Les oubliés

My dear friend Ilario, a cultured movie buff, had warmly suggested this film these past days, among the many he mentions and those we get to talk about, and I could perceive that he had figured how this "Land of Mine" would strike many chords with me. And it did; I watched it in original German/Danish with English subs (shaky at times, but OK), and the immersion was immediate from the impactful start. I'm sensitive to war scenarios and characters – especially lesser told ones – as this story tactfully paints a very sad, cruel and almost hopeless reality. The Sergeant is a great figure, the kids are true to life, the skies and beaches cold and lonely too. And full of death. "Under Sandet", instead, is full of cinematographic art.

Several World War II stories are not told in the books, being forgotten over time. Inspired by true events, the film Under Sandet (original title) or Land of Mine (in English) addresses one of these reports, which occurred in Denmark after the war. Fearing that a possible Allied invasion would take place from the Danish coast, Nazi Germany filled the entire length of Denmark's west coast with over 1.5 million mines. With the German surrender and the end of the war in May 1945, more than 2,000 German prisoners of war were sent to disarm those landmines. The story focuses on a small group of young Germans who have the hard and dangerous task of clearing 45,000 mines from a danish beach to gain freedom.

The film, written and directed by Martin Zandvliet, is an excellent motion picture, managing to bring to the screen a work with a new approach, although all the other war films ever made before. With an original script, the director succeeds to convey the bitterness brought by five years of Nazi occupation in Denmark. He also portrays the exploitation of children dragged into war. One of the great successes of Zandvliet's direction and script is to show the war cycles: the winners, the danes, start to adopt the brutal practices of the losers, the Germans. It was precisely for situations like this that the Second World War broke out. France and other winning countries of World War required repairs and imposed absurd sanctions to Germany.

The photography, by Camilla Hjelm, is to behold. And here, again, we have to highlight the director's work. The use of long shot captures the beautiful danish landscape, while more intimate moments allow us to monitor the interactions among those soldiers. Maintaining an intense pace, the tranquility and vastness of the beach are contrasted, at all times, with the danger that awaits them "under the sand", expression that names the film. The soundtrack is catchy and at times heartbreaking, fitting in the drama narrated in the film.

One of the elements that makes Land of Mine a memorable experience is the excellent performance of Roland Møller, playing the role of Sergeant Carl Rasmussen, protagonist of the story. Responsible to oversee the group of German soldiers, Carl struggle to separate his military duties from the hatred he feels for the old enemy. The actor delivered a complex character, moody, bitter and angry, but at the same time which has not lost humanity that exists within him. The rest of the cast was also well chosen and psychologically developed, in which the actors who play the soldiers have different personalities.

With a philosophical discussion about military conflicts as well as being very intense and beautiful, Under Sandet gives us a real view of the complexities of the Second World War and human behavior.

Originally posted in: https://vikingbyheart.blogspot.com.br

Nominated for Best Foreign Language Film at the upcoming Academy Awards, Land of Mine (also known as Under sandet) is a disturbing, disquieting & devastating cinema that's inspired from the immoral & inhuman act that the Danish authorities perpetrated against German POWs, majority of whom were teenagers, following the end of the Second World War in Europe.

Set in post-World War II Denmark, the story of Land of Mine follows a Danish Sergeant who is assigned the duty to defuse & remove over 2 million mines that were buried by the Germans along the coast during the war. Receiving a batch of teenage Germans POWs to carry out the operation, the Sergeant's initial hostility towards them begins to undergo an unexpected change.

Written & directed by Martin Zandvliet, the film opens with a crucial sequence that establishes the seething hatred that the Sergeant has against Germans and takes it up from there. Every segment featuring the young boys trying to defuse the mines with their bare hands despite being obviously ill-equipped to carry out the dangerous task is nail-biting as hell and even more hard-hitting when they fail at it.

Zandvliet's direction exhibits terrific restraint from start to finish and even more admirable is how he handles the characters & their arcs. Without choosing a side, he puts believable people on screen and keeps all their human attributes in tact, whether they are Danish or Germans. And while the hostile nature of the former against the latter is understandable, what the Danish authorities force them to do is equally inexcusable.

Shot at historically authentic locations, the entire picture is splendidly photographed and the era of Denmark recovering from the war is wonderfully captured by its desaturated & earthy colour tones. Camera-work is hand-held, static & expertly controlled for the most part and allows the scenes to play out at their desired pace but the longer it lingers on the defusing process, the more suspenseful it becomes and majority of the time, ends on a heartbreaking note.

Editing is skilfully carried out, for every single minute of its 1½ hour narrative is accounted for & is relevant to the plot. Every sequence on the beach is compelling & handled with patience and every explosion or casualty reverberates with the audience & the impact of it is deeply felt. The film does feel longer than its runtime but it is relentlessly gripping till the end. And further enhancing its grim aura is the poignant score that always surfaces on time.

Coming to the performances, Land of Mine features an incredibly committed cast in Roland Møller, Louis Hofmann & others, with Hofmann impressing the most. Møller is in as the Sergeant overseeing the mine clearing operation and expresses his character's inner conflict brilliantly while Hofmann plays one of the young boys performing the fatal, endless task of defusing millions of buried mines with stunning balance, and the scenes between the two are its main highlight.

On an overall scale, Land of Mine not only ranks amongst the best films of its year but is one of the finest films to come out from Cinema of Denmark. Incessantly human, powerfully moving & making a strong statement about what makes us human & why it's even more important to stay as one in times of bitter conflict, this Danish masterpiece is an extremely riveting example of its genre that treads a difficult path & is utterly discomforting at times yet manages to fully redeem itself in the end. An essential viewing by all means, this Danish masterpiece comes very highly recommended.

"Those of you who count the mines, make sure my card is updated. This task is as important as defusing mines." Sgt. Carl Rasmussen (Roland Moller)

In 1945, Denmark needed to defuse the over 2 million landmines left on their western beaches by the Nazis. A Danish sergeant is responsible for 14 German POWs, youngsters all, to find the 45 K on one beach, after which the boys can go home.

That precision mentioned in the opening quote lies at the heart of the film's considerable suspense because one unaccounted for mine can take multiple lives. And so, the sergeant has to corral teenage workers, motivate them with fear, and keep at bay his growing affection for them.

Therein lies the real suspense: Will he learn to love and protect them or will he be brutal as he was in the opening scene? For a story somewhat like Hurt Locker, Land of Mine is a minimalist work of complexity, unadorned with the usual tropes of thrillers but full of the humanity to make it rise above just another WW II sentimental reflection.

Besides the tension built into the always impending explosions is the question of whether or not the Danes will act like Nazis suppressing the lads and hurrying them on to death. The moments of warmth between the sergeant and the boys are few but revelatory enough for us to hope their innocence and bravery will win him over.

Land of Mine will usher you into a war zone you've not seen handled so well in cinema, except possibly Jean Renoir's Grand Illusion in the '30's. The drama, replete with many dramatic elements and even Chekov's gun, will make you wince at the possibly grotesque fate of faultless boys and their conflicted sergeant.

"Land of Mine" (2015 release from Denmark; original title: Under sandet, ('Under the Sand'); 100 min.) brings the story of a group of German POWs in Denmark. As the movie opens, we are reminded it is "Denmark, May 1945", right after the end of WW II. We get to know Danish Sgt. Rasmussen, who--after violently lashing out against German soldiers leaving the country--is assigned to de-mine an area on Denmark's western coast. Apparently the Nazis anticipated a possible invasion there, incorrectly as we all know. Rasmussen gets the help of about a dozen German soldiers who are ordered to actually do the work. When the soldiers arrive, it turns out most of them are just boys. As the Germans are trained on how to de-mine, one of them accidentally detonates a mine and dies. At this point we are a good 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is a high-profile (more on that later) and expensive (for European standards) production that brings to the big screen a post WWI episode not well known by the public at large (in the movie's end titles, we learn that more than 2,000 German soldiers were involved in this enormous mining clearance project). The movie's underlying tension (namely, at any time one of those landmines may detonate when making a minor error) rarely lets up, keeping us at the edge of our seat. On top of that, there are several outright brutal scenes involving Sgt. Rasmussen's attitude towards the boy soldiers (it somehow reminded me of the first half hour of Kubrick's Full Metal Jacket). All that said, while one certainly may have empathy for the boy soldiers as a group, I found it difficult to have the same emotional investment for the individual boys, as frankly they all seemed interchangeable to me within the movie's context. But in the end, this is an eye-opening movie on many levels. Danish actor Roland Møller in the role of Sgt. Rasmussen is nothing short of extraordinary.

"Land of Mine" received immediate critical acclaim upon its release in 2015 and in fact was nominated for the 2016 Best Foreign Language Movie Oscar, yes, LAST year's Oscars. I have no idea why this movie is just now opening up in US theaters, but better late than never I suppose. The Saturday matinée screening where I saw this at in Ft. Myers was attended very nicely, much to my surprise. If you are interested in a slice of WW II history that you may not be familiar with, I urge you to check this out, be it in theater, or later on Amazon Instant Video on eventually on DVD/Blu-ray. "Land of Mine" is HIGHLY RECOMMENDED!