Les oubliés

This unbearably tense war movie is the Danish entry for this year's Best Foreign Language film. It's about a group of young German POW's who are forced to clear a minefield with their bare hands and it makes "The Hurt Locker" seem like a walk in the park. Brilliantly directed by Martin Zandvleit and beautifully played by a cast of mostly unfamiliar faces, this is an intelligent and unsentimental look a a piece of World War Two history usually ignored by the cinema and it has the courage to paint 'the enemy' in a good light and 'the allies' as villains. It's also beautifully shot in widescreen by Camilla Hjelm. See this.

This movie certainly deserved its Oscar nomination.

Rarely do movie stick with me for days. 'Land of mine' did.

It's not an action-movie, like 'Dunkirk' or other movies set in and around World War 2. It's an important character study about humanity, desperation, resentment, anger, prejudice and hate that I think everyone need to see, even if they have no interest in World War 2. There are no good or bad guys here. Just people that try to deal with difficult situations commanded by other people above them.

They should make more movies like this.

Several World War II stories are not told in the books, being forgotten over time. Inspired by true events, the film Under Sandet (original title) or Land of Mine (in English) addresses one of these reports, which occurred in Denmark after the war. Fearing that a possible Allied invasion would take place from the Danish coast, Nazi Germany filled the entire length of Denmark's west coast with over 1.5 million mines. With the German surrender and the end of the war in May 1945, more than 2,000 German prisoners of war were sent to disarm those landmines. The story focuses on a small group of young Germans who have the hard and dangerous task of clearing 45,000 mines from a danish beach to gain freedom.

The film, written and directed by Martin Zandvliet, is an excellent motion picture, managing to bring to the screen a work with a new approach, although all the other war films ever made before. With an original script, the director succeeds to convey the bitterness brought by five years of Nazi occupation in Denmark. He also portrays the exploitation of children dragged into war. One of the great successes of Zandvliet's direction and script is to show the war cycles: the winners, the danes, start to adopt the brutal practices of the losers, the Germans. It was precisely for situations like this that the Second World War broke out. France and other winning countries of World War required repairs and imposed absurd sanctions to Germany.

The photography, by Camilla Hjelm, is to behold. And here, again, we have to highlight the director's work. The use of long shot captures the beautiful danish landscape, while more intimate moments allow us to monitor the interactions among those soldiers. Maintaining an intense pace, the tranquility and vastness of the beach are contrasted, at all times, with the danger that awaits them "under the sand", expression that names the film. The soundtrack is catchy and at times heartbreaking, fitting in the drama narrated in the film.

One of the elements that makes Land of Mine a memorable experience is the excellent performance of Roland Møller, playing the role of Sergeant Carl Rasmussen, protagonist of the story. Responsible to oversee the group of German soldiers, Carl struggle to separate his military duties from the hatred he feels for the old enemy. The actor delivered a complex character, moody, bitter and angry, but at the same time which has not lost humanity that exists within him. The rest of the cast was also well chosen and psychologically developed, in which the actors who play the soldiers have different personalities.

With a philosophical discussion about military conflicts as well as being very intense and beautiful, Under Sandet gives us a real view of the complexities of the Second World War and human behavior.

Originally posted in: https://vikingbyheart.blogspot.com.br

A Danish war-drama that was inspired by the historical account, but all the characters were fictional. Remember this title for another six month, because I am confident this film will make a journey to the west coast of the USA to compete at the 89th Academy Awards in the coming February. I have seen many foreign films, but I'm not this much positive for any others. If this film fails to make, then that would be a great disappointment despite having no idea of what are the other four films. So this is just for now, my stance may change later.

Anyway, the film was heartbreakingly amazing. The WWII stories I had seen those told from the perspectives of the Australian, Japanese, Korean, Russian to African and European to the American western sea, Hawaii. And this is a Danish story, sets in just after the end of the war where prisoners of the war were used to clean up the mess. In the opening the teen German POWs were trained to defuse the land mine explosives and then later the unit was handed over to the Danish sergeant Carl Rasmussen where they are all going to work in one of the west coast landmines that was used to defend the Scandinavia by the Nazi. That is the story told how it all ends in the remaining parts.

This was like another 'Kajaki', but not actually a war film. Using of the prisoners as the labourers is a violation, according to the Geneva rule. That's the point of the film, focused to reveal the inhume act. But it was not anything like 'The Railway Man' 'Unbroken' or the 'The Bridge on the River Kwai'. Watching a film about the brave soldiers inspires us and bring patriotism, but in this those teen kid screaming whenever something goes wrong really brings heartache. So not everybody feels comfortable with it, especially the family audience. But there were lots of edgy moments and you would never know what events follows.

"If they are old enough to go to war, they are old enough to clean up."

It was shot is the real location, and I think that part contributed to depicting the actual atmosphere where most of the POWs lost their arms and legs and some exploded into many pieces in the air. It was a simple narration, but the visuals talked itself more than anything else. All the actors were outstanding, especially those 4-5 German teens and of course the Danish sergeant Carl. I think the Carl's influence had more impact, after seeing the opening scene where he went outrage and beat up those German soldiers returning home.

There are a couple of small twists, but there are some scenes which are not easy to get over. Even though we know those were just fake, but that does not work once you totally into the story deeply. This is a different kind of emotional film, something you rarely experience. The director who is also the writer must be appreciated for handling it perfectly. Especially keeping the screenplay uncomplicated and between the two nations, where in the real event involves the British officials. I have never seen his other films, but this one will define him forth and the people are going to recognise him. So I hope he'll keep up doing such level films in the future.

I have never seen such film, I mean seen some where the kids were tortured, but this was very unique and totally a different perspective for that takes place in the backdrop of the WWII. Especially the Germans perspective is the very rare kind. So I'm kind of thinking if Germany picks 'Look Who's Back' for the Oscars, the contest between these two would bring two different moods. At this point I don't remember any Danish film I have seen so far in my life other than this one which I feel is the best Danish film ever. I mean, come on, who would do such film where your own nation, if not the whole nation, the one who represent was shown in the negative shade over the Nazi Germans. This is definitely one of the best films of the year. Highly recommended.

8/10

In matters of war, no nation is free of guilt. Regardless of whether they are produced by victorious or vanquished countries, the better war films set out facts, acknowledge wrongdoing, express regret, and seek atonement. Many of them put guilt and culpability onto the widescreen so that current and future generations may learn from the past. This is the psychological space in which we find the extraordinary Danish-German war film Land of Mine (2016).

It is 1945 and the war is over, but the beautiful Danish coastline has two million deadly mines left buried in the sand by the Nazi occupation. Danish Sergeant Carl Rasmussen (Roland Møller) is assigned a squad of fourteen German prisoners of war who must clear a beach that contains 45,000 active mines. The Sergeant's treatment of the teenage boys is initially brutal: they live and work in terrible conditions, are practically starved and constantly reminded that everyone in Denmark hates them and nobody cares if they live or die. Their task is to crawl along the beach by hand, poking a stick in the sand to locate mines, then defuse them before they explode. Inevitably, many failed. With echoes of Stockholm syndrome, both captor and captives find glimpses of humanity in each other that leads to Rasmussen being suspected by his tormenting superiors of going soft on the Germans. He must walk the fine line between military obedience, personal hatred of Nazis, and his growing compassion and realisation that these are just boys who were conscripted into battle. His characterisation and its transition from hatred to acceptance frames the narrative of this high-tension drama.

Stunningly realistic cinematography with minute attention to detail amplifies the horror of this story. The acting is remarkable from a mostly unknown cast and Rasmussen's performance captures the very essence of moral conflict. The mine-clearing proceeds inch-by-agonising-inch, and the film's plot line inches forward at a similar pace. With camera at sand-level, we see close-up images of teenage warriors with beads of terror trickling down their faces as their sand-covered fingers slowly un-screw a detonator from a mine, knowing that an explosion will tear their body to pieces. These are some of the most heart-pulse racing moments you can experience through film. This is not entertainment nor is it for faint-hearted viewers; several scenes are horrific.

Most war films glorify battle or corner us into cheering one side or the other. This film presents an exquisite conundrum: was it morally acceptable for the Danish military to force German POWs to remove the deadly mines that the Nazi army left behind, knowing that most will die or be maimed? Or should this deadly work have been carried out by Danish soldiers? Was the inhumane treatment of teenage soldiers justifiable, regardless of the brutality of the Nazi occupation of Denmark? In the light of such questions, is this film one of justification or a confessional that seeks atonement? Land of Mine shines a bright light on what has hitherto been a dark secret of Danish history. It is a powerful and important story.