Kaththi

One of the best script and dialog's in recent Tamil movies. Vijay performed very well. Hats off to ARM sir and BGM is mass.Samantha is cute as usual.Neil Nitin Mukesh was perfect for his role.The message which was spoken in the movie is well conveyed and it will reach every corner of India. The dialog in the climax is class, Vijay delivered it in a very good manner. Dialogues in many scenes were too good.Only negative thing i feel that is the song placement.You can't compare Thuppakki with Kaththi, Thuppakki is an action thriller movie and Kaththi is an emotional social message movie. Overall the film is a blockbuster and a must watch movie.

Vijay and A.R.Murugadoss are back with their second outing together, Kaththi. The film features Vijay in two contrasting but physically 'identical' dual roles, Kathiresan and Jeevanantham. While Kathir is a crook who is on the run and one with 24 previous visits to the jail, Jeevanantham is a sober, educated activist who strives for the betterment of his impoverished village where water is a big concern. Their paths cross very early in the movie and the film is set in motion.

Vijay has used this opportunity to play diverse roles in the same movie and proves his experience as a performer and as an entertainer. While Kathir is high on theatrics and is the Vijay that we have enjoyed on screen in many mass entertainers, Jeeva is fresh and non-Vijay in every aspect. Kathir is bound to be a fan favorite while the audiences are likely to empathize with Jeeva and his motives. In that aspect, Kaththi is a strong movie for the actor Vijay.

Coming to director A.R.Murugadoss, he has touched upon many issues close to his heart such as rampant corruption, farmer suicides, the plight of senior citizens, water scarcity, the workings of the sensational news-hungry media and also goes on to vilify the corporates and their aggressive expansion plans without considering their CSR (corporate social responsibility) initiatives. The one scene late in the second half, when Vijay delivers an intense monologue on the above mentioned issues, is a definite highlight in the overall scheme of things. But it does try to get a little manipulative as the director has played to the gallery to win the audience's sympathy towards farmers and make us root for his protagonist.

One feels Murugadoss could have gone a step forward and tightened the screenplay. The placement of all the songs leaves a lot to be desired, specially the much talked about 'Selfie Pulla'. 'Aathi' is delightfully shot whereas 'Pakkam Vandu', though a different exercise doesn't make an impact. But the dancer Vijay sparkles effortlessly in all these songs. Kaththi doesn't engage consistently as some sizzling moments are interspersed with moments of restlessness. The length of the movie is another drawback. The Thuppakki hangover continues in Kaththi to an extent. If Thuppakki was an ode to the Army, Kaththi is dedicated to the farmers of the land.

Anirudh as usual adds lot of strength through his BGM score. If you hear the theatre roar for some of the strong scenes, the major part of the credit should go to him. The other youngster on board, DoP George C Williams makes a smooth transition to the big commercial space with some solid work on the visuals, the lighting patterns and the angles.

Among the other performers, Neil Nitin Mukesh is a new addition to the list of suave, stylish villains. His voice and the dubbing elevate his overall performance. Samantha is sadly what you may call the 'typical commercial cinema heroine' who appears in the songs, few romantic scenes and stands in the background while the hero takes charge.

All the actors who play the pivotal senior citizens are convincing. Sathish as Vijay's buddy makes a mark as well. Speaking of Anal Arasu's stunt choreography, it should be a delight for Vijay's fans and the star's celebrated screen presence and agility come to the fore in these extended treats.

To sum up, Kaththi is a grand production which rides on Vijay's dual roles, the social interest angle and some impactful scenes which are part of the mix.

AR.Murugadoss again comes with an excellent story line.. First half reached up to an above avg with explaining the life of Jeevanandam and the old people.. An excellent narration of the story makes so strong inside the audience while the mass components were reduced while comparing with other vi jay films..!! interval punch was simply superb with the punch "i am waiting" once again...!!!! second half starts as Kathhiresan involving more into Jeevanandam life... and goes well and ended brilliantly by AR.Murugadoss.. good direction makes the movie into higher level without any lag...and also main positive is that there is no even a 1 minute romance seen in between the serious story, other than the songs...!!

Thalapathy steals the show... Recently the best from Kollywood...

Stop wasting your time in reading reviews, you just don't want miss the best of Vijay & AR Murugadoss, If you still want to know something then read on...

Water Scarcity for farming resulting in farmers suicide, Disrespecting elderly people, Media's hunger for TRP, Corporate/MNC's domination, City people ignoring villager's issue.. Well these are the various issues highlighted in the movie while the farmers issue being the main theme. Murugadoss is a master of screenplay and good concepts (like how he developed ACF in Ramana, 7am Arivu theme, 12 on 12 in Thuppakki) and this movie has some good sequences. He starts with bits & pieces and post Aathi song the movie picks up and ends with a bang. The technical dept is brilliant like Thuppaki, DOP George u rock man u r the future,I bet u wont miss Santhosh Sivan.. Anirudh's first big movie and he delivers well in Songs & BGM.. Sreekar Prasad continues from where he left in Thuppakki. Excellent Action sequences by Anal Arasu.. especially coin fight where he delivers a logical way of how a single person can fight 50 people,am stunned coz in Thuppaki too the fight sequences made sense,hats off to Murugadoss for it.

NOTE: Only in Thuppaki & Kaththi you can find a hero getting tired after fighting.

Vijay's performance as Jeevanandham & Kathiresan is excellent, the performance comes from body language,mannerism and Vijay is bang on.Get up change is not needed.. According to me he is the best for facial expressions..woww.. let it be the cute reaction after slapping Samantha or Mocking Neil Nitin after Killing him.

Neil Nitin is typical corporate Amul Baby, Excellent dubbing in his own voice for a first time Hindi actor in tamil.. now thats good

Special mention tp all the elderly people, they have done well.

Excellent choreos for songs, Paalam song & A fight sequence were removed to make sure movie is speedy enough.

The downsides are Samantha & Song placements.

Apart from Vijay fans.. post Ghilli 2004 probably Sachein 2005 & Thuppakki 2012 were widely appreciated Vijay films.. Remaining were either liked only by few or some had issues with remakes (come on everyone does remakes) But Kaththi will be liked by everyone...Vijay & ARM has Nailed it. I have not mentioned many things enjoy it in theater with ur family

"Straight of the sheath, Kaththi is sharp most of the time, but not always. AR Murgadoss has come out with a film which has a neat social message, packaged well with mass entertainment elements. Vijay carries the film in a tricky dual role, which brings out the star in him whether doing comedy, romance, songs, fights and emotional scenes".

The film's story revolves around Vijay's dual characters – Jeevanandham and Kathiresan. Jeevanandham is a social activist who fights against a large corporate, which is planning to usurp the fertile lands of the farmers. On the other hand, Kathiresan is a thief who has escaped jail and is on the run. How Kathiresan steps into Jeevanandham's shoes and leads the fight against the corporate forms the crux of the story.

"Vijay as Jeevanandham & Kathiresan has delivered a lifetime performance, and showed a brilliant variety in both the roles, albeit not even a great makeover between both the roles,"

"Technically, Kaththi is a storm. The film possesses stunning visuals thanks to George C. Williams. Editing by Sreekar Passed is neat, yet a few trims in the first half would have stepped on the pedal. The art direction is surreal, and the stunts do bring up the ante, especially the coin flip fight sequence.

Don't miss this one!!!