After an epidemic spreads all over Australia, a father searches for someone willing to protect his daughter.After an epidemic spreads all over Australia, a father searches for someone willing to protect his daughter.After an epidemic spreads all over Australia, a father searches for someone willing to protect his daughter.
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As much as I usually enjoy horror movies, the zombie sub-genre has never been one I'm particularly fond of. Except for classic films such as "Night of the Living Dead" and Raimi's "Evil Dead" movies, or modern entries into the genre such as "Shaun of the Dead" or "Train to Busan", I have never seen any outstanding zombie films which stood out from the crowd. However, this year's "Cargo", an Australian indie based on a 2013 short film and starring Martin Freeman, succeeded in its attempt to do just that: stand out from the crowd.
With a tense atmosphere, a well-written plot and breathtaking cinematography, "Cargo" is better than the average thriller in the way it focuses on its main character and creates sympathy with him to allow the viewer to actually become interested in the film's eventual outcome. The premise, featuring zombies in a post-apocalyptic Australia, is as important as the development of Martin Freeman's character, and the combination of both aspects ultimately allowed this film to turn into something surprisingly original in a genre which I thought had nothing original left anymore.
Some sloppy editing now and then might be my only criticism about the film. Freeman was a great choice for the leading actor; the film was visually gorgeous to watch; the plot was filled with interesting and unpredictable twists (even if you've seen the short film) - in short, I loved the experience I had while watching it. I don't think everybody will; "Cargo" surely is restricted by the limitations of its genre and will leave some viewers disappointed, and that's completely fine - I only hope its Netflix release will allow "Cargo" to see the wide audience it absolutely deserves.
With a tense atmosphere, a well-written plot and breathtaking cinematography, "Cargo" is better than the average thriller in the way it focuses on its main character and creates sympathy with him to allow the viewer to actually become interested in the film's eventual outcome. The premise, featuring zombies in a post-apocalyptic Australia, is as important as the development of Martin Freeman's character, and the combination of both aspects ultimately allowed this film to turn into something surprisingly original in a genre which I thought had nothing original left anymore.
Some sloppy editing now and then might be my only criticism about the film. Freeman was a great choice for the leading actor; the film was visually gorgeous to watch; the plot was filled with interesting and unpredictable twists (even if you've seen the short film) - in short, I loved the experience I had while watching it. I don't think everybody will; "Cargo" surely is restricted by the limitations of its genre and will leave some viewers disappointed, and that's completely fine - I only hope its Netflix release will allow "Cargo" to see the wide audience it absolutely deserves.
I'd heard very mixed things about Cargo, the one consistent thing said was that the film was sad.
Martin Freeman puts in arguably a career best performance in a zombie movie of all things! Telling the story of one mans quest to find a new home for his baby daughter before it's too late.
Now I'm a zombie movie lover but when it comes to "Alternative" zombie films I tend to be very disappointed in them. For example The Girl With All The Gifts (2016) and Maggie (2015) which were films I was really looking forward to but I felt let down by.
Cargo comes under the same category yet despite some glaring flaws it manages to overcome, is a truly enjoyable movie and an emotional rollercoaster of a ride.
An Australian Netflix movie it looks wonderful, goes for the realistic approach to a common (If overplayed) horror sub genre and tells a tour-de-force tale that Freeman knocks out of the park.
It has an odd number of flaws, head scratching moments and questionable pacing decisions that prevent it from truly being something special. But these things cannot take away from the fact that Cargo is a great film.
The Good:
Excellent performance by Freeman
Looks great
Original concept
The Bad:
Some frustrating writing decisions
Things I Learnt From This Movie:
I'm not crying you're crying
When a movie makes me care about a kid, it's performed a miracle and deserves praise!
Martin Freeman puts in arguably a career best performance in a zombie movie of all things! Telling the story of one mans quest to find a new home for his baby daughter before it's too late.
Now I'm a zombie movie lover but when it comes to "Alternative" zombie films I tend to be very disappointed in them. For example The Girl With All The Gifts (2016) and Maggie (2015) which were films I was really looking forward to but I felt let down by.
Cargo comes under the same category yet despite some glaring flaws it manages to overcome, is a truly enjoyable movie and an emotional rollercoaster of a ride.
An Australian Netflix movie it looks wonderful, goes for the realistic approach to a common (If overplayed) horror sub genre and tells a tour-de-force tale that Freeman knocks out of the park.
It has an odd number of flaws, head scratching moments and questionable pacing decisions that prevent it from truly being something special. But these things cannot take away from the fact that Cargo is a great film.
The Good:
Excellent performance by Freeman
Looks great
Original concept
The Bad:
Some frustrating writing decisions
Things I Learnt From This Movie:
I'm not crying you're crying
When a movie makes me care about a kid, it's performed a miracle and deserves praise!
Hey, you.Yes,you, stop reading the reviews and watch the damn movie :) it's not an Oscar movie ,but it's pretty good.
This is not your run of the mill typical zombie flick. It's much more than that.
All cast performed exceptionally well especially the Rosie twin babies Finlay and Nova Sjoberg, and newcomer young actress Simone Landers who portrayed Thoomi.
The directing by Ben Howling was great, the original concept story by novice writer/director Yolanda Ramke was awesome, but her screenwriting was a little weak with some obvious plot issues and omissions or maybe just bad editing.
Nevertheless, it was a very enjoyable and refreshing take on the zombie genre and considering this was an non-Hollywood production but instead a low budget Aussie film.
A well deserved 8/10 from me.
All cast performed exceptionally well especially the Rosie twin babies Finlay and Nova Sjoberg, and newcomer young actress Simone Landers who portrayed Thoomi.
The directing by Ben Howling was great, the original concept story by novice writer/director Yolanda Ramke was awesome, but her screenwriting was a little weak with some obvious plot issues and omissions or maybe just bad editing.
Nevertheless, it was a very enjoyable and refreshing take on the zombie genre and considering this was an non-Hollywood production but instead a low budget Aussie film.
A well deserved 8/10 from me.
Some of the reviews here are extremely harsh on this movie. This movie is an adaptation of a 7 minute short film, was produced by netflix, didn't have a huge budget, and they still managed to create a fansastic film with incredible acting and a heartwarming, if tragic, storyline. This is not an oscar worthy film and wasnt created under the same standers as some of these comments seem to believe, but it was definitely worth the watch. If you want an exciting, emotional story about a parent's devotion to his child amidst the end of the world, give this movie a shot!
Did you know
- TriviaActor Martin Freeman found a special rapport with young actress Simone Landers: "Simone's never acted before, she's been a joy. She's a really lovely lovely girl, she loves to laugh. She was charging me a dollar every time I swore so I ended up giving her a lot of money."
- ConnectionsFeatured in Endless Possibilities: South Australia (2017)
- SoundtracksTrust Me
Performed by I'm Talking
Written by Kate Ceberano (as K. Ceberano), Robert Goodge (as R. Goodge), Stephen Charlesworth (as S. Charlesworth), Ian Cox (as I. Cox), Barbara Hogarth (as B. Hogarth) & Cameron Newman (as C. Newman)
Published by Mushroom Music Publishing
Courtesy of I'm Talking
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- Also known as
- Lối Thoát Hậu Tận Thế
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Box office
- Gross worldwide
- $56,385
- Runtime
- 1h 45m(105 min)
- Color
- Aspect ratio
- 2.35 : 1
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