Lake Bodom

It can be a tricky thing to make a film around actual real-life killings. Daniel Farrands has found that out the hard way. While the film is really its own story entirely, the fact that is refers to the real-life killings at all has probably garnered it some unfair/fair (depending on your point of view) hatred. If you look at it just as a film purely made for entertainment purposes however, it isn't half bad.

I love me some European horror. They aren't afraid to go to the places that the American filmmakers are. This is a film that gets darker and darker as it goes along. It keeps one-upping itself.

There are some jump scares in this movie that have the most ridiculously loud noise accompanying them in relation to the sound mix. It's almost impossible to not get a fright, not so much because the scare is well crafted (it usually isn't) but just because the noise is so unexpectedly loud.

I didn't mind this film. If you go in just looking to be entertained then you'll likely have some fun with it. I can see it being considered insensitive too though and wouldn't argue with anyone trying to make that point. 7/10.

A film based on a true story that can be told in two sentences, and the plot isn't actually even that much based on it. Basically it's a Finnish "slasher" film that isn't scary in any way.

How can that be possible ? In a horror movie the viewer should identify to at least one "victim" character and hope for hes or her (usually her) survival in some way. This movie makes none of the cast feel innocent or likable and twists the plot in so many so unnecessary ways the characters lose all value and become indifferent for the viewer.

It feels like the script was just brainstormed together in a single sitting without any work and all focus put into the set, cinematography, sound and music which are all state of art. In some scenes the actors do fine job but very bad in few - losing completely the credibility of the ongoing -panic- situation, although international audiences might not get this. When the movie ends one just feels empty and cheated - it meant nothing and it left nothing to ponder on.

These are common faults in modern publicly-funded Finnish cinema where tech, music and cinematography are great but driven with lazy writing and recycled boring cast that appears in about every title. Weren't the soviet days already over ?

For those interested in slightly better Finnish slasher horror, Kuutamosonaatti (1988) is something to check out.

Some of these reviews are so harsh. I loved this film, and the people I recommended it to did as well. As someone that often picks the ending in the first 15 minutes I loved being totally thrown, and even said a "Oh my god" out loud a few times. Great acting, fabulous script. Overall one of the best horror film I've seen this year - And I watch a lot!

I don't know what to say about this one. It's an original approach which is great, but I felt that the execution didn't really work that well. I think the first plot twist should have been the only one and should have happened much later, like...in the last scene.

Even if the production values and the acting are positive things to mention, I don't think the film did something particularly well (except the existence of the first plot twist). The first act was a bit lame and not that exciting (ok, the build-up on these films is always very similar but this wasn't one of the most exciting), then the suspense and slasher elements of the 2nd act run for no more than 10/15 minutes (the best part of the film) and after that we have the 2nd plot twist that doesn't need to exist and it's not that interesting ending on a low note.

Like anything in life, or I have come to believe this "ratio", 98% of anything is shite, find the 2% that is worth your time.

This is worth your time. Like tommyknocker's lone review makes note of; there's a creepy tone to this film, rarely seen since Just Before Dawn.

Thinking back, this very well could be paying some homage to JBD...the atmospheres, the droning score, right down to the outro music. It was the first film that came to mind as the credits rolled.

Discussing the topic of the film will only reveal spoilers, but this, not unlike The Windmill Massacre, sheds a lot of light into the world of excellent Nordic horror.