Hello, My Name Is Doris

I like it, I really really liked it!

Academy Award winner, Sally Field proves that she still has the charm and charisma at this stage in life, to headline a young hip movie.

Fields plays, Doris, a seasoned Staten Islander working in accounts at a young trendy business, who develops a crush on the new Art Director who sparks the young at heart feeling Doris needed after spending her youth taking care of a ill mother.

It's a very realistic look at what it's like for someone who has an age difference form the rest of their co workers.

Sally Field was great to look at. She brings that old school class of acting to a new style of film making. Field brings a lot of respect to Doris, that makes you feel for the character and connect with what she's going through as she pursues her much younger love interest.

It's familiar and refreshing all at the same time. A funny and enjoyable must see film.

I want to write a fair, balanced, impartial and pertinent review of this film... but it's difficult.

The problem is... it's near perfect. It is clever and inventive in it's conception, beautifully constructed and crafted in it's form, musically enchanting... and importantly... not infested with formulaic Hollywood nonsense.

The actors do everything that is expected of them, (and more in the cases of Sally Field and Tyne Daily), there is zero CGI... and the swearing is limited (and confined) to the sort of swearing real people engage in. Healthy, gutsy, robust 'effing' and blinding. Also... no swords, elves, planets or vampires intrude on the fun.

We all have our own preferences when it comes to entertainment I like my music intricate and embracing, I like my novels to be difficult to define... and I like my films to be addictive... (at least for the duration of the film). I like to know I will definitely watch it again...and that I will laugh and care the same way I did the first time around.

A truly pleasing film. I'm in my sixties too... Sally Field is 'effing' gorgeous.

So you think Sally Field doesn't look hot, or does look hot, or the male lead (name escapes me) is hot, isn't hot, or what is a 60something year old doing, fantasizing and pursuing a 30something year old. These actors are people, and their fictional characters are people within the confines of the story. They weren't made for you. There are billions of people in the world - each with his/her own story, also not made for you. You have your own story, and have done things in your life that someone else might wag their finger at and declare, "inappropriate!" (and if not you've had an incredibly boring life and it's time to get out there and get one)

Go ahead and make these judgments if you must. You're not the ultimate judge of what's hot and what's not, what's appropriate and what's cringe-worthy. Part of the "lesson" of the movie turned out to be that such prejudices can interfere with living a full life and prevent you from exploring all the avenues that may present themselves to you.

Wife and I enjoyed the movie very much.

Doris reminded me of my own mom, who was "hot" and effervescent, and who was named, Doris. I went to see it for that very reason, and I was rewarded by a beautiful and interesting movie, with many other aspects beyond whether the characters were hot and whether their behavior was age-appropriate.

"She's definitely weird, but like a good weird." Doris Miller (Field) has just lost her mother and reason for living. She isn't sure what to do now, stuck in a job and spending her nights with her friend Roz and Vivian. One day while heading to work she sees John (Greenfield) and everything changes. She falls in love with him and wants to find the courage to talk to him. Little by little Doris opens up and finds her confidence, and begins to find herself again. This is a movie that flips the norm on its head. This movie deals with an older woman trying to pursue a younger man. Sally Field gives one of her best performances to date and really plays this character perfectly. You feel sorry for her but not to the point of pity, and really root for her but also cringe a few times at her actions. This is at its core a funny and moving romantic comedy, but it deals more with self discovery than the pursuit of love itself. That is refreshing to see and because of that it actually felt fresh. Overall, just a really nice movie with a great performance by Sally Field. I give this a B.

Need a feel good movie? This little sentimental but funny and ultimately emotionally satisfying film is the work of Laura Terruso (form her previous short film 'Doris & The Intern') and Michael Showalter who also directs. The story at times becomes exasperating because of the failure of the main character to step out of her old backward ways in dress and behavior and join the contemporary times, but it also s a reminder of how aging people define their world and their entrapment in it.

Doris (Sally Field) is a 60-something woman who passed up an engagement early in life to remain with her mother on Staten Island. At the opening of the film we witness the funeral of the deceased mother with the emotionally impaired Doris struggling with her brother (Stephen Root) and sister in law (Wendy McLendon-Covey) over who should get the full of junk and memories house in which Doris lives and commutes by Ferry to Manhattan every day where she works in a small tacky cubicle. Doris meets John (Max Greenfield) on the elevator and immediately feels electricity despite the fact that the very young John is not in her range of relationships. Through a series of discussions with Doris' best friend Roz (Tyne Daly) and daughter Vivian (Isabella Acres) as well as a meeting with a self-help guru (Peter Gallagher) Doris attempts to court John, even to the extent of attending a punk rock party and other failed attempts and finally has to face the fact that john is only a friend (despite many hilarious fantasies of possible love affairs).

Sally Fields is consistently terrific though her grossly absurd costumes grow tiresome and make us realize how futile is her true attempt to woo John. The film does focus on aging people and their problems assimilating with the young millennials and in the midst of this is a solid core of respect for the need of the lonely partnerless person. It just goes on a bit long. Grady Harp, June 16