Results

Wesley Morris (man, I miss reading his reviews on Grantland every week) called this movie "sneak attack romance." It is also sneak attack comedy and character development. But the story never feels forced. Maybe that's the nuanced performances or maybe it's the little moments that make the whole thing feel genuine. I did not know these movies were still getting made, honestly. I'm glad they are. They make you laugh without punchlines, and that should not be so rare.

Texan slice of life with characters who live on the edge. Quirky. Unpredictable. Finally satisfying. Glad Pearce gets to speak in his native Australian accent. Even happier that no reference is made to it!

Pearce is phenomenal, as always, If it wasn't for him there was nothing to review. It is not the lack of talent but a dwindling obvious storyline. Smulders character is rather irritating. Her confrontational whimsical personality does not at all gel on screen with Pearce. Smulders plays her part without any subtlety in a storyline that relies on small developments. I get that this is the whole plot line, contradicting personalities etc, but it moves along choppy and forcefully in an effort to match Smulders and Pearce together.The part with the client could have been more useful but it became rather redundant.

This quirky and unpredictable comedy, I would imagine, will not appeal to everyone but it had enough droll humor and charm for me to end up liking it. The 3 leads here Guy Pearce, Kobie Smulders, and Kevin Corrigan, I thought were all excellent in their particular roles.

Smulders captures the screen portraying Kat, an intense, sexy, and volatile personal trainer working for Power 4 Life gym, located in Austin, Texas. The fine actor Pearce plays Trevor the owner of the gym, who's extremely serious about fitness and expanding his business. He's once had an affair with Kat, and they clearly have chemistry between them, but they can't seem to really connect on the same wave length.

Along comes Danny (Corrigan) as a walk-in to the gym. He's a strange guy who's looking to improve on his out of shape and nebishy persona. He's just been through a divorce, but unexpectedly has inherited a windfall from his estranged mother who has died. When Kat is assigned to him as his personal trainer, Danny develops a fixation about her, which will lead down paths I didn't expect.

All in all, there are a number of aspects of this movie that surprised me, but it does strain credibility at times, for sure. It's not a laugh-out-loud type comedy but more droll and cerebral, and this may not appeal to some viewers. The film, written and directed by Andrew Bujalski, ended up winning me over with its good performances, quirky humor, and an upbeat finish.

Action stars Cobie Smulders and Guy Pearce get a chance to stretch as "musclebound rageaholics" (fitness coaches Kat and Trevor) in this rambling but clever comedy. The film's real hero, however, is Danny (Kevin Corrigan), a rich, schlumpfy client who likes to spread his money around in a helpful way—reminded me a little of the Weenie King in "The Palm Beach Story."

I can see why "Results" made it onto NY Times critic A.O. Scott's ten-best list*; I can also see why so many online commenters found it annoying and boring… For one thing, writer/director Andrew Bujalski lets his mumblecore roots show by intercutting long, talky scenes with odd bits of indie filler (Kat does isometrics, Trevor plays with his dog) that don't do much to advance the plot.

After a very good start—while it still seems like Danny's going to be the main character—the pacing starts to lag with a couple of subtle plot maneuvers that are well thought out but not all that involving. Luckily Kat pulls it all together in a great screwball-comedy set piece, an everything-on-the-table business dinner with Russian "kettlebell guru" Anthony Michael Hall. Truth be told, Pearce and Smulders don't have a whole lot of chemistry, so they do just fine as conflicted exes; it's not all that satisfying when they finally get together. Fans of "Punch-Drunk Love" may enjoy this one too; others not attuned to the indie sensibility should exercise caution.

* More recently, a couple of Times critics put Corrigan and Pearce (both for best supporting) and Bujalski's screenplay on their lists of perfect-world Oscar noms.