Political thrillers have gone out of fashion in the US - and even in Europe - but fortunately South Korea and Japan still know how to make them. It's a very specific genre. Modern audiences - and this didn't start with Gen Z, but with my generation, the Millennials - have become disinterested in politics and consequently in the genre. The problem with thinking little about politics and losing interest in the subject is that... politics is the society we live in. Politics is the world we live in, and if we don't want to know what's happening there, there's more room for us to be controlled, dominated, and mocked by those at the top.
Inside Men is a fantastic film that shows this lack of scruples to achieve one's goals. It doesn't do anything particularly new. Cinematically, many would say the genre can only give us what we expect without major innovations possible. In part, I can agree, although it presents excellent cinematography, well-choreographed action scenes, and a very well-achieved sound. Nonetheless, not all good cinema has to be visually disruptive. Personally, I love a good political thriller, well-written, with good characters (played by great actors), with moral dilemmas mixed in, showing us the rot of a corrupt system that is nothing more than a reflection of what we all are. Politics, journalism, and gangsters go hand in hand in a dirty, cruel, and unscrupulous world, and for everything to remain as it is, people only need to look the other way.
As for the magnificent performances, I don't even know where to start. Lee Byung-hun is at his best, with layers I didn't expect from this character. Cho Seung-woo is flawless, and Yun-shik Baek is perfect, leaving us with goosebumps from the repugnant way he moves in these corridors of power without his image being tarnished. If Min-ho Woo continues with this style (he also gave us the excellent The Man Standing Next), he may never have the admiration of the younger generations, but I will always be eager for his next project. The world still needs these films. Perhaps - now that the younger ones care little about them - more than ever.
