manages to be intriguing, compelling, original and very easy to recommend.