Lion
- 2016
- Tous publics
- 1h 58m
A five-year-old Indian boy is adopted by an Australian couple after getting lost hundreds of kilometers from home. 25 years later, he sets out to find his lost family.A five-year-old Indian boy is adopted by an Australian couple after getting lost hundreds of kilometers from home. 25 years later, he sets out to find his lost family.A five-year-old Indian boy is adopted by an Australian couple after getting lost hundreds of kilometers from home. 25 years later, he sets out to find his lost family.
- Nominated for 6 Oscars
- 59 wins & 110 nominations total
- Police Official
- (as Koushik Sen)
- Liluah Teacher
- (as Uday Shankar Paul)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This happens there everyday..and most children never find their way back. They either end up dead or in the hands of heartless people who use children for various illegal / unethical operations. The fact that one boy survived this situation and went on to tell his story is very inspiring and this fantastic film did justice to showing it on screen.
There wasn't a single scene in the movie which doesn't suck you in. Hats off to Dev Patel. He managed to make you feel the character's pain just by the way he looked at a jalebi (indian sweet that his brother and him fantasized about back in India). Special shoutout to the young actor who played little Saroo. His performance blew me away. It would be difficult to watch any child go through what he did and the fact that he was absolutely adorable looking made it even harder.
The movie explores some great themes: What happens to lost children in developing countries? How do poor, illiterate citizens of a country go about finding their lost children...who helps them? What are the dangers faced by these lost children? Why do certain people choose to adopt? How do adopted children adapt to their surroundings? Especially when they're transplanted so many miles away from home where they do not even speak the language. Do children every fully recover from traumatic childhood experiences? Does one forget their original family if they never see them again after the age of 5? As an adopted child do you ever completely feel like you fit into your new life? What is the bond with your adoptive parents like? The film touches upon all these themes while primarily being about the physical and emotional journey of a young man finding his way back home with very few clues to work with.
I kid you not, I could hear the whole theatre crying during several parts of the movie and most people had tissues in their hands. So be prepared. If you're in the mood for a heart wrenching drama with an uplifting ending, go watch this one once its out! The lead cast as well as supporting members have all done a wonderful job. You will not be disappointed!
Let me explain to you exactly what I experienced while watching LION: Almost half of the film is in Hindi, which lends incredible authenticity to the story, not that BS where they have actors in which English is their second language speak English for the sake of sparing the American audience from reading subtitles (I'm looking at you, MEMOIRS OF A GEISHA, and every other Hollywood movie ever made). In fact, the entire first act takes place in India, where about 40 minutes of the film rides on the shoulders of a first time child actor – played by the wonderful Sunny Pawar – and it's one of the best first acts I've seen in years. Think of it like the silent first act of Wall-E; it feels like it can be its own film, yet the filmmakers do a great job connecting the story once Dev Patel comes on screen.
On top of that, the filmmaking is impressive. The script is fantastic, the cinematography is lush, the soundtrack complements the film really nicely, and the pacing is on point where it rarely feels like it's dragging, despite the story taking place over the course of 25 years. Every actor in here is also terrific in their roles. As stated earlier, Sunny Pawar makes a compelling lead for the first third of the film. If Oscars were given to kid actors, he would have a damn good chance at winning one. For the last two thirds, Dev Patel more than carries the rest of the film, giving an emotionally naked performance worthy enough to top his role in SLUMDOG MILLIONAIRE. Finally, Rooney Mara, Nicole Kidman, and David Wenham are ace, despite all of them having limited screen time.
In a time where diversity is being talked about more in the film industry, LION makes a compelling case for having diversity in storytelling. It's not about a guy meeting his girlfriend's parents for the first time. It's not about a group of friends going in a cabin in the woods. It's not even about a guy/girl struggling with the death of his/her father/mother/son/daughter/dog. No, LION is a personal story unique to South Asians growing up in India, and it's refreshing and easily one of the best films the year has to offer. Don't dismiss this as yet another Oscar bait movie put out by the Weinstein Company – it probably is one. But the film is much more than that. With a distinct vision from director Garth Davis, LION offers an enthralling story that deserves to be seen by everyone.
This true story is told in two parts and filmed across two continents. Five year-old Saroo is a ragamuffin sidekick to his older brother Guddo, two poor boys who support their family by stealing coal and scavenging trains in their West Bengal village. They become separated one night and Saroo finds himself alone on a train heading to the other side of India. He he joins hordes of homeless children who must fend off predators while begging to survive. Eventually he is placed in a crowded orphanage, then adopted by two big-hearted and childless Tasmanians, Sue (Nicole Kidman) and John (David Wenham). Twenty years on, Saroo (Dev Patel) begins to have memory flashbacks of his native land. As they increase in intensity, he becomes obsessed with finding his family. With some luck and Google maps, the story comes full circle.
There is so much that makes this film stand out. The storytelling is more than engaging: it is so captivating that the two-hour run-time feels like an hour. Acting performances are outstanding: Nicole Kidman is at her best while the five year-old Saroo (Sunny Pawar) is the heart of the film and Dev Patel its soul. The cinematography is brilliant, especially the filming in India. The camera-work is both expansive and intimate, shifting often from sweeping aerial panoramas of mountainous Indian countryside and tranquil Tasmanian waterways to narrow winding alleys, village markets, and the inner-world of Saroo's turmoil. Some of the most powerful scenes are shot from the eye-level of a terrified lost boy jostled by masses of humanity and the close-ups of Saroo's painful face desperate to know home. The colour palette is exotic, sound track emotionally intense, and the directing finds a rhythm that is almost orchestral.
This film offers an immensely satisfying cinematic experience: visually stunning, narratively powerful, and an emotional whirlwind. It comes at the end of a very mixed year for Australian film, with some of the world's finest produced but many that are less than inspiring. Lion is one of those films that will appeal to everyone and it has a very long after-taste. It easily tops my film year.
Did you know
- TriviaTo internalize her character, Priyanka Bose went to Madhya Pradesh to meet Kamla Munshi, the mother her character was based on: "My questions were basic and just by meeting her, I could tell how hard her life has been. I got down on my knees and hugged her and thanked her for her courage." When meeting Munshi she was told that she was declared crazy by many villagers in the small town for years, as she never gave up hope that her son would return one day.
- GoofsAt 1:06:21, Saroo is seen using Samsung Galaxy S in 2008, but the model was released in 2010.
- Quotes
Saroo Brierley: I'm sorry you couldn't have your own kids.
Sue Brierley: What are you saying?
Saroo Brierley: We... we... weren't blank pages, were we? Like your own would have been. You weren't just adopting us but our past as well. I feel like we're killing you.
Sue Brierley: I could have had kids.
Saroo Brierley: What?
Sue Brierley: We chose not to have kids. We wanted the two of you. That's what we wanted. We wanted the two of you in our lives.That's what we chose.
[pause]
Sue Brierley: That's one of the reasons I fell in love with your dad.
[pause]
Sue Brierley: Because we both felt as if... the world has enough people in it. Have a child, couldn't guarantee it will make anything better. But to take a child that's suffering like you boys were. Give you a chance in the world. That's something.
- Crazy creditsAfter the final credits, there's an earlier shot with the boys on the train tunnel and the credits "In loving memory of Guddu".
- Alternate versionsThe Extended Australian Edition runs approx. 12 minutes longer.
- SoundtracksAaja Nindiya Aaja Nainan Beech Sama Ja
Written by Khayyam
(Saregama India/Mushroom Music)
Performed by Lata Mangeshkar
Licensed courtesy of Saregama India
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Un camino a casa
- Filming locations
- Ganesh Talai, Khandwa, Madhya Pradesh, India(The home of the Saroo)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $51,738,905
- Opening weekend US & Canada
- $123,360
- Nov 27, 2016
- Gross worldwide
- $140,853,810
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1