La Chanson de l'éléphant

The story is set in 1966, but you would never know it. A psychiatric hospital has a missing staff member , and a shrink is interviewing a patient who may have had something to do with it. The young patient is about as disrespectful as someone can be, and he provokes the physician into slapping him. The doctor promptly puts his tail between his legs and begs forgiveness . This patient is so sarcastic and condesending that the interview is worthless anyway , other than to see him torment the doc in a meaningless way. SURE ! In the 60s a doctor never would have gotten to that point, He would have shut the patient up long before he talked to him like he was dirt. But if he had slapped him he certainly wouldn't have apologized, in a time when corporal punishment was routine, and if it wasnt they didn't believe kids anyway .

They should have done it more MAD MAN style, where they portrayed people acting the way they did, before lawsuits, tabloids social media had adults pushed around by children and the lunatics running the nut house, literally. I couldn't take the snottiness of the patient any longer and the staff cow towing to him, so couldn't finish it. It's a sad state of movie making where they show the professionals afraid of the underaged , crazy patients, but it is the state of the world today, not 1966.

Fine acting from a small cast. I think both Greenwood and Dolan put on Oscar winning performances but they've been overlooked.

It's a sad story and the interplay between psychiatrist and patient is mesmerising. Difficult to follow as I'm still unclear as to the exact relationship between Greenwood's character and the nurse. Some reviewers think that Carrie-Ann Moss plays Greenwood's wife but she's not. She's his sister and the little Down Syndrome girl is his niece.

An absolute must see if you're into psychological drama like me and I shall be looking out for Xavier Dolan's other films. He's a real star in the making.

Slow moving and drawn out but interesting story about love and betrayal. Good acting by Xavier Dolan.

This is a solid, really well acted film that requires you to pay attention if you are to find out the whole story. I find myself looking up what others wrote about it, the day after I saw it, and it is really to the film's credit that I am still thinking about it the following day. I have read reviews (not all of them here) that have erroneous information in them, particularly the reviews that are not all that great. It doesn't spell everything out for you, so if you're texting or making popcorn while you're watching it, you are going to miss something. I really liked it, but I found it sad and mournful, and wanting there to be a happy ending for the characters in the end. I recommend it if you don't need constant action to hold your attention.

When a psychiatrist mysteriously disappears after a session with a mentally disturbed young man, a colleague is brought in to coax answers out of the youth, which leads to mind games, trickery and emotional manipulation in this Canadian thriller. The film starts off well with a great sense of mystery in terms of what happened to the psychiatrist and what the young man is like; he is built up like Hannibal Lector in 'The Silence of the Lambs': a character with whom one has to be careful when talking to. Xavier Dolan (yes, the director of 'I Killed My Mother' and 'Laurence Anyways'!) is superb as the mysterious youth, "just because I'm crazy doesn't mean I'm stupid", while Bruce Greenwood is also solid as the colleague. The film is let down though by a humdrum solution to the mystery and while there is a small emotional wallop as one realises why Dolan has been institutionalised at the end, the final act does not resonate half as much as the opening act. Greenwood's home life is left hazy too; his daughter possibly has Down Syndrome, and he is living with a woman who he calls 'aunt', but is she his sister? Nothing is clear, including why his home life is even included. At its best and most focused though, 'Elephant Song' is a riveting portrait of two very intelligent individuals trying to one-up each other in conversation and manipulation with real tension in the air.