Travis and Gabby first meet as neighbors in a small coastal town and wind up in a relationship that is tested by life's most defining events.Travis and Gabby first meet as neighbors in a small coastal town and wind up in a relationship that is tested by life's most defining events.Travis and Gabby first meet as neighbors in a small coastal town and wind up in a relationship that is tested by life's most defining events.
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- 3 nominations total
Anna Enger Ritch
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I usually don't write reviews, but this movie was fantastic. The movie pulled at your heart throughout the entire movie. Its funny, sexy, and sad with a case of real life thrown in for good measure. The characters are fantastic, and the setting on the coast if beautiful. Did you ever have that real love in your live, and you could feel it slipping away, well this is the movie for you. What did you do to get it back, or to try and get it back? Did you walk away and say it wasn't meant to be, or did you fight for it? Did you give it your all? Well, take a watch of this one, and see what happens. You will be glad you went for a spin. Be prepared for a roller coaster for ups and downs on the emotional scale. In the end, can you make The Choice?
In the opening scenes of this film we see Travis (Walker) mulling over an unknown choice he has to make, en route to hospital, flowers in hand. Most of the film depicts the events leading up to this point.
Now, I stumbled on this film by idly setting it to record on a PVR (without knowing the slightest thing about it) and then watching it later on. To be honest when I usually do this, it is about 50:50 whether I bother to watch it at all; quite a few films get deleted without ever being seen all the way through; this percentage goes right up if it is what might be termed a 'chick flick' of merely average quality. However in this case, right from the start, I thought this was a well-crafted film, beautifully photographed and with a good soundtrack. I won't say I was hooked but I was sufficiently intrigued to watch it all the way through and to my surprise I was rather moved by it.
So my advice is that you should start watching this film with no prior knowledge and no expectations whatsoever; however if you are reading this it may already be too late, you may have already been told the main plot points, that the movie is terribly formulaic, yada yada yada. Too bad; watching a film is all about suspension of disbelief; this film is no different to most in that respect, and I'd argue that this one is best approached with almost no prior knowledge or expectations of any kind.
Maybe one or two expectations are OK; that of the North Carolina coastline being beautifully photographed as a backdrop to this film, and a nice soundtrack, not too much in your face. All movies paint a certain, usually somewhat unrealistic, view of reality, and this film is no exception; for example I don't think the coastline is ever filmed at low tide, when it is somewhat less, er, photogenic. The whole film is arguably similarly rendered, which hardly unusual and is the storyteller's prerogative, even though some folk might object to it.
Maybe if you are a chap who wants a movie to settle down and watch one evening in the company of a significant other, this would be a good choice; with too much prior knowledge (and a cynical head on) it would be easy to dismiss it as formulaic and schmaltzy, but if you are in the right mood this is a heartwarming, life-affirming story, nicely told. If I'd read half the reviews on here beforehand I probably wouldn't have bothered to watch this film at all, but I didn't and I judged it on its own merits, and to my great surprise it gets seven out of ten from me.
Now, I stumbled on this film by idly setting it to record on a PVR (without knowing the slightest thing about it) and then watching it later on. To be honest when I usually do this, it is about 50:50 whether I bother to watch it at all; quite a few films get deleted without ever being seen all the way through; this percentage goes right up if it is what might be termed a 'chick flick' of merely average quality. However in this case, right from the start, I thought this was a well-crafted film, beautifully photographed and with a good soundtrack. I won't say I was hooked but I was sufficiently intrigued to watch it all the way through and to my surprise I was rather moved by it.
So my advice is that you should start watching this film with no prior knowledge and no expectations whatsoever; however if you are reading this it may already be too late, you may have already been told the main plot points, that the movie is terribly formulaic, yada yada yada. Too bad; watching a film is all about suspension of disbelief; this film is no different to most in that respect, and I'd argue that this one is best approached with almost no prior knowledge or expectations of any kind.
Maybe one or two expectations are OK; that of the North Carolina coastline being beautifully photographed as a backdrop to this film, and a nice soundtrack, not too much in your face. All movies paint a certain, usually somewhat unrealistic, view of reality, and this film is no exception; for example I don't think the coastline is ever filmed at low tide, when it is somewhat less, er, photogenic. The whole film is arguably similarly rendered, which hardly unusual and is the storyteller's prerogative, even though some folk might object to it.
Maybe if you are a chap who wants a movie to settle down and watch one evening in the company of a significant other, this would be a good choice; with too much prior knowledge (and a cynical head on) it would be easy to dismiss it as formulaic and schmaltzy, but if you are in the right mood this is a heartwarming, life-affirming story, nicely told. If I'd read half the reviews on here beforehand I probably wouldn't have bothered to watch this film at all, but I didn't and I judged it on its own merits, and to my great surprise it gets seven out of ten from me.
I found the journey delightful. And let's be fair, it isn't easy choosing between Superman and Travis and one of several questions raised is whether the latter's southern charm and wit will win through in the end. And of course the journey's not going to be a smooth one and it is advisable to have plenty of paper tissues handy for the last 20 minutes or so.
While the leads were charming, the supporting cast were also excellent. In all, a lovely film that is perfect for a romantic occasion.
Greetings again from the darkness. When the word formulaic is used to describe a movie or book, it's typically meant as a disparagement. We must admit, however, that if the formula works, it only makes sense (and dollars) to stick with it. Most Hollywood blockbuster franchises are built around a basic formula – superheroes, romantic-comedies, alien invasions, etc. Author Nicholas Sparks (The Notebook) has taken his tragic-romance novel formula and turned it into big screen gold. This is the eleventh film developed from his writing, and it's likely to be another successful entry into the Sparks canon.
Director Ross Katz (Adult Beginners, 2015) is at the helm of the screenplay by Bryan Sipe (upcoming Demolition) and many of the familiar Sparks features are present. First off, the key players are all exceedingly attractive – Ralph Lauren model attractive. Secondly, there is a will they/won't they romance that will of course happen and then may fall apart, but probably won't. And third, some type of tragedy will occur that will kick off a stream of tears from a certain segment of the audience.
This one begins with a narrator's humble-brag promising to tell us the "secret of life". That narrator is Travis, played with an over-flowing abundance of southern charm by Benjamin Walker (Abraham Lincoln: Vampire Hunter, 2012). His main vices are a tendency to use "damn" to the point of overkill in most every conversation, and his natural ability to attract the ladies. Oh, and he has a rescue dog and a lake house and he is a veterinarian. See, in the Sparks universe, everyone is beautiful and successful. Travis has his eye on his new neighbor, who is pretending to be annoyed but mostly admits to playing a game of hard-to-get. This is Gabby (Teresa Palmer, Warm Bodies 2013), and she is beautiful and a doctor-to-be. Gabby's current boyfriend is, of course, a handsome doctor. Ryan is played by Tom Welling (a bit heftier than his days as Clark Kent/Superman in "Smallville").
The beautiful Maggie Grace (Taken) plays Travis' sister, and Alexandra Daddario (San Andreas) plays Monica she is not only beautiful, but she is also the nicest, most understanding and supportive "other" woman ever seen on screen. Tom Wilkinson plays Travis' veterinarian dad, and Sharon Blackwood plays the wise-cracking and match-making assistant Cora. If that's not enough beauty and success for you, we also get "puppies in a basket"! Come for the chuckles and tears just not twists or surprises. Fans of this genre will get exactly what they want. It's a romantic fantasy set in the somewhat realistic world of doctors, veterinarians, and equestrians. The faces are perfect. The dialogue is snappy without being demanding (even in the God discussion). Many scenes feature loyal dogs, or a serene lake, or the "moon and stars". Even the difficult parts of life – raising kids, health issues, etc – are given the "yada, yada, yada" treatment. While Travis claims over and over that Gabby "bothers him", it's the kind of bother that creates a cryfest in the theatre whether things go right or wrong. It's also the reason that all eleven Sparks films feature a couple of lovers on the poster. Just remember, if that formula works .
Director Ross Katz (Adult Beginners, 2015) is at the helm of the screenplay by Bryan Sipe (upcoming Demolition) and many of the familiar Sparks features are present. First off, the key players are all exceedingly attractive – Ralph Lauren model attractive. Secondly, there is a will they/won't they romance that will of course happen and then may fall apart, but probably won't. And third, some type of tragedy will occur that will kick off a stream of tears from a certain segment of the audience.
This one begins with a narrator's humble-brag promising to tell us the "secret of life". That narrator is Travis, played with an over-flowing abundance of southern charm by Benjamin Walker (Abraham Lincoln: Vampire Hunter, 2012). His main vices are a tendency to use "damn" to the point of overkill in most every conversation, and his natural ability to attract the ladies. Oh, and he has a rescue dog and a lake house and he is a veterinarian. See, in the Sparks universe, everyone is beautiful and successful. Travis has his eye on his new neighbor, who is pretending to be annoyed but mostly admits to playing a game of hard-to-get. This is Gabby (Teresa Palmer, Warm Bodies 2013), and she is beautiful and a doctor-to-be. Gabby's current boyfriend is, of course, a handsome doctor. Ryan is played by Tom Welling (a bit heftier than his days as Clark Kent/Superman in "Smallville").
The beautiful Maggie Grace (Taken) plays Travis' sister, and Alexandra Daddario (San Andreas) plays Monica she is not only beautiful, but she is also the nicest, most understanding and supportive "other" woman ever seen on screen. Tom Wilkinson plays Travis' veterinarian dad, and Sharon Blackwood plays the wise-cracking and match-making assistant Cora. If that's not enough beauty and success for you, we also get "puppies in a basket"! Come for the chuckles and tears just not twists or surprises. Fans of this genre will get exactly what they want. It's a romantic fantasy set in the somewhat realistic world of doctors, veterinarians, and equestrians. The faces are perfect. The dialogue is snappy without being demanding (even in the God discussion). Many scenes feature loyal dogs, or a serene lake, or the "moon and stars". Even the difficult parts of life – raising kids, health issues, etc – are given the "yada, yada, yada" treatment. While Travis claims over and over that Gabby "bothers him", it's the kind of bother that creates a cryfest in the theatre whether things go right or wrong. It's also the reason that all eleven Sparks films feature a couple of lovers on the poster. Just remember, if that formula works .
Did you know
- TriviaUn choix (2016) is Nicholas Sparks' eleventh book made into a movie.
- GoofsThe woman character has her tube removed after it being in her throat for roughly 90 days, then suddenly is talking and AOK. However removing a tube from the throat leaves it very irritated a condition called laryngeal trauma. Under these conditions it would have taken her weeks to recover her normal voice.
- SoundtracksAmsterdam
Written by Ron Aniello, Adam Gardner, Tony Goddess, Ryan Miller and Brian Rosenworcel
Performed by Guster
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
- How long is The Choice?Powered by Alexa
Details
Box office
- Gross US & Canada
- $18,730,891
- Opening weekend US & Canada
- $6,050,443
- Feb 7, 2016
- Gross worldwide
- $23,079,932
- Runtime
- 1h 51m(111 min)
- Color
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