Borley Rectory

Thorpe's unique style and delivery do more than just re tell the highlights of the rectorys story. I was transported back to afternoons as a child in the 70's reading and re reading the pan book of ghosts and trying and failing to skip past the chapter on Borley and it grim catalogue of the paranormal. Sands narration and the directors determination to tell all facets of the story only served to produce a classic well rounded piece that will satisfy both the scared and the sceptic. Great performances from all the cast especially as the format relies on face acting more than delivery of lines.

now at the age of 43 I find myself once again pulling my feet under the covers, just in case.

Ashley Thorpe's Borley Rectory: The Most Haunted House In England is a real labour of love, a dramatised documentary which mixes animation and live action footage to create a creepy ambience and a unique look. It is narrated in textbook fashion by non other than Julian Sands, and features an impressive score by Mick Grierson and Steven Severin (the former bass player in Siouxsie and the Banshees). The cast features Jonathan Rigby playing psychic investigator Harry Price, and Reece Shearsmith from The League of Gentleman, as Daily Mirror journalist V.C. Wall. They all had to perform in front of green screens in order for the film to achieve its mesmerising visual style, and the entire production took Thorpe six years to fully realise. "It feels like it should be in a double feature with Dead of Night (1945)," he has said of his film, which as slow paced as it is, is something he can be extremely proud of.

Since the 19th century there has been paranormal activity happening at an Essex rectory stemming back to the apparent ghost of a woman going back to the 17th century. In time the rectory becomes known as the most haunted house in Britain attracting paranormal investigators.

A fascinating and nicely made docudrama that uses animation, some stark black and white cinematography to tell its story with some panache.

If you love ghost stories, if you love the aesthetic of old, faded photographs of seances, of planchettes and ghost writing, Victoriana, decaying grandeur and hauntology, I recommend this exceptional little labour of love. Every frame is a work of art, every flicker of dust mote or misty tendril might be a phantom or face at the window.

This is a documentary of the Borley Rectory. Its advertised as a film so that people will watch it. Just know that going in.